| EP 9 | Jenna Dewanwith Val Chmerkovskiy | Quickstep | Be Our Guestfrom Beauty and the Beast | 40/40 | Team Wildcats dance (“We’re All in This Together”): 40/40; night total 80/80. Her first perfect score of the season. Rodney Ingram sang live. |
| EP 9 | Harry Shum Jr.with Jenna Johnson | Jazz | Supercalifragilisticexpialidociousfrom Mary Poppins | 40/40 | Team Wildcats dance (“We’re All in This Together”): 40/40; night total 80/80. Won the 80/80 tie on season scoring (236 to 235) and earned immunity in next week’s dance-off, as reported. Kyra Belle Johnson sang live. |
| EP 9 | Ezra Frechwith Daniella Karagach | Samba | Under the Seafrom The Little Mermaid | 37/40 | Team Wildcats dance (“We’re All in This Together”): 40/40; night total 77/80. Michael James Scott sang live. |
| EP 9 | Amber Glennwith Pasha Pashkov | Quickstep | A Star Is Bornfrom Hercules | 34/40 | Team Slaytopia dance (“Zoo”): 36/40; night total 70/80. |
| EP 9 | Tatyana Aliwith Jan Ravnik | Contemporary | Easy as Lifefrom Aida | 33/40 | Team Slaytopia dance (“Zoo”): 36/40; night total 69/80. Heather Headley sang live. Ali captained Team Slaytopia. |
| EP 9 | Julia Stileswith Ezra Sosa | Paso doble | Satisfiedfrom Hamilton | 33/40 | Team Slaytopia dance (“Zoo”): 36/40; night total 69/80. Eliminated. |
| EP 9 | Maura Higginswith Mark Ballas | Jive | You Can Fly! You Can Fly! You Can Fly!from Peter Pan | 32/40 | Team Slaytopia dance (“Zoo”): 36/40; night total 68/80. Lowest night total; advanced. |
| EP 9 | Connor Woodwith Rylee Arnold | Waltz | I See the Lightfrom Tangled | 32/40 | Team Wildcats dance (“We’re All in This Together”): 40/40; night total 72/80. Heather Headley sang live. Wood captained Team Wildcats. |
| EP 8 | Harry Shum Jr.with Jenna Johnson | Contemporary | Toxic2WEI | 40/40 | — |
| EP 8 | Jenna Dewanwith Val Chmerkovskiy | Argentine tango | UninvitedDamned Anthem and Kendra Dantes | 37/40 | — |
| EP 8 | Connor Woodwith Rylee Arnold | Contemporary | You Are My SunshineCharles McDonald | 37/40 | — |
| EP 8 | Amber Glennwith Pasha Pashkov | Argentine tango | PerfectionClint Mansell | 36/40 | — |
| EP 8 | Ezra Frechwith Daniella Karagach | Jazz | MadnessRuelle | 35/40 | — |
| EP 8 | Jackson Olsonwith Emma Slater | Contemporary | That's LifeFrank Sinatra | 35/40 | — |
| EP 8 | Maura Higginswith Mark Ballas | Contemporary | Cry Little SisterGerard McMann | 32/40 | — |
| EP 8 | Tatyana Aliwith Jan Ravnik | Paso doble | I Lied to YouMiles Caton | 28/40 | — |
| EP 8 | Tyler Cameronwith Sharna Burgess | Viennese waltz | Love Song for a VampireAnnie Lennox | 26/40 | — |
| EP 8 | Julia Stileswith Ezra Sosa | Argentine tango | The Dogs AttackJerry Goldsmith | 26/40 | — |
| EP 7 | Amber Glennwith Pasha Pashkov | Contemporary | Breathe MeSia | 38/40 | Dedicated to her sister, Brooke. The night’s top score, with two 10s. |
| EP 7 | Jenna Dewanwith Val Chmerkovskiy | Viennese waltz | Unchained MelodyThe Righteous Brothers | 37/40 | Danced with substitute pro Alan Bersten while Val Chmerkovskiy served a one-episode suspension. Dedicated to her mother, Nancy. |
| EP 7 | Ezra Frechwith Daniella Karagach | Contemporary | BloodlineMon Rovia | 37/40 | Dedicated to his mother, Bahar. Drew one 10; Amber Glenn and Jenna Dewan also earned 10s that night. |
| EP 7 | Harry Shum Jr.with Jenna Johnson | Foxtrot | Stop This TrainJohn Mayer | 36/40 | Dedicated to his wife, Shelby. |
| EP 7 | Julia Stileswith Ezra Sosa | Contemporary | Can’t Take My Eyes Off YouFrankie Valli | 36/40 | Dedicated to her late 10 Things I Hate About You co-star Heath Ledger. |
| EP 7 | Maura Higginswith Mark Ballas | Paso doble | I’m Shipping Up to BostonDropkick Murphys | 35/40 | Dedicated to Ireland. |
| EP 7 | Tatyana Aliwith Jan Ravnik | Viennese waltz | (You Don’t Know) How Glad I AmNancy Wilson | 32/40 | Dedicated to her late Fresh Prince of Bel-Air co-star James Avery, with host Alfonso Ribeiro joining the tribute. Her best score of the season. |
| EP 7 | Tyler Cameronwith Sharna Burgess | Contemporary | Supermarket FlowersEd Sheeran | 32/40 | Dedicated to his late mother and to mothers everywhere. |
| EP 7 | Jackson Olsonwith Emma Slater | Quickstep | L-O-V-ENat King Cole | 32/40 | Dedicated to his mother, Laura. |
| EP 7 | Connor Woodwith Rylee Arnold | Viennese waltz | Piano ManBilly Joel | 32/40 | Dedicated to his father, Pete. |
| EP 6 | Jenna Dewanwith Val Chmerkovskiy | Paso doble | Bad RomanceLady Gaga | 36/40 | — |
| EP 6 | Ezra Frechwith Daniella Karagach | Salsa | Hot in HerreNelly | 36/40 | — |
| EP 6 | Amber Glennwith Pasha Pashkov | Samba | Mi GenteJ Balvin & Willy William | 34/40 | Judges singled out the scarf section set against traditional samba rolls. |
| EP 6 | Maura Higginswith Mark Ballas | Tango | Only Girl (In the World)Rihanna | 33/40 | Performed through rehearsal neck pain; no diagnosis released. Inaba and Hough asked for more attack. |
| EP 6 | Harry Shum Jr.with Jenna Johnson | Samba | Yeah!Usher feat. Lil Jon & Ludacris | 33/40 | — |
| EP 6 | Julia Stileswith Ezra Sosa | Jazz | Jenny from the Block (Track Masters Remix)Jennifer Lopez feat. Jadakiss & Styles P | 33/40 | A Save the Last Dance callback with a hip-hop and ballet solo; Tonioli called it her best dance. |
| EP 6 | Jackson Olsonwith Emma Slater | Salsa | Uptown FunkMark Ronson feat. Bruno Mars | 31/40 | Hough called it his best dance of the competition. |
| EP 6 | Tyler Cameronwith Sharna Burgess | Jazz | The Time (Dirty Bit)Black Eyed Peas | 30/40 | A Dirty Dancing-inspired jazz that included the film's famous lift. Hough praised his improvement and Inaba his lifts; the couple was in the final group and advanced. |
| EP 6 | Tatyana Aliwith Jan Ravnik | Salsa | squabble upKendrick Lamar | 29/40 | — |
| EP 6 | Connor Woodwith Rylee Arnold | Samba | Hips Don't LieShakira feat. Wyclef Jean | 25/40 | Judges called his energy a 10 but said timing and weight transfer need significant work. |
| EP 6 | Guillermo Rodriguezwith Witney Carson | Salsa | Tití Me PreguntóBad Bunny | 22/40 | His best score of the season, scored 6-5-6-5. Inaba said he had brought the joy back. Eliminated as the field rose around him. |
| EP 5 | Maura Higginswith Mark Ballas | Waltz | If It's OverMariah Carey | 25/30 | — |
| EP 5 | Jenna Dewanwith Val Chmerkovskiy | Rumba | My AllMariah Carey | 24/30 | — |
| EP 5 | Ezra Frechwith Daniella Karagach | Rumba | Anytime You Need a FriendMariah Carey | 24/30 | — |
| EP 5 | Harry Shum Jr.with Jenna Johnson | Tango | It's Like ThatMariah Carey feat. Jermaine Dupri & Fatman Scoop | 24/30 | — |
| EP 5 | Amber Glennwith Pasha Pashkov | Rumba | HeroMariah Carey | 23/30 | — |
| EP 5 | Tyler Cameronwith Sharna Burgess | Foxtrot | #BeautifulMariah Carey feat. Miguel | 21/30 | — |
| EP 5 | Ciara Millerwith Brandon Armstrong | Jazz | EmotionsMariah Carey | 21/30 | — |
| EP 5 | Jackson Olsonwith Emma Slater | Waltz | Without YouMariah Carey | 21/30 | — |
| EP 5 | Julia Stileswith Ezra Sosa | Viennese waltz | Vision of LoveMariah Carey | 21/30 | — |
| EP 5 | Tatyana Aliwith Jan Ravnik | Jazz | FantasyMariah Carey | 20/30 | — |
| EP 5 | Connor Woodwith Rylee Arnold | Rumba | Touch My BodyMariah Carey | 19/30 | — |
| EP 5 | Guillermo Rodriguezwith Witney Carson | Samba | ObsessedMariah Carey | 13/30 | — |
| EP 4 | Amber Glennwith Pasha Pashkov | Foxtrot | Hold the LineToto | 24/30 | — |
| EP 4 | Harry Shum Jr.with Jenna Johnson | Jive | You Make My Dreams (Come True)Daryl Hall & John Oates | 24/30 | — |
| EP 4 | Maura Higginswith Mark Ballas | Quickstep | Turn Your Love AroundGeorge Benson | 22/30 | — |
| EP 4 | Tatyana Aliwith Jan Ravnik | Quickstep | ManeaterDaryl Hall & John Oates | 21/30 | — |
| EP 4 | Jenna Dewanwith Val Chmerkovskiy | Samba | AfricaToto | 21/30 | — |
| EP 4 | Ezra Frechwith Daniella Karagach | Foxtrot | Just the Two of UsGrover Washington Jr. feat. Bill Withers | 21/30 | — |
| EP 4 | Connor Woodwith Rylee Arnold | Foxtrot | EverywhereFleetwood Mac | 20/30 | — |
| EP 4 | Julia Stileswith Ezra Sosa | Salsa | I Can't Go for That (No Can Do)Daryl Hall & John Oates | 19/30 | — |
| EP 4 | Taylor Hansonwith Britt Stewart | Foxtrot | What a Fool BelievesThe Doobie Brothers | 18/30 | — |
| EP 4 | Ciara Millerwith Brandon Armstrong | Cha-cha | Never Too MuchLuther Vandross | 18/30 | — |
| EP 4 | Jackson Olsonwith Emma Slater | Paso doble | Easy LoverPhilip Bailey & Phil Collins | 18/30 | — |
| EP 4 | Tyler Cameronwith Sharna Burgess | Jive | Still the OneOrleans | 17/30 | — |
| EP 4 | Guillermo Rodriguezwith Witney Carson | Foxtrot | Escape (The Piña Colada Song)Rupert Holmes | 15/30 | — |
| EP 3 | Jenna Dewanwith Val Chmerkovskiy | Jive | AnimalKATSEYE | 21/30 | — |
| EP 3 | Ezra Frechwith Daniella Karagach | Cha-cha | LowFlo Rida | 21/30 | — |
| EP 3 | Amber Glennwith Pasha Pashkov | Tango | All the Things She SaidHarrison | 21/30 | — |
| EP 3 | Maura Higginswith Mark Ballas | Cha-cha | SeptemberEarth, Wind & Fire | 19/30 | — |
| EP 3 | Tatyana Aliwith Jan Ravnik | Foxtrot | What Was I Made For?Billie Eilish | 18/30 | — |
| EP 3 | Ciara Millerwith Brandon Armstrong | Tango | No Broke BoysDisco Lines & Tinashe | 18/30 | — |
| EP 3 | Jackson Olsonwith Emma Slater | Foxtrot | That's So TrueGracie Abrams | 18/30 | — |
| EP 3 | Harry Shum Jr.with Jenna Johnson | Viennese waltz | IrisGoo Goo Dolls | 18/30 | — |
| EP 3 | Tyler Cameronwith Sharna Burgess | Salsa | GirlsThe Kid LAROI | 16/30 | — |
| EP 3 | Julia Stileswith Ezra Sosa | Tango | The DoorTeddy Swims | 16/30 | — |
| EP 3 | Taylor Hansonwith Britt Stewart | Cha-cha | Cake By the OceanDNCE | 15/30 | — |
| EP 3 | Connor Woodwith Rylee Arnold | Tango | 12 to 12sombr | 15/30 | — |
| EP 3 | Giada De Laurentiiswith Alan Bersten | Salsa | Bella CiaoBecky G | 12/30 | — |
| EP 3 | Guillermo Rodriguezwith Witney Carson | Paso doble | Where Have You BeenRihanna | 12/30 | — |
| EP 2 | Maura Higginswith Mark Ballas | Foxtrot | Black VelvetAlannah Myles | 21/30 | The premiere’s clearest reminder that ballroom quality is not a résumé contest. Character supported the movement instead of replacing it, and the foxtrot read smooth and continuous. |
| EP 2 | Jenna Dewanwith Val Chmerkovskiy | Tango | Call MeBlondie | 19/30 | The dance experience was obvious in attack and finish, but ballroom exposed a different requirement: economy. Refining the top line without losing intensity is the real transfer test. |
| EP 2 | Amber Glennwith Pasha Pashkov | Cha-cha | SmoothSantana feat. Rob Thomas | 18/30 | The skating background supplied lines and musical confidence immediately. Ballroom’s question is underneath: can the feet articulate the floor and can weight settle sharply enough for Latin action? |
| EP 2 | Julia Stileswith Ezra Sosa | Quickstep | 9 to 5Dolly Parton | 18/30 | The quickstep matters because it separates screen memory from present-tense dancing. The opening showed composure and timing; the season test is whether ballroom mechanics become her current identity rather than a callback. |
| EP 2 | Giada De Laurentiiswith Alan Bersten | Tango | VenusShocking Blue | 16/30 | The encouraging part was clarity: even with visible nerves, the shapes stayed readable. The next gain is conviction — more drive through the floor and less hesitation between positions. |
| EP 2 | Ciara Millerwith Brandon Armstrong | Foxtrot | Exhale (Shoop Shoop)Whitney Houston | 15/30 | The performance intention was clear, but foxtrot needs continuity underneath the mood. The next step is to make the body travel as smoothly as the expression reads. |
| EP 2 | Sarah Jane Naderwith Hailey Bills | Jive | Sk8er BoiAvril Lavigne | 14/30 | The routine had commitment and character, but jive exposes timing and footwork quickly. The score and elimination ended the partnership before those mechanics could develop across weeks. |
| EP 2 | Tatyana Aliwith Jan Ravnik | Jive | Knock on WoodAmii Stewart | 12/30 | The rough opening pulled the timing apart, but the routine improved once she settled. The next gain is lighter feet and a more consistent basic rhythm without losing the performance spark. |
| EP 1 | Harry Shum Jr.with Jenna Johnson | Cha-cha | Let's GrooveEarth, Wind & Fire | 21/30 | The résumé is the advantage; the habits are the assignment. His performance systems already work, so the test is whether axis, weight, foot pressure and partner connection become more specific. |
| EP 1 | Ezra Frechwith Daniella Karagach | Tango | Since U Been GoneKelly Clarkson | 20/30 | Adaptation was the story: he looked focused, controlled and like a partner who was leading rather than merely completing steps. The next step is more glide and continuity. |
| EP 1 | Tyler Cameronwith Sharna Burgess | Tango | Are You Gonna Go My WayLenny Kravitz | 17/30 | The athletic base gives him usable power and control, but tango rewards organization more than effort. The season test is whether strength becomes quieter, more connected movement. |
| EP 1 | Taylor Hansonwith Britt Stewart | Quickstep | Tell Her About ItBilly Joel | 16/30 | A Week 1 quickstep is a heavy technical assignment. His strongest signal was recovery: a mistake did not collapse the performance. The next level is cleaner frame and feet at speed. |
| EP 1 | Connor Woodwith Rylee Arnold | Cha-cha | I Like It, I Love ItTim McGraw | 16/30 | The personality reads quickly, which is useful television. The development question is whether the technique can become equally legible: clearer weight changes, sharper rhythm and less dependence on charm to carry the phrase. |
| EP 1 | Jackson Olsonwith Emma Slater | Cha-cha | WannabeSpice Girls | 15/30 | Energy makes the routine readable, but cha-cha asks whether that energy can be organized into precise weight changes. The next gain is less bouncing around the beat and more dancing through it. |
| EP 1 | Conner Leavittwith Adele Zaikman | Salsa | Whoomp! (There It Is)Tag Team | 12/30 | The first pair out, and the first Season 35 professional out after a single routine. The Night 1 online-voting outage is a separately tracked fact, not evidence of what caused the result. |
| EP 1 | Guillermo Rodriguezwith Witney Carson | Cha-cha | Mr. Big StuffJean Knight | 10/30 | The audience connection was real, but so was the technical gap. Heel leads, limited cha-cha action and inconsistent timing explain the 10/30; commitment gives Carson something usable to build around. |