{"id":7997,"date":"2015-04-30T01:50:34","date_gmt":"2015-04-30T01:50:34","guid":{"rendered":"http:\/\/dancemogul.com\/news\/?p=7997"},"modified":"2020-03-22T14:53:59","modified_gmt":"2020-03-22T18:53:59","slug":"dance-mogul-magazine-behind-the-scenes-with-zest-collective-performance-art-at-harlem-stage-gatehouse-nyc-2015","status":"publish","type":"post","link":"https:\/\/www.dancemogul.com\/news\/dance-mogul-magazine-behind-the-scenes-with-zest-collective-performance-art-at-harlem-stage-gatehouse-nyc-2015\/","title":{"rendered":"Dance Mogul Magazine behind the scenes with Zest Collective Performance Art at Harlem Stage Gatehouse NYC 2015"},"content":{"rendered":"

Dance Mogul Magazine goes behind the scenes with ZEST COLLECTIVE Contemporary Performance Art –<\/em><\/strong>FETUS (world premiere) at Harlem Stage Gatehouse Theater.<\/em><\/strong><\/p>\n

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Dance Mogul Magazine Exclusive…\u00a0<\/span><\/em><\/h1>\n
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DMM:\u00a0 <\/strong>How did ZEST get involved with THE TAKEOVER?
\n<\/strong>Gentry:<\/em><\/strong>\u00a0 Since I began ZEST in 2013 Malcolm Low has served as artistic advisor, guiding and encouraging me as I endeavor to create a momentous voice in the dance community. Low’s company (Malcolm Low\/Formal Structure) was one of the headlining performance groups at EMoves 16.\u00a0 He nominated me to participate in one of the EMoves’ culminating events known as THE TAKEOVER.\u00a0 The event showcased nine emerging choreographers who were selected by EMoves 16 choreographers and mentors to create a series of works to be performed in an assigned site-specific area at the historic Harlem Stage Gatehouse Theater.<\/p>\n

DMM:\u00a0<\/strong> Tell us more about the work you recently premiered.
\n<\/strong>Gentry:<\/strong><\/em>\u00a0 On April 18th, 2015 ZEST COLLECTIVE Contemporary Performance Art and electronic guitarist Dylan Sneed premiered FETUS – a site-specific movement series in 6 parts at Harlem Stage Gatehouse Theater for EMoves 16: THE TAKEOVER.\u00a0 Nine sculptural bodies descended into detail symbolic representations of spring and decay. For this installation audience members were arranged in a myriad of settings in hopes of inspiring alternative ways of viewing and enjoying dance. We presented a number of solos and duets and finally a larger number with all nine dance artists, accompanied by Sneed.\u00a0 FETUS represents unending possibilities and explores ideas of loss and dismay. I grew up in a household as one of three young boys – all relatively the same age.\u00a0 Through elementary and junior high school my mother suffered a number of miscarriages.\u00a0 I saw her body blossom with hopes of new life only to witness the deep unspeakable pain fostered by the loss of a once strong and promising seed. FETUS offered me the opportunity to commune with my lost siblings. Guitarist Dylan Sneed joined us for the final number to create an almost playground-like atmosphere.\u00a0 The work is a homage to life and the transcendence of all living beings.<\/p>\n

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DMM: <\/strong>Were you pleased with your company’s performance?
\nGentry:<\/strong><\/em>\u00a0 Yes.\u00a0 I am always pleased with my creative pursuits.\u00a0 Fortunately, I work with the best dancers in the world.\u00a0 They all have great enthusiasm for life and our working environments as well. Often I dream and relive the moments created onstage by members of ZEST and I am thoroughly encouraged to do more, to expand our movement vocabulary and share our sacred works with the world at large.<\/p>\n

DMM:\u00a0 <\/strong>This time you collaborated with musician Dylan Sneed.\u00a0 In the past, you have collaborated with other musicians and visual artists.\u00a0 Tell us how was this project different.
\nGentry:\u00a0<\/strong><\/em> While we have limited funds there is no reason to sacrifice the rich experience of live music.\u00a0 My dance artists and I are growing exponentially and it is vital we keep in mind our larger mission – to present powerful and deeply moving works of art fueled by the creative investigation of movement as experienced through exploring the body\u2019s response to external and internal impulses. This time we had an opportunity to perform at the historic Gatehouse Theatre which among its many amenities offered absolutely beautiful acoustics.\u00a0 I wanted to bring something special to Harlem and I wanted to experience something new. I met Dylan through ZEST’s choreographer and dance artist Stephanie Salts when Sneed came to see our recent performance in February when we presented “A Matter Of Heart,” accompanied by electronic duo Pax Humana.\u00a0 We spoke briefly about the possibility of future collaborations and two months later we were able to make it a reality. The sound of the guitar has a feeling of home and warmth.\u00a0 Dylan’s work offered the perfect soundscape for FETUS.\u00a0 The energy was raw and lyrical at the same time.<\/p>\n

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DMM:\u00a0 <\/strong>What were some of the challenges you faced?
\nGentry:<\/strong><\/em>\u00a0 The company faces the challenge of being primarily funded by myself.\u00a0 The creative energies are always overflowing, however, affording time and space to create is always a challenge.\u00a0Nonetheless, we premiered a beautiful work recently and I am excited to continue creating.<\/p>\n

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DMM:\u00a0 <\/strong>What can we look forward to next?
\nGentry:\u00a0<\/strong><\/em> I will spend a great deal of spring setting a new work on a company in South Florida which will premiere in September of this year.\u00a0 I am challenged and privileged to create a work with music by Argentinian composer Astor Piazzolla. This summer ZEST has a few performances lined up beginning in June.\u00a0 To learn more visit: www.zestcollective.org \u00a0<\/a>Feel free to follow us on Instagram and like us on Facebook to view posts of our recent creative discoveries.<\/em><\/p>\n