Dancing with the Stars 2026 news, reported as a dance beat and updated after every episode: who was eliminated, weekly scores, theme-night songs and dances, professional-dancer developments and DMM analysis.
● Live CoverageSeason 35 · Week 7Last updated: October 22, 2026 · 4:45 PM ET · Horror Movie Night Songs and Dances Revealed; Val Chmerkovskiy Listed With Jenna Dewan
Dancing with the Stars Season 35 cast key art. Image: ABC/Disney Television Press.
Season 35 At a Glance
October 22 · Horror Movie Night · All 10 Songs and Dances Revealed
All ten Week 7 songs and dance styles are out. Former contestant Andy Richter revealed them on the official Dancing with the Stars podcast. Three couples dance the Argentine tango, among them Dedication Night leader Amber Glenn, Jenna Dewan and Julia Stiles; four dance contemporary; and Tatyana Ali has a Sinners-inspired paso doble. The lineup lists Dewan with Val Chmerkovskiy. Read the Week 7 lineup →Every song, dance and film →
October 22 · Horror Movie Night · Guest Judge and Partnership Update
Shirley Ballas, Mark Ballas’s mother, will guest-judge Horror Movie Night on October 27, when two couples go home. Dedication Night’s scores and votes carry over into that result. Val Chmerkovskiy is back in rehearsals with Jenna Dewan after his one-episode suspension, The Hollywood Reporter reported October 21. Tyler Cameron also revealed on air that he and his fiancée are expecting a girl. Read the Week 7 update →Tyler Cameron’s news →
October 19 · Dedication Night · First-Person Rehearsal Interview
Julia Stiles says rehearsing her October 20 contemporary tribute to Heath Ledger has stirred unexpected emotion. The People interview follows her October 16 comments to Entertainment Weekly and Variety and her October 18 reflections on Save the Last Dance. Ezra Sosa remains her partner; the announced song and routine are unchanged. Read the rehearsal analysis →October 20 result: Stiles and Sosa’s contemporary tribute to Heath Ledger scored 36/40. Week 6 report →
October 19 · Choreography and Judging Watch · Professional Dancer Commentary
Gleb Savchenko disputes Carrie Ann Inaba’s assessment of the troupe-assisted movement in Harry Shum Jr. and Jenna Johnson’s October 13 samba, calling it a trick rather than a prohibited lift. This is a former pro’s interpretation, not a revised score or official rule decision. Read the technique debate →
October 19 · Dedication Night Family Participation · Original Interview
Laura Olson says she will briefly join Jackson Olson and Emma Slater in their October 20 quickstep. ABC's song/style listing remains unchanged, as does the ten-couple field. Read the new choreography analysis →Julia Stiles also reflects on the October 13 Save the Last Dance recreation in a newly published first-person interview. Read her dance-legacy reflection →October 20 result: Jackson Olson and Emma Slater’s quickstep for his mother Laura scored 32/40. Week 6 report →
October 19 · Professional Dancer Development
Val Chmerkovskiy accepted his October 20 benching in an Instagram Story statement, calling his meme reference a “poor decision” and asking fans to support Carrie Ann Inaba, Jenna Dewan and the cast. Alan Bersten still partners Dewan; no change for later weeks has been announced. Read the statement →October 20 result: Bersten partnered Dewan as announced (37/40). Chmerkovskiy’s return for Week 7 has been reported but not officially confirmed. Week 6 report →October 22 update:The Hollywood Reporter reports Chmerkovskiy has resumed rehearsals with Dewan for Horror Movie Night. Latest →
October 19 · Dedication Night · Official Rehearsal Preview
Alfonso Ribeiro will join Tatyana Ali and Jan Ravnik in their October 20 James Avery tribute. Ali says she plans to prerecord her own vocals for the Nancy Wilson song; the final broadcast arrangement is unconfirmed. The scheduled Viennese waltz and ten-couple field are unchanged. Read the official-preview analysis →October 20 result: Ribeiro joined the tribute, and Ali and Ravnik’s Viennese waltz scored 32/40, her best of the season. Week 6 report →
October 19 · Professional Dancer Development
Emma Slater defended Alan Bersten's stand-in role, saying pros step in for one another. Bersten also replaced Val Chmerkovskiy for Gabby Windey on October 31, 2022, for a different reason. The October 20 Dewan/Bersten Viennese waltz remains scheduled; no new casting change or ABC rule is announced. Read the pro-dancer context →October 20 result: The Dewan/Bersten Viennese waltz scored 37/40. Week 6 report →
October 19 Reporting Checkpoint · Injury and Training Watch
In an injury update reported October 16, Tyler Cameron described longstanding shoulder and hip problems and recent thumb/wrist trouble that he says make some lifts painful. These are Cameron’s descriptions, not an independently verified medical diagnosis or an announced withdrawal. ABC still lists his October 20 contemporary with Sharna Burgess. Read the first-person training report →October 20 result: Cameron and Burgess performed their contemporary as scheduled and scored 32/40; no withdrawal was announced. Week 6 report →
October 17 Breaking Update · Week 6 Professional-Partner Change
Val Chmerkovskiy will not perform October 20. BBC Studios confirmed his absence after a social-media remark about Carrie Ann Inaba. Alan Bersten will dance with Jenna Dewan for the previously announced Viennese waltz to “Unchained Melody.” The ten-celebrity field remains intact. Update, 7:22 PM ET: ABC News confirmed the replacement. October 18: Chmerkovskiy accepted the decision in an Instagram Story statement, calling his meme reference a “poor decision” and saying he will be watching. Read his statement →ABC confirmation →Read verified update →Full DMM report →October 20 result: Bersten and Dewan’s Viennese waltz scored 37/40. On October 21, The Hollywood Reporter and E! News reported Chmerkovskiy’s return; Dewan’s Week 7 partner is not yet officially confirmed. Week 6 report →October 22 update:The Hollywood Reporter reports he is back in rehearsals with Dewan for October 27. Latest →
October 18 · Judging and Choreography Watch
Original DWTS pro Louis van Amstel says Carrie Ann Inaba was right to question the October 13 assisted lift, while calling for clearer, consistently applied rules when extra dancers are involved. His proposal is commentary, not an ABC rule change.Read the dance-technique update →
Week 5 Audience & Voting · ABC Oct. 16
6.59M viewers · 70M+ votes
Adults 18–49: 1.56, best non-finale rating since 2017. Votes cast are not unique voters. Official report →
Couples Remaining
10
Celebrity & pro partnerships after Week 6 (no elimination)
Latest Elimination
Guillermo Rodriguez & Witney Carson
Eliminated on Super Bowl Night after a 22/40 salsa, his best score; 10 couples remain
Current Week
Week 7 · Horror Movie Night
Tuesday, Oct. 27 · 8 p.m. ET on ABC & Disney+ · guest judge Shirley Ballas · double elimination; all 10 songs and dance styles revealed Oct. 22. Week 7 songs and dances →
New Pro Status
2027 Tour · MSG Debut
First Madison Square Garden stop Feb. 5; first presenting sponsor COVERGIRL. The troupe joins the road cast for the first time.
Season Roadmap
Theme Nights Revealed
Sept. 22 Viral Hits · Sept. 29 Yacht Rock · Oct. 6 Mariah Carey · Oct. 13 Super Bowl · Oct. 20 Dedication · Oct. 27 Horror · Mon., Nov. 2 Disney · Nov. 10 Grammy · Nov. 17 Semifinals · Nov. 24 Finale
Week 6 Top Score
38/40 · Glenn & Pashkov
Amber Glenn & Pasha Pashkov’s contemporary for her sister Brooke led Dedication Night; Dewan and Frech followed at 37/40
How to Watch & Vote
Tuesdays · 8 p.m. ET
Live on ABC & Disney+, next day on Hulu · Vote during the live window at dwtsvote.abc.com or by text to 21523
Hosts
Alfonso Ribeiro Julianne Hough
Judges
Carrie Ann Inaba Derek Hough Bruno Tonioli Oct. 27 guest: Shirley Ballas (announced on air) Oct. 20 guest: Kym Johnson-Herjavec
2027 Pro Tour Watch
Rylee Arnold Returns · Mandy Moore Directs
Arnold's official participation dates are confirmed; see DMM's full tour guide (forthcoming).
Current as of October 22, 2026 · Week 6 Final Results · Week 7 Songs and Dances
DWTS This Week: Dedication Night Results, October 20
The short answers readers ask for every week, with links to the full DMM reporting below.
Latest elimination
Who went home on Dancing with the Stars?
No one went home on Dedication Night (Oct. 20); all ten couples were safe. Two couples will be eliminated on Horror Movie Night, Oct. 27. The most recent couple eliminated is Guillermo Rodriguez and Witney Carson, on Super Bowl Night (Oct. 13). Six couples have gone home in DWTS Season 35. Week 6 report · Every elimination so far.
Amber Glenn & Pasha Pashkov led Week 6 at 38/40. Jenna Dewan & Alan Bersten and Ezra Frech & Daniella Karagach followed at 37/40, with guest judge Kym Johnson-Herjavec scoring alongside the panel. Full leaderboard and score trends.
Week 6 · Oct. 20
DWTS Dedication Night results
Guest judge Kym Johnson-Herjavec joined the panel, so all ten dances were scored out of 40. Scores ran from 38/40 (Glenn) to 32/40 (Ali, Cameron, Olson, Wood), and three couples drew 10s: Amber Glenn (two), Jenna Dewan and Ezra Frech. Honorees joined several routines, including Alfonso Ribeiro in Tatyana Ali’s tribute to James Avery. Every song, dance and tribute →
Voting
How to vote on Dancing with the Stars
Vote only during the live ET/CT broadcast: online at dwtsvote.abc.com (U.S. and Canada), or text the couple’s on-screen keyword to 21523 (DWTS text number, U.S. carriers only). Viewer votes are combined with judges’ scores.
Next episode
When is the next DWTS episode?
Horror Movie Night airs Tuesday, Oct. 27, 8 p.m. ET on ABC and Disney+, with guest judge Shirley Ballas, and two couples will be eliminated. Songs, dances and the double elimination → Next-day streaming on Hulu.
Theme next week
What is the next DWTS theme?
Week 7 is Horror Movie Night on Oct. 27. Co-host Julianne Hough announced a double elimination at the end of Dedication Night, where all ten couples were safe, and Alfonso Ribeiro named Shirley Ballas as guest judge. All ten songs and dance styles were revealed Oct. 22: three Argentine tangos, four contemporary routines, a paso doble, a Viennese waltz and a jazz, each inspired by a horror film or genre. See every Horror Movie Night song and dance →Dedication Night songs and tributes →
The dance angle
What DMM is watching
Dedication Night answered one question: Dewan held her level with substitute partner Alan Bersten (36 to 37), and Frech rose from 36 to 37 in contemporary. Now four couples share the bottom score of 32 going into a double elimination, where the viewer vote decides as much as the judges. DMM Watching.
October 20 result: Tatyana Ali and Jan Ravnik’s Viennese waltz to Nancy Wilson honored James Avery of The Fresh Prince of Bel-Air, with host Alfonso Ribeiro joining the tribute. It scored 32/40, her best of the season. Read the October 15 reveal →
Official ABC Confirmation · Oct. 14, 10:19 PM ET
In addition to the 10 confirmed celebrity-couple dances, ABC has announced two pro/troupe routines to Alex Warren and Myles Smith, a Cat in the Hat dance to Hilary Duff, and a Dolly Parton dedication. Performers and choreographers for the extra numbers have not been named. Read the verified announcement →
Week 6 Result · Tuesday, Oct. 20
No one went home on Dedication Night. Amber Glenn and Pasha Pashkov led with 38/40; Julia Stiles and Ezra Sosa’s Heath Ledger tribute scored 36/40. Two couples will be eliminated on Horror Movie Night, Oct. 27. Dedication Night guide →Horror Movie Night guide →
Who Is Still on Dancing with the Stars Season 35?
10 couples remain on Dancing with the Stars Season 35 after Dedication Night on October 20, which had no elimination. Listed alphabetically by celebrity surname. Week 6 scores are out of 40 (guest judge Kym Johnson-Herjavec). Week 7 Horror Movie Night songs and dance styles were revealed Oct. 22 on the official DWTS podcast; each is listed with its horror-film inspiration. Alan Bersten partnered Jenna Dewan for Week 6. The Week 7 lineup lists Dewan with Val Chmerkovskiy, who returned to rehearsals after his one-episode suspension, The Hollywood Reporter reported Oct. 21.
Celebrity
Professional Partner
Latest Score
Week 6 Dance · Song
Week 7 Dance & Song
Status
Tatyana Ali
Jan Ravnik
32/40 (Week 6)
Viennese waltz · “(You Don't Know) How Glad I Am” (Nancy Wilson)
Paso doble · “I Lied to You” (Miles Caton) Inspired by Sinners
Competing
Tyler Cameron
Sharna Burgess
32/40 (Week 6)
Contemporary · “Supermarket Flowers” (Ed Sheeran)
Viennese waltz · “Love Song for a Vampire” (Annie Lennox) Inspired by Bram Stoker’s Dracula
Competing
Jenna Dewan
Val Chmerkovskiy Alan Bersten partnered her Oct. 20; Val listed with her for Oct. 27 in the official-podcast lineup
37/40 (Week 6)
Viennese waltz · “Unchained Melody” (The Righteous Brothers)
Argentine tango · “Uninvited” (Damned Anthem & Kendra Dantes) Inspired by zombie movies
Competing
Ezra Frech
Daniella Karagach
37/40 (Week 6)
Contemporary · “Bloodline” (Mon Rovia)
Jazz · “Madness” (Ruelle) Inspired by The Invisible Man
Competing
Amber Glenn
Pasha Pashkov
38/40 (Week 6)
Contemporary · “Breathe Me” (Sia)
Argentine tango · “Perfection” (Clint Mansell) Inspired by Black Swan
Competing
Maura Higgins
Mark Ballas
35/40 (Week 6)
Paso doble · “I’m Shipping Up to Boston” (Dropkick Murphys)
Contemporary · “Cry Little Sister” (Gerard McMann) Inspired by The Lost Boys
Competing
Jackson Olson
Emma Slater
32/40 (Week 6)
Quickstep · “L-O-V-E” (Nat King Cole)
Contemporary · “That’s Life” (Frank Sinatra) Inspired by Joker
Competing
Harry Shum Jr.
Jenna Johnson
36/40 (Week 6)
Foxtrot · “Stop This Train” (John Mayer)
Contemporary · “Toxic” (2WEI) Inspired by Saw
Competing
Julia Stiles
Ezra Sosa
36/40 (Week 6)
Contemporary · “Can’t Take My Eyes Off You” (Frankie Valli)
Argentine tango · “The Dogs Attack” (Jerry Goldsmith) Inspired by The Omen
Competing
Connor Wood
Rylee Arnold
32/40 (Week 6)
Viennese waltz · “Piano Man” (Billy Joel)
Contemporary · “You Are My Sunshine” (Charles McDonald) Inspired by Annabelle: Creation
Amber Glenn and Pasha Pashkov led Week 6 with 38/40, the night’s top score. Jenna Dewan, dancing with substitute Alan Bersten, and Ezra Frech followed at 37/40. With guest judge Kym Johnson-Herjavec, Weeks 5 and 6 are scored out of 40; Weeks 1–4 in the trend column are out of 30. No couple was eliminated, and four couples tied for the lowest score at 32/40 heading into the Week 7 double elimination.
Alfonso Ribeiro and Julianne Hough return as hosts for Season 35. Photo: Disney/Matt Sayles.
Standing Tracker
DMM Watching
The questions DMM is following all season. These update when the evidence changes — not when the headlines do.
Dedication Night Results — October 21 Update
Partnering test, answered: Jenna Dewan and substitute Alan Bersten scored 37/40 in their first routine together, up from her 36 with Val Chmerkovskiy. Guest performers: Tatyana Ali’s trio tribute with Alfonso Ribeiro scored 32/40, her best of the season, though guest judge Kym Johnson-Herjavec said she wanted more travel across the floor. Next: four couples tied at 32 enter the Oct. 27 double elimination; judges’ scores and viewer votes decide it together. Week 6 report →
Performance Interpretation & Choreography Rules — October 19 Update
Dedication Night: Julia Stiles reports that memories of Heath Ledger have surfaced during rehearsals with Ezra Sosa. DMM will watch how the emotional narrative translates into contemporary partnering and phrasing, without assuming an outcome. Judging debate: Gleb Savchenko contests Carrie Ann Inaba’s interpretation of a troupe-assisted samba moment; Louis van Amstel previously supported questioning the lift. Neither view changes the competition rulebook or the score.
Choreography Watch — Family Guests and Screen-Dance Memory
October 19: Laura Olson's planned brief appearance in Jackson Olson and Emma Slater's quickstep tests how a novice guest can enter a judged ballroom routine without obscuring the competing couple's technique. Julia Stiles' first-person reflection on revisiting Save the Last Dance with Ezra Sosa highlights a second question: how live television choreography can reinterpret an iconic film scene without becoming simple imitation. Quickstep analysis → · Dance-legacy analysis →
Audience Reach, Fan Voting & Dance Visibility — New Official Checkpoint
October 16: ABC reports 6.59 million viewers, a 1.56 adults 18–49 rating, 2.9 million social interactions and more than 70 million votes cast for October 13 Super Bowl Night. The demo rating is the show's best non-finale result since 2017; the 70M+ figure counts ballots, not unique voters or votes for a named couple. DMM will compare future reach and engagement with the actual choreographic range, pro/troupe visibility and technical progress, without attributing a ratings increase to any particular dance without evidence. ABC data and DMM analysis →
Dance Growth, Scores & Viewer Choice — New First-Person Checkpoint
October 15, 12:09 AM ET: Tyler Cameron has publicly argued that DWTS is not solely about selecting the best technical dancer; he points to learning, improvement and the relationship built with professional partner Sharna Burgess after Guillermo Rodriguez’s October 13 exit. DMM will continue to evaluate actual dance development separately from audience attachment. ABC has not announced a change in scoring or voting; individual vote totals are not verified. Read the new report →
Professional Dancer / Troupe Watch — New ABC Checkpoint
October 14, 10:19 PM ET: ABC's written Dedication Night release confirms pro/troupe numbers to Alex Warren's “Fever Dream” and Myles Smith's “Stay (If You Wanna Dance).” It also lists separate dances to Hilary Duff and a Dolly Parton tribute. The credited dancers and choreographers remain unknown; DMM will track those names and what the ensemble work reveals about professional visibility outside the scored competition. Official-showcase report →
Dedication Night — Storytelling & Technique Watch
October 14, 6:46 PM ET: The reported October 20 lineup includes four contemporary dances, three Viennese waltzes, a foxtrot, quickstep and paso doble. Julia Stiles and Ezra Sosa will honor Heath Ledger with “Can’t Take My Eyes Off You”; Ezra Frech and Daniella Karagach have contemporary to “Bloodline.” DMM will watch whether the pros translate intimate stories into identifiable dance technique, and whether guest judge Kym Johnson evaluates narrative impact separately from movement quality. Tatyana Ali and Jan Ravnik’s Nancy Wilson Viennese waltz is now confirmed as a tribute to James Avery. See the full Week 6 guide →
October 17 — guest-participant staging: Pasha Pashkov says Amber Glenn’s sister Brooke is learning choreography and will join the October 20 contemporary to Sia’s “Breathe Me.” DMM will examine how the three performers share stage space, how movement carries the sisters’ relationship, and whether the emotional staging remains choreographically clear. Read the verified rehearsal preview →
The Next Pro Pipeline — Open
Adele Zaikman and Hailey Bills both lost their first celebrity partnerships during premiere week, but Bills has now directly confirmed that elimination did not end her Season 35 work. In an Oct. 2 interview with The Hollywood Reporter, Bills said she still has “10 weeks on the show” and described the choice after elimination as moving forward rather than spending the remaining season focused on the disappointment. She also said that, if she is fortunate enough to return as a pro next season, the experience has already taught her more about patience and adapting to a celebrity partner’s learning style. That is the first meaningful post-elimination evidence for DMM’s pipeline question: a one-routine result did not remove Bills from the professional-development environment. On Oct. 6, Val Chmerkovskiy publicly pushed back on the “nepo baby” framing, pointing to Bills’ long training record and competitive credentials; Bills herself has acknowledged that Jenna Johnson’s family connection helped create access. DMM will track both realities without treating access as proof of readiness or the label as proof of a lack of merit, and will continue following verified troupe appearances, tours, choreography credits, teaching and recurring broadcast work for both Bills and Zaikman over twelve months. The Oct. 7 live-tour announcement now supplies the first major post-elimination career checkpoint: both Bills and Zaikman are booked for the 2027 DWTS tour, and the broadcast troupe will join the tour for the first time. On Oct. 8, ABC separately confirmed additional pro/troupe performance music for Super Bowl Night, an on-air creative-work checkpoint; named dancers and choreographers for those numbers remain unannounced.
Experienced Dancers — Week 3 Movement
Harry Shum Jr. rebounded from 18/30 to a season-high-tying 24/30 with a Yacht Rock jive. His Week 4 tango carries a revealing career loop: Shum confirmed Oct. 2 that he appeared as a backup dancer in Mariah Carey’s 2005 “It’s Like That” video after working with Debbie Allen; he and Jenna Johnson compete to that same song on Oct. 6. Jenna Dewan held at 21/30 with a samba. Julia Stiles improved from 16/30 to 19/30 despite a rib injury, and on Oct. 6 directly revisited the assumption that Save the Last Dance made her an experienced dancer: she said she had overstated her dance background while promoting the film, used a double for more advanced material and later stopped taking classes as public expectations made her self-conscious. Her Week 4 Viennese waltz to “Vision of Love” therefore becomes a particularly useful Transfer Test: screen dance history is not the same thing as sustained ballroom training. Gleb Savchenko’s Oct. 1 comments reinforce that distinction. October 7 update: Shum and Johnson finished their Week 4 tango at 24/30 with live vocals from former champion Amber Riley. New first-person rehearsal footage also shows a head collision before the show, underscoring the close-range spatial timing required in partnered dance. October 8 follow-up: Jenna Dewan and Val Chmerkovskiy’s Week 4 rumba earned 24/30, her best total. After her fiancé publicly dismissed social-media speculation about their partnership, DMM is separating professional dance chemistry — trust, musical connection and shared technique — from unsupported claims about personal relationships. October 9 reporting checkpoint: judge Carrie Ann Inaba has also publicly defended the pair, emphasizing that dancers use physical expression professionally. Her comment strengthens the distinction between staged connection and unverified private-life speculation.
October 15 — live staging and camera choreography: A new firsthand interview establishes that Sean Patrick Thomas joined Ezra Sosa in the televised stage picture during Julia Stiles’ solo, at Alfonso Ribeiro’s suggestion. DMM is documenting this as a production and choreographic-staging decision, not a claim that Thomas performed a competing dance or Ribeiro choreographed it. Read the production account →
October 14 — Julia Stiles screen-to-stage checkpoint: Stiles and Ezra Sosa’s Save the Last Dance-referencing jazz earned 33/40 with Sean Patrick Thomas watching. DMM will distinguish choreography reconstructed for live television from the original film’s ensemble and dance-double credits; this is a test of live performance, not a claim that screen experience equals ballroom training.
Premiere Elimination Format — First Test Complete
Conner Leavitt and Adele Zaikman went home on Night 1; Sarah Jane Nader and Hailey Bills went home on Night 2. DMM will keep tracking what the one-routine premiere format reveals about readiness versus growth potential.
October 14 — screen-to-stage checkpoint: Ezra Sosa told Entertainment Weekly that the Save the Last Dance homage was a change from the original jazz plan, and he and Julia Stiles had doubted the judges would embrace it. Their 33/40 offers a specific case for comparing audience recognition, film-dance language and live adjudication. Read the choreography interview →
Professional Dancer Development — Active
October 19, 4:51 AM ET — substitute-pro precedent: Emma Slater's reported defense of Alan Bersten emphasizes that DWTS professionals step in for one another. Bersten also substituted for Val Chmerkovskiy in October 2022, with Gabby Windey. The circumstances differ, and Slater's comment is not an official rule. DMM will assess Tuesday's Viennese waltz through frame, timing and adaptability. Read the professional context →
October 18, 7:02 PM ET — official first look: The DWTS Instagram account shared Jenna Dewan and Alan Bersten together in a short Dedication Night preview. Dewan named their previously announced Viennese waltz; the footage does not demonstrate their dancing or confirm a revised routine. Read the partnering checkpoint →
October 18 — professional-partner substitution and technique: Former pro Gleb Savchenko publicly questioned Alan Bersten’s artistry and technique after Bersten was announced as Jenna Dewan’s October 20 substitute partner. The comments are his opinion, not a competition ruling or independent assessment. DMM will judge the Viennese waltz by partnering, frame, rotation, teaching adaptability and performance, not by a social-media dispute. Read the verified professional-dancer response →
October 16 — Sharna Burgess technical-rule checkpoint: Burgess has distinguished lifts from assisted leaps and explained the different lift permissions for standard ballroom/Latin dances versus jazz, salsa, contemporary, Argentine tango and Charleston. She says troupe-assisted samba staging requires clearer guidance; this is her interpretation, not an ABC rule change. Read the technique clarification →
October 16 legacy-teaching checkpoint: Kim Kardashian has described feeling overwhelmed by public performance when paired with Mark Ballas in 2008. This is a retrospective first-person account, not a new Season 35 cast development. It adds a concrete teaching question to DMM’s pro-dancer watch: how do experienced professionals build confidence and technique for adult beginners while millions are watching? Read the verified interview update →
October 8 professional-work checkpoint: in separate interviews, Sharna Burgess described the trust she has built with Tyler Cameron, who credited her coaching with helping him recover from a difficult week. In a public controversy about Burgess’s DWTS time commitment, Brian Austin Green described extensive rehearsal hours and apologized for distracting from her work; the hours are his account, not an independently verified ABC schedule. DMM is tracking the labor, mentoring and performance improvement, not unverified claims about a personal relationship.
Adele Zaikman and Hailey Bills were the first two pros eliminated with celebrity partners, but both remain active in Season 35 through the troupe. DMM is tracking what that post-elimination pathway produces, alongside Mark Ballas’ return and how the show uses established professionals beyond celebrity partnerships. Derek Hough says his and Julianne Hough’s premiere solos filled the live vote-tally window; his Night 2 Paso Doble with Hayley Erbert Hough was newly choreographed for television. Alfonso Ribeiro has now called Britt Stewart’s Week 3 elimination with Taylor Hanson “especially difficult,” praising Stewart while noting that she has not yet reached a DWTS finale as a competing pro. Stewart then spoke directly on Oct. 3, emphasizing trust, creation and pride in the Hanson partnership and saying their work was bigger than the number of weeks they were given. DMM is tracking that career arc without treating unverified speculation about Stewart’s future as fact. The Oct. 6 Bills/Chmerkovskiy exchange adds a second pro-development question: how DWTS evaluates training, family access and readiness when a dancer rises through the franchise pipeline. On Oct. 7, Giada De Laurentiis provided a different teaching test: the challenge of identifying musical counts, translating steps into movement and adapting instruction to a true beginner. Her direct account supports a learning-process explanation for her tense rehearsal footage with Alan Bersten, rather than an established feud. On Oct. 7, the official 2027 live-tour cast confirmed Britt Stewart, Bills and Zaikman for the road production and added the DWTS troupe for the first time, turning the post-elimination pathway into documented continuing franchise work. The full Oct. 7 tour release adds the first Madison Square Garden date (Feb. 5) and first presenting sponsor (COVERGIRL), raising a new test: which dancers gain creative visibility as the franchise moves into larger branded arenas? October 8 post-elimination checkpoint: Brandon Armstrong directly said Ciara Miller should not have gone home after her personal-best 21/30, while also recognizing that viewer preference extends beyond the judges’ technical assessment. DMM will now follow his continuing professional assignments after the celebrity partnership ended, without assuming specific troupe credits until they are verified. October 8 tour-cast clarification: Jan Ravnik says he is not joining the announced 2027 road cast because he is occupied with other commitments, which he did not specify. DMM will not infer a franchise departure or name an unannounced outside project. October 8 official broadcast update: ABC has announced the opening medley and further professional/troupe performance tracks for Super Bowl Night, creating a specific upcoming opportunity to evaluate ensemble work. The release does not assign choreographers or identify the complete performer roster. A further October 7 first-person interview supplies a useful creative-decision case: Mark Ballas considered removing a difficult double spin from Maura Higgins’ Week 4 waltz after uneven dress rehearsals, but retained it after Higgins demonstrated confidence and control in subsequent practice. DMM will track how professionals balance difficulty, performer readiness and live-broadcast risk. October 9 road-rehearsal checkpoint: reporting published October 8 documents Emma Slater and Jackson Olson practicing between Savannah Bananas games, and Slater has described the emotional difficulty of the week. DMM will watch how travel, limited rehearsal space and athlete workload affect teachable technique; fan claims that ABC deliberately withheld footage remain unverified. October 9 official-podcast checkpoint: Ciara Miller describes stage fright, perfectionism and the value of Brandon Armstrong’s patient coaching; Armstrong argues that the work of learning and improving should be more visible in how the partnership is evaluated. This is direct testimony about the professional teaching relationship, not proof of intentional editing or a disclosed vote result. October 11 professional-stage checkpoint: ABC News previewed the October 10 Banana Bowl collaboration with DWTS pros, and post-event reporting confirms DWTS cast participation alongside a large-scale choreographed Banana Ball production. Exact individual dance and choreography credits remain unverified; DMM is tracking professional work beyond the ballroom without confusing cross-promotion with vote manipulation.
October 15, 5:45 PM ET — Witney Carson post-elimination checkpoint: In a new first-person E! News interview, Carson says she and Guillermo Rodriguez accepted their October 13 exit, describes the physical demands of five weeks of televised dancing during pregnancy, and acknowledges back pain after the competition. Her account supplies occupational context for DMM’s professional-dancer work watch: the teacher’s health, changing movement capacity and recovery matter beyond the scores. This is Carson’s report, not an independently confirmed medical diagnosis, a claim that pregnancy caused elimination, or an announced decision about future DWTS seasons. Read the new first-person account →
October 13 professional-voice checkpoint: Britt Stewart tells Glamour that four consecutive early exits left her questioning her own work, even though she and Taylor Hanson had just completed their strongest scored dance. She challenges the assumption that a celebrity with dance experience automatically becomes a winning partner, and describes the wider value of visibility and her work with Share the Movement. This is a new first-person career account, not a changed elimination result or announced future pairing. Read DMM’s full Britt Stewart analysis →
October 10 training-pipeline checkpoint: Newly circulated reporting documents the role of Utah’s cross-training network and Center Stage Performing Arts in developing multiple DWTS professionals. DMM will follow how breadth of technique becomes professional teaching, choreography and troupe employment, while distinguishing studio alumni from birthplace and Season 34 counts from Season 35. Read the full dance-education feature →
October 14 professional-work checkpoint: In a new People interview, Brandon Armstrong describes opening-number rehearsals, broadcast bumpers, troupe work and preparation for tour announcements as work that can continue after elimination. He says celebrity-partner rehearsal hours are capped; DMM treats that as his first-person account rather than an independently confirmed ABC scheduling rule. The interview supports the ongoing distinction between elimination from the scored competition and employment in the wider production; it does not establish any new individual choreographer credit or a confirmed tour role for Armstrong. Read the October 14 report →
October 14, 1:27 PM ET — touring-work checkpoint: Pasha Pashkov told Us Weekly that consecutive seasons and tours made family time a priority. The 2027 tour roster does not list him or Daniella Karagach, although guest appearances remain possible and no dates are confirmed. This adds Pashkov’s account to Karagach’s previously reported explanation. Read the professional-work update →
Development Watch — Guillermo Rodriguez
Guillermo has climbed every week: 10/30 for the premiere cha-cha, 12/30 on Viral Hits Night and 15/30 for the Week 3 foxtrot to “Escape (The Piña Colada Song),” his best score so far. The partnership again reached the final group before safety was announced, and Witney Carson, who is pregnant, has answered speculation that she wants to be voted off by saying she is “very happy” to continue. On Oct. 1, John Oliver told Jimmy Kimmel Live! that his children had become invested in DWTS specifically because of Guillermo; Carson separately emphasized that Guillermo keeps practicing whenever rehearsal pauses. That outside audience response adds a second measure to DMM’s tracker: technical growth versus the connection that keeps viewers voting. On Oct. 5, a USA TODAY Network report documented backlash after Jackson Olson deleted a comment comparing Guillermo’s Week 3 dance unfavorably with a two-hour parody recreation; Guillermo publicly downplayed the dispute, saying he thought it was a joke. DMM will not infer any voting effect before results are known. On Oct. 6, Olson publicly apologized in a video with Rodriguez; the two danced together at the end, moving the documented controversy into de-escalation rather than an expanding feud. On Mariah Carey Night, the samba to “Obsessed” scored 13/30, his lowest total since Week 2. The live audience loudly booed Carrie Ann Inaba when she questioned whether his usual joy had dimmed; Inaba clarified that she wanted him to keep bringing his distinctive light to the floor. Rodriguez and Carson advanced. DMM will continue separating three things that are often collapsed online: judges’ technique scores, visible audience reaction and the undisclosed viewer-vote totals. On October 7, Jimmy Kimmel publicly argued that the competition rewards entertainment as well as dance technique, defending Guillermo’s advancement despite 13/30. DMM records that argument as a viewpoint from an interested advocate, not as evidence of rigging, an official scoring-rule change or a disclosed vote total. October 9 checkpoint: Inaba has publicly rejected the inference that lower scores automatically indicate favoritism; Carson separately explained that Rodriguez was deliberately portraying a more serious diva character in the “Obsessed” samba. DMM will distinguish performance characterization from samba technique, and both from undisclosed audience-vote totals. October 9 first-person interview: Rodriguez tells the Los Angeles Times that Carson continually coaches his posture, eye line, steps and character choices while he navigates age-related rehearsal soreness and demanding travel. This offers new direct evidence of the professional teaching process. No diagnosed injury or changed competition status is reported. October 10:DMM’s full judging-and-character analysis →
October 14 — post-elimination teaching checkpoint: Kimmel praised Carson’s choreography during a live backstage interview with Rodriguez after the 22/40 Super Bowl Night salsa. DMM records the five-week score trajectory alongside the pro’s work with a novice, without equating Kimmel’s enthusiasm or online video views with verified audience-vote totals. Read the follow-up →
October 15 — post-elimination performance checkpoint: Carson and Rodriguez reunited on the October 14 Jimmy Kimmel Live! broadcast for a brief studio farewell dance with Kimmel, reported by Entertainment Weekly on October 15 at 10:27 AM ET. The new appearance documents a continuing on-air dance partnership after elimination, not a return to the judged field or a newly credited competitive routine. Read the dated follow-up →
Injury Watch — Julia Stiles & Emma Slater Active
October 19, 12:21 AM ET — Tyler Cameron first-person injury report: A Bachelor Nation article published October 16 relays Cameron’s own video describing longstanding shoulder and hip problems and more recent thumb and wrist injuries. He says lifts and flexibility work have been painful. The report does not establish a clinical diagnosis, new medical clearance requirement, cancellation or a change to the October 20 contemporary with Sharna Burgess. DMM will watch how the pair handle supported movement and safe choreography, without predicting his participation or physical capacity. Read the sourced injury-and-technique update →
October 18, 7:02 PM ET — Maura Higgins training-location update: New photographs reported by The Sun show Higgins arriving for rehearsals after her previously disclosed neck discomfort. Arrival does not establish a pain-free session, medical clearance or a revised performance plan; ABC still lists the October 20 Paso Doble with Mark Ballas. Read the cautious injury-watch update →
Julia Stiles injured a rib rehearsing lifts with Ezra Sosa and still performed the Week 3 salsa for 19/30. Emma Slater remains in competition with Jackson Olson after disclosing a painful big-toe/nail injury following Week 1. Amber Glenn’s rehearsal collision with Pasha Pashkov is logged as a rehearsal incident, not a continuing restriction. Closed competition files: Giada De Laurentiis (broken toe, eliminated Week 2; on October 7 she said she is still rehabilitating it) and Taylor Hanson, who disclosed left-leg numbness after his Week 3 elimination. DMM watches only for verified changes that affect training, choreography or performance. October 7: Jenna Johnson released a clip of an accidental head collision with Harry Shum Jr. during Week 4 tango rehearsals. Both competed on October 6 and earned 24/30; no medical diagnosis or ongoing restriction has been verified. October 14 — Maura Higgins: RTÉ relays Higgins’s direct report that her neck discomfort has persisted for weeks and that the show’s physiotherapist has helped. Higgins and Mark Ballas performed the October 13 tango for 33/40 and advanced; no diagnosis or restriction has been verified. Hough separately critiqued her head-and-neck line in a contra check, without identifying the cause of the discomfort. DMM will monitor any confirmed change to Week 6 training or performance.
Judging Format Watch — Active
October 18, 8:23 AM ET — former-pro technical proposal: Louis van Amstel agrees with Inaba that the troupe-assisted moment in Johnson and Shum Jr.'s samba warrants scrutiny, but questions the consistency and clarity of lift restrictions when ensemble dancers assist. He has proposed explicit wording that covers extra dancers. No new ABC rule, deduction or revised score has been announced.Read the choreography analysis →
October 17, 3:51 PM ET — producer action and substitute partner: BBC Studios says Val Chmerkovskiy will not participate in the October 20 show after his inappropriate social-media post about Carrie Ann Inaba. The Hollywood Reporter identifies Alan Bersten as Jenna Dewan's temporary partner. This is a professional-conduct and rehearsal-continuity development, not a lift-rule change or score revision. Read the verified report →
October 16, 6:46 PM ET — contestant and dance-community response: Harry Shum Jr. has called for more joy and mutual respect following the week’s samba disagreement, highlighting the contributions of fellow dancers rather than asking for a scoring reversal. His message is a personal appeal, not a new ABC policy or ruling. Read the verified response →
October 15, 9:50 PM ET — professional-conduct checkpoint: Val Chmerkovskiy has apologized publicly and says he contacted Carrie Ann Inaba privately after a deleted remark widely read as an allusion to the 2022 Oscars slap. Inaba had responded earlier to the comment, but her response to the apology was not verified as of this check. The apology does not adjudicate whether the October 13 samba contained an impermissible lift or change Harry Shum Jr. and Jenna Johnson’s 33/40. DMM continues to separate professional conduct, choreographic interpretation and official scoring. Read the verified update →Full DMM report → (forthcoming)
October 15, 8:53 AM ET — partner versus troupe-assisted lifts: Former pros Maks Chmerkovskiy and Peta Murgatroyd have questioned whether the couple-focused lift definition cited by Carrie Ann Inaba clearly applies when two additional troupe dancers elevate Harry Shum Jr. Maks also agreed that the October 13 routine needed more samba content. DMM will separately track samba technique, ensemble staging and consistency of rule interpretation; the 33/40 score stands and ABC has announced no new rule. Read the professional-dancer analysis →
October 15 — professional response to lift ruling: Val Chmerkovskiy has publicly objected to the tone of Carrie Ann Inaba’s October 13 criticism of Jenna Johnson and Harry Shum Jr.’s samba. Johnson has acknowledged the feedback. DMM will distinguish the judge’s samba-content assessment, the unresolved scope of the ensemble-assisted lift interpretation and the public disagreement about how professionals are addressed. No official ABC rule change or scoring revision has been verified. Read the new professional-dancer follow-up →
October 14, 5:02 PM ET — next guest judge: Alfonso Ribeiro announced on the October 13 broadcast that two-time champion Kym Johnson-Herjavec will return to judge Dedication Night on October 20, according to two October 14 reports. Unlike Super Bowl Night guest Joe Buck, Johnson brings experience teaching, choreographing and judging ballroom competition. DMM will compare her actual technical feedback with the regular panel’s, not presume a scoring change or a ruling on the recent lift debate. ABC subsequently confirmed the October 20 song-and-dance assignments; see the Dedication Night preview above. Read the guest-judge report →
October 14 historical checkpoint:Entertainment Weekly reports that a 2019 Johnson/Karamo Brown lift discussion included the same definition Inaba read in 2026. DMM is tracking consistency in the stated rule separately from its application to ensemble-assisted movement; no new ABC ruling has been confirmed. Read the comparison →
Derek Hough and Carrie Ann Inaba both addressed the one-word critique format used on Viral Hits Night. Time pressure did not disappear on Yacht Rock Night: production music played Hough off mid-critique during Jenna Dewan and Val Chmerkovskiy’s samba, and Alfonso Ribeiro acknowledged the interruption on air. No guest judge had been announced for Mariah Carey Night as of Oct. 1. DMM is watching whether critique time grows as the field contracts. October 8 confirmation: ABC named ESPN football announcer Joe Buck as the fourth judge for October 13 Super Bowl Night. DMM will distinguish his sports-broadcast perspective from the technical assessments of Carrie Ann Inaba, Derek Hough and Bruno Tonioli, without assuming how Buck will score. Oct. 8: former Season 27 champion Bobby Bones said on the Oct. 1 He Said, G Said podcast that producers may strategically position high-interest performers at the beginning of the show or second hour. ABC has not confirmed his account as a formal running-order policy. DMM will track exposure and performance sequence without inferring vote manipulation from placement alone. October 9 voting checkpoint: Paige DeSorbo and Hannah Berner questioned the elimination of Ciara Miller on their Giggly Squad podcast. Their criticism raises a legitimate editorial question about how the public weighs improvement across different dance styles, but neither supplied evidence of manipulated votes. ABC states that viewer votes are combined with judges’ scores; it has not published the individual vote totals for this elimination. DMM will continue to distinguish the published 21/30 judges’ score from the undisclosed viewer vote. October 10 contestant-response checkpoint: Maura Higgins publicly dismissed a rumor that the contest is fixed for her to win. Her documented 25/30 waltz and rehearsal account of a difficult double turn are evidence of dance progress, not evidence of manipulation. No verified change to scoring or voting rules has been announced. Oct. 13 judging development: Carrie Ann Inaba questioned the samba content and a lift in Harry Shum Jr. and Jenna Johnson’s routine; Johnson disputed the interpretation before acknowledging the judge’s explanation. The pair scored 33/40, with no separately verified formal penalty. DMM is tracking the boundary between theatrical choreography and competition rules.
October 14, 2:05 PM ET — lift-rule clarification: Jenna Johnson said in a post-show interview that she had not expected two ensemble dancers lifting Harry Shum Jr. to be treated as a partner lift; she accepted Carrie Ann Inaba’s feedback and said they spoke afterward. The reported 33/40 stands. DMM will distinguish a choreographer’s account from an official written rule interpretation. Read the clarification →
Choreography Watch — Mariah Carey Night
October 16 — emotional choreography checkpoint: Julia Stiles says rehearsing her Heath Ledger dedication unexpectedly revived memories of their 1999 film. Ezra Sosa and Stiles plan a contemporary that balances remembrance with joy; DMM will assess how that intent becomes actual movement on October 20, not assume a score or completed routine. Read the rehearsal report →
October 15, 10:18 AM ET — samba vocabulary versus visible execution: Harry Shum Jr. has identified slingshots, promenade runs and whisks among the figures he learned for the October 13 samba. His account documents training effort; it does not independently settle how much recognizable samba was performed or how the judges assessed its execution. DMM will continue separating specific dance mechanics from theme staging and the troupe-lift interpretation. Read Shum’s first-person response →
October 15 — samba technique and teacher/contestant perception: Connor Wood says his 25/40 Week 5 samba with Rylee Arnold felt like a potential breakthrough, while judges identified hip-and-foot action, weight transfer and timing to improve. He also defended the judges against audience booing. DMM will compare that documented feedback with the couple’s confirmed October 20 Viennese waltz rather than equate crowd energy with technical proficiency. Read the full technique report →
Week 4 is fully assigned: four rumbas, two waltzes and two jazz routines, plus a Viennese waltz, tango, samba and foxtrot across the 12 remaining couples. Yacht Rock leaned on foxtrot’s travel; Mariah Carey Night shifts the test to sustained control and emotional phrasing. DMM will watch whether the pros build distinct movement vocabularies or let the ballads become interchangeable. ABC has also confirmed three pro/troupe numbers — “Heartbreaker,” “Loverboy” and “Always Be My Baby” — creating a second choreography lane where the professionals can be evaluated without celebrity-training constraints. Ezra Frech and Daniella Karagach’s rumba adds a different technical question: how sustained weight transfer and controlled phrasing are adapted around the running blade Frech has chosen to use. Amy Purdy’s Oct. 4 comments give that experiment historical context by connecting Frech’s Season 35 visibility to the adaptive-dance path she helped open on DWTS in Season 18. Post-show checkpoint: Maura Higgins and Mark Ballas led Week 4 at 25/30, with a difficult double turn they nearly cut in rehearsal; Harry Shum Jr. and Jenna Johnson earned 24/30 for tango despite a rehearsal collision, and Amber Riley provided live vocals. October 8 Week 5 assignments: ABC confirms four salsas, three sambas, two jazz routines, one tango and one paso doble for Super Bowl Night. DMM will compare salsa timing and weight changes against samba bounce action, especially when the source songs originate in pop, hip-hop or reggaeton rather than traditional dance music. These are planned routines, not results. October 8: Wood’s response to criticism of his Week 4 rumba and direct interviews about Arnold’s late-stage choreography provide a new test of character-driven staging versus technical progression. Their 19/30 rumba generated conversation beyond the broadcast, but DMM will look for measurable improvement in their officially assigned Week 5 samba rather than treating online attention as a technical result. October 9: Amber Glenn and Pasha Pashkov’s supported balance from their 23/30 Week 4 rumba has been recreated in a backstage social video by two The View hosts. This is evidence of a choreographic moment crossing into wider culture, not evidence of improved scoring or an ABC format change; DMM will distinguish controlled partnering from viral imitation.
October 9 — Super Bowl Night ensemble test: The official DWTS podcast says all four returning NFL alumni will dance on October 13. Val Chmerkovskiy also says Jenna Dewan’s “Bad Romance” paso doble will incorporate troupe/other dancers, expanding the pair’s staging for the first time this season. DMM will watch how professional formations support, rather than obscure, identifiable paso doble technique. The exact returning-athlete routine and choreography credits remain unannounced.
October 10 — viral movement and samba transfer: Amber Glenn and Pasha Pashkov have cautioned viewers about imitating their inverted split. Pashkov says their October 13 samba will introduce additional dancers, and Glenn is considering how new dance vocabulary might later inform skating shows. DMM will assess safe partnering, actual samba technique and the relationship between spectacular shapes and complete choreography. October 11 waltz-footwork checkpoint: Emma Slater says the foot position viewers questioned during her October 6 waltz with Jackson Olson reflected her attempt to maintain floor contact and avoid a lift deduction while being drawn backward. Her explanation adds professional partnering context; neither an actual sickled foot nor a deducted point is established. The pair scored 21/30 and are assigned a salsa for October 13.
Partnership & Choreography Watch — Open
October 12: Val Chmerkovskiy told RadarOnline he would welcome a future male celebrity partner as a creative challenge. ABC has not announced any such casting. DMM will track whether a future pairing expands the show’s exploration of lead-and-follow roles, framing, weight-sharing and choreographic storytelling without confusing a dancer’s preference with an official format change. The confirmed October 13 Jenna Dewan partnership and paso doble remain unchanged.
Rehearsal Safety Watch — No Confirmed Injury
October 13: A report published late October 12 revisited Tyler Cameron’s October 9 rehearsal video showing a partnered turning stunt going wrong with Sharna Burgess. Burgess said she was okay; no withdrawal or competition-limiting injury has been confirmed. The pair remain assigned to October 13 jazz. DMM will track verifiable changes to their participation and keep a distinction between social-video risk, safety precautions and medically established injury. The footage itself is not proof of a production safety failure.
Professional Workload & Support — Context
October 13: Brian Austin Green told Us Weekly that family childcare logistics and restrictions he described on young children attending the DWTS studio have complicated his in-person support for fiancée Sharna Burgess. ABC has not separately announced a policy change. DMM is watching the wider issue of how family care, rehearsal hours and production demands affect the sustainability of professional dancers’ careers. Burgess and Tyler Cameron remain scheduled to perform October 13; this interview does not change their competitive status.
Adaptive Choreography Watch — Active
October 13: Ezra Frech’s new People interview describes the ongoing trial and error of dancing with a mechanical-knee prosthesis and selecting a walking or running blade. Daniella Karagach has previously explained the blade’s rebound and balance trade-offs. DMM is watching how the partnership applies weight transfer, rhythmic grounding and changes of direction in its upcoming salsa. No injury or competition change is reported.
Unperformed Choreography & Elimination — Evidence Building
October 13: Brandon Armstrong revealed that he and Ciara Miller had considered a Dedication Night tribute to her nursing work during the pandemic, using a light motif linked to Florence Nightingale and possibly inviting nurses to join the stage. Their October 6 elimination ended that opportunity. DMM is tracking what competition formats leave out: unfinished choreography, creative preparation and the human stories that never reach broadcast. The dance was not completed or performed; no new voting irregularity is established.
Rehearsal Mentorship & Technical Transfer — Evidence Building
On October 13, Rylee Arnold's rehearsal video showed former finalist Dylan Efron joining Connor Wood and Arnold for a playful three-person samba roll. DMM is watching whether returning celebrity dancers can help current couples develop musicality, weight transfer and partnering confidence — and whether those studio experiments translate into recognizably strong samba content under competition conditions. This is a rehearsal cameo, not an announced casting or format change.
Week 5 Technique & Safety Watch — Final
October 13, 9:08 PM ET: Amber Glenn/Pasha Pashkov scored 34/40 in samba, Maura Higgins/Mark Ballas 33/40 in tango after Higgins reported neck discomfort, Jackson Olson/Emma Slater 31/40 in salsa, Tyler Cameron/Sharna Burgess 30/40 in jazz and Connor Wood/Rylee Arnold 25/40 in samba. DMM is tracking samba bounce action, timing, partnering, neck/posture safety and the final outcome. No medical diagnosis or elimination has been established at this cutoff. Guest judge Joe Buck brings the scale to 40 points; compare percentages, not raw Week 4 totals.
October 14 update: Final scores put Jenna Dewan and Ezra Frech level at 36/40. Higgins completed her tango; no diagnosis has been released. Guillermo Rodriguez and Witney Carson were eliminated after a 22/40 salsa, with Tyler Cameron and Sharna Burgess also in the final group. DMM’s open question moves to Wood’s samba timing and weight transfer, which the judges flagged as the technical gap to close.
DMM Watching · October 17, 7:22 PM ET · Professional Partnering
Jenna Dewan / Alan Bersten — an accelerated partnering test: ABC News has confirmed the substitute arrangement for October 20. DMM will watch how quickly the pair establish frame, balance and rotation for their Viennese waltz. ABC confirmation →
DMM Watching · October 19, 2026 · Guest Performance and Musicality
Ali / Ravnik / Ribeiro — a three-person stage composition: Ribeiro's planned participation and Ali's prerecorded singing add performance layers to the James Avery Viennese waltz. DMM will watch whether Ravnik's partnering and the routine's travel, rotations and musical timing remain legible when a guest performer and a new vocal arrangement enter the staging. Exact blocking, broadcast mix and judging treatment remain unverified. Read the confirmed preview →
DMM Watching · October 15, 2026 · Dedication Night
Tatyana Ali / Jan Ravnik — the memory-to-movement test: James Avery is now the confirmed honoree for their October 20 Viennese waltz. DMM will assess whether the routine carries Ali’s remembrance through sustained musical phrasing, frame and controlled rotation, rather than treating a television reference as a substitute for dance content. Read the verified announcement →
● Latest DMM Analysis
October 21, 2026 · Updated Oct. 22 · Week 7 · Full Guide
Characterization vs. samba technique, what unreleased vote totals can’t prove, and why Super Bowl Night is the next test.
The Feed
Season 35 · Week 5 Results
Newest first. Older entries stay exactly as filed — this page is the season’s record, not a rolling rewrite.
October 22, 2026 · 4:45 PM ET verification · official podcast reveal October 22WEEK 7 · ASSIGNMENTS · HORROR MOVIE NIGHT
Horror Movie Night Songs and Dances Revealed: Three Argentine Tangos, a Sinners Paso Doble and Val Chmerkovskiy Back With Jenna Dewan
All ten assignments are out: Former contestant Andy Richter revealed the October 27 Horror Movie Night lineup on the official Dancing with the Stars podcast on October 22, Us Weekly reported. Every couple has a dance style, a song and a horror film or genre behind it. Listed alphabetically by celebrity; this is not the performance order.
Tatyana Ali & Jan Ravnik — Paso doble · “I Lied to You” (Miles Caton) · Sinners Tyler Cameron & Sharna Burgess — Viennese waltz · “Love Song for a Vampire” (Annie Lennox) · Bram Stoker’s Dracula Jenna Dewan & Val Chmerkovskiy — Argentine tango · “Uninvited” (Damned Anthem & Kendra Dantes) · zombie movies Ezra Frech & Daniella Karagach — Jazz · “Madness” (Ruelle) · The Invisible Man Amber Glenn & Pasha Pashkov — Argentine tango · “Perfection” (Clint Mansell) · Black Swan Maura Higgins & Mark Ballas — Contemporary · “Cry Little Sister” (Gerard McMann) · The Lost Boys Jackson Olson & Emma Slater — Contemporary · “That’s Life” (Frank Sinatra) · Joker Harry Shum Jr. & Jenna Johnson — Contemporary · “Toxic” (2WEI) · Saw Julia Stiles & Ezra Sosa — Argentine tango · “The Dogs Attack” (Jerry Goldsmith) · The Omen Connor Wood & Rylee Arnold — Contemporary · “You Are My Sunshine” (Charles McDonald) · Annabelle: Creation
Val Chmerkovskiy is listed with Jenna Dewan: The lineup pairs Dewan with Chmerkovskiy for an Argentine tango to “Uninvited,” inspired by zombie movies, their first scheduled routine since his one-episode suspension. It is a scheduled routine, not a performed result. Alan Bersten’s October 20 Viennese waltz with Dewan (37/40) stays credited to Bersten.
DMM Dance Lens — three tangos on one night: The Argentine tango appears three times: Amber Glenn, who led Dedication Night at 38/40, Jenna Dewan and Julia Stiles. When couples share a style in the same episode, the judges compare them directly, so leg actions, kicks and a steady hold will separate routines built on the same dramatic vocabulary. Four of the ten routines are contemporary, including those of Jackson Olson and Connor Wood, two of the four couples tied at 32. Tatyana Ali, also at 32, draws the paso doble, a dance of posture and attack that can carry a horror character if the shaping stays clean. Mark Ballas and Maura Higgins dance their contemporary in front of his mother, guest judge Shirley Ballas. With Dedication Night’s scores and votes carried over, October 27 is the last chance for every couple to move the combined result.
October 22, 2026 · 5:25 AM ET verification · on-air announcements October 20WEEK 7 PREVIEW · GUEST JUDGE · PRO DANCERS
Shirley Ballas Will Judge Horror Movie Night; Val Chmerkovskiy Is Back in Rehearsals With Jenna Dewan
A ballroom authority joins the panel: At the end of Dedication Night, co-host Alfonso Ribeiro announced that next Tuesday’s special guest judge is “our dancers’ worst nightmare — Shirley Ballas!” Ballas is the mother of professional Mark Ballas, who partners Maura Higgins this season. Parade reports it will be the first time she judges her son’s dancing on a competition show.
How the double elimination works, as announced: No couple went home on October 20. The hosts said Dedication Night’s judges’ scores and viewer votes carry over to Horror Movie Night on October 27, when two couples will be eliminated, leaving eight. ABC has not published how the two weeks will be combined, so DMM will not project a bottom two from an unconfirmed formula.
Val Chmerkovskiy is back with Jenna Dewan:The Hollywood Reporter reported October 21 that Chmerkovskiy has resumed rehearsals with Dewan after his one-episode suspension and will return to the ballroom for the horror-themed episode; Page Six also reported the suspension lifted. Dewan’s October 20 Viennese waltz (37/40) stays credited to her substitute partner, Alan Bersten. ABC has not yet released the October 27 songs and dance styles. Follow the Horror Movie Night guide →
DMM Dance Lens — a costume cannot carry the footwork: Ballas built her name in competitive Latin, where frame, foot placement and timing are judged before character. A horror theme invites heavy staging, so the test for every couple is whether the character sits on top of clean technique rather than hiding it. Her score for her son’s couple will draw attention; DMM has not seen any announcement about how that will be handled and will report it only if ABC addresses it.
Update, October 22, 4:45 PM ET: All ten Horror Movie Night songs and dance styles were revealed later on October 22, and the lineup lists Jenna Dewan with Val Chmerkovskiy. See the Week 7 lineup →
October 22, 2026 · 5:25 AM ET verification · live reveal October 20DEDICATION NIGHT · CONTESTANT NEWS
Tyler Cameron Reveals a Baby Girl on the Way During Dedication Night
A family announcement inside a tribute week:Tyler Cameron and his fiancée revealed during the October 20 broadcast that they are expecting a baby girl, with the gender reveal happening live in the ballroom, ABC7 Los Angeles reported. Cameron and Sharna Burgess danced a contemporary to “Supermarket Flowers” that night and scored 32/40, tied with three other couples for the lowest judges’ score.
DMM Dance Lens — good news does not change the scorecard: Cameron enters the October 27 double elimination at the bottom of the judges’ leaderboard, where viewer votes decide as much as the scores. He has also described shoulder, hip, thumb and wrist problems that make some lifts painful. The open question for Burgess is how she builds a horror-night routine that shows his improvement without loading those joints.
October 21, 2026 · 8:40 PM ET verification · Dedication Night aired October 20RESULTS · WEEK 7 PREVIEW · DOUBLE ELIMINATION
Dedication Night Saves All Ten Couples; Horror Movie Night Brings a Double Elimination
No one went home on October 20: At the end of Dedication Night, co-host Alfonso Ribeiro announced that all ten couples were safe. Co-host Julianne Hough then told viewers that, in keeping with Horror Movie Night, two couples will be eliminated on October 27. Amber Glenn and Pasha Pashkov led the night with 38/40, while Tatyana Ali, Tyler Cameron, Jackson Olson and Connor Wood tied for the lowest judges’ score at 32/40. Ten couples remain.
What is still unconfirmed: ABC has not yet released the Horror Movie Night songs or dance styles. The Hollywood Reporter and E! News reported October 21 that Val Chmerkovskiy is returning after his one-episode suspension; ABC and BBC Studios have not announced Jenna Dewan’s partner for October 27. DMM’s new guide lists all ten couples, the Dedication Night leaderboard and each song and dance as it is officially announced. Read the Horror Movie Night guide →
DMM Dance Lens — a low score is not a verdict: Judges’ scores are combined with viewer votes, so the four couples tied at 32 enter the double elimination at the bottom of the leaderboard, not already in danger. For Ali, 32 was her best score of the season. A horror theme also changes the test: after a week that rewarded sincerity, the celebrities must play a character without letting it excuse broken frame, footwork or timing.
Update, October 22, 4:45 PM ET: All ten Horror Movie Night songs and dance styles were revealed later on October 22, and the lineup lists Jenna Dewan with Val Chmerkovskiy. See the Week 7 lineup →
October 19, 2026 · 7:26 PM ET editorial verification · People interview published 4:33 PM ETDEDICATION NIGHT · CONTEMPORARY · REHEARSAL VOICE
Julia Stiles Says Heath Ledger Tribute Rehearsals Are Bringing Unexpected Emotion to DWTS
A new rehearsal account, not a new dance assignment: In a first-person interview published by People on October 19 at 4:33 PM ET, Julia Stiles described being surprised by how emotional preparations have become for the October 20 contemporary honoring her late 10 Things I Hate About You costar Heath Ledger. Looking at footage, photographs and memories from the 1999 film has made the tribute feel closer than she expected. Stiles and professional Ezra Sosa remain scheduled to perform to Frankie Valli’s “Can’t Take My Eyes Off You.” This extends what she first told Entertainment Weekly and Variety on October 16, when she said the rehearsals had already brought her to tears. Read the October 16 entry →
DMM Dance Lens — when a memory becomes movement: Contemporary dance creates room for breath, suspended timing, shifting weight and expressive connection, but the choreography must communicate through movement rather than rely only on the audience’s recognition of a film. The test for Stiles and Sosa is how personal remembrance finds a physical shape on the ballroom floor. That is an editorial question, not a claim that the completed routine or its score is known. Stiles’s prior Save the Last Dance reflection concerns her October 13 jazz performance; this new interview concerns the upcoming Ledger dedication.
October 19, 2026 · 7:26 PM ET editorial verification · October 18 original TikTok discussed in October 19 reportingPRO DANCERS · JUDGING · SAMBA TECHNIQUE
Gleb Savchenko Disputes Carrie Ann Inaba’s Samba Lift Call — The Troupe-Assisted Movement Debate Deepens
A professional interpretation, not an official ruling: Former Dancing with the Stars professional Gleb Savchenko challenged judge Carrie Ann Inaba’s critique of a troupe-assisted movement in Harry Shum Jr. and Jenna Johnson’s October 13 Super Bowl Night samba. In an October 18 TikTok video described by Us Weekly on October 19, Savchenko argued that the assisted moment was a trick rather than a prohibited lift between the competing couple. He praised the performance’s entertainment value while calling it “a bit flat-footed” and “like a hip-hop samba” rather than a traditional one. He also said he was “Team Val on this one,” siding with Val Chmerkovskiy, Johnson’s husband, whose post about Inaba led to his one-episode suspension.
DMM Dance Lens — who provides the lift, and what is being judged? Savchenko’s distinction draws attention to the role of additional performers in a partner-dance category: a troupe member may supply elevation that neither partner creates. Original professional Louis van Amstel previously argued Inaba was justified in questioning the movement while requesting clearer treatment of ensemble assistance. These are different expert opinions, not conflicting official rules. ABC has announced no revised score, judging penalty, choreography-rule amendment or competition outcome resulting from either comment. The question worth watching is whether DWTS clarifies how its judging framework treats troupe-created moments within traditional ballroom and Latin categories.
October 19, 2026 · 12:27 PM ET verification · original family interview published October 19DEDICATION NIGHT · QUICKSTEP · FAMILY GUEST
Jackson Olson’s Mother Laura Will Join His DWTS Quickstep — Emma Slater Rehearses a Family Guest
A newly confirmed participant, not a new competing couple:Laura Olson told CT Insider in an original interview published October 19 that she will appear in part of her son Jackson Olson's October 20 Dedication Night quickstep with professional Emma Slater. ABC/Disney's October 14 episode release had already confirmed the couple's quickstep to Nat King Cole's “L-O-V-E” and its dedication to Laura, but did not specify that she would dance in the routine. Laura said she had completed three days of rehearsals as of Sunday, October 18, and had no formal dance experience before joining this number.
DMM Dance Lens — choreographing a meaningful cameo without losing the quickstep: The challenge for Slater is to make a first-time guest's brief participation feel integrated while keeping Jackson's footwork, traveling movement, frame and musical timing legible to the judges. A short, clearly staged family interaction can deepen the dedication without implying that Laura must execute the full competitive quickstep vocabulary. Her precise steps and placement are not yet public, and the October 20 performance has not aired. This is not a score prediction or an official choreography breakdown.
October 19, 2026 · 12:27 PM ET verification · October 18 original interviewDANCE LEGACY · CHOREOGRAPHY · ARTIST GROWTH
Julia Stiles Reflects on Recreating Save the Last Dance With Ezra Sosa: 25 Years of Growth
New first-person reflection on an already completed dance: In an exclusive interview published by People on October 18 at 7:30 PM ET, Julia Stiles reflected on the October 13 jazz number in which she and professional Ezra Sosa reinterpreted the audition sequence from the 2001 film Save the Last Dance. Sean Patrick Thomas, her co-star in that film, made a surprise appearance during the routine. Stiles said she wanted the recreation to surpass what she had done on film and spoke about feeling more confident in herself twenty-five years later. Sosa described how focused she appeared immediately before their performance.
DMM Dance Lens — revisiting a screen-dance role with the body and confidence of today: The original film required Stiles to portray a highly trained dancer; she has previously explained that a double performed its more complex dance sequences even as she completed substantial movement training and rehearsals. That body-double information is not a new October 19 revelation. The new story is her reflection on returning to the material in a live, judged television routine, with Sosa shaping a contemporary reinterpretation rather than an exact shot-for-shot copy. DMM is watching how this confidence and choreographic clarity carry into Stiles and Sosa's October 20 contemporary tribute to Heath Ledger, set to Frankie Valli's “Can't Take My Eyes Off You.” That future routine has not yet aired.
October 19, 2026, 11:40 AM ET verification · Statement posted October 18PRO DANCERS · STATEMENT
Val Chmerkovskiy Accepts His DWTS Benching: “I Won’t Be in the Ballroom This Week”
Val Chmerkovskiy has accepted the producer’s decision rather than contesting it. In an Instagram Story statement posted after BBC Studios announced that he would miss the October 20 episode, he wrote: “As you may have seen in the news, I won’t be in the ballroom this week.” He said that “in a moment where my instinct was to defend my wife,” Jenna Johnson, he “made a poor decision to reference a meme” without thinking through what else it could imply, and that Carrie Ann Inaba “certainly didn’t deserve to get caught in the middle of my bad judgment.”
Chmerkovskiy said he did not want to become “a distraction from an important week or from the incredible work my dance partner Jenna Dewan is putting in,” asked fans to send “Carrie Ann, Jenna, and the whole DWTS family lots of love during Dedication Night,” and said he will be watching. What the statement confirms: he accepts the one-episode absence. What it does not do: it does not announce his status for later weeks or add any new production decision. Alan Bersten still partners Dewan for the Viennese waltz to “Unchained Melody,” dedicated to her mother, Nancy. DMM has not verified a public response from Inaba to this statement.
DMM Dance Lens · Accountability, Then Back to the Floor
A professional ballroom partnership is a working relationship built rehearsal by rehearsal. Chmerkovskiy’s statement owns the mistake and points attention back to Dewan’s work, which is where it belongs on Tuesday: whether she and Bersten can hold a connected frame, continuous rotation and musical phrasing after only a few days together. DMM will judge what happens on the floor, not the off-camera dispute.
October 19, 2026, 5:57 AM ET verification · October 18 official rehearsal previewDEDICATION NIGHT · CHOREOGRAPHY · DANCE LEGACY
Alfonso Ribeiro Joins Tatyana Ali and Jan Ravnik for DWTS James Avery Tribute; Ali Plans Recorded Vocal
A confirmed guest-participant reveal: A rehearsal video posted by the official Dancing with the Stars TikTok account shows Tatyana Ali and professional partner Jan Ravnik welcoming cohost and former Mirrorball champion Alfonso Ribeiro into their planned October 20 James Avery dedication. Ribeiro says he will dance with them as they honor the late actor who portrayed Philip “Uncle Phil” Banks on The Fresh Prince of Bel-Air. Ali and Ribeiro played Avery's television children. The original October 15 dedication reveal identified Avery, but had not established Ribeiro's participation; that earlier uncertainty is now resolved. Read DMM's complete Ali/Avery dance-legacy feature →
Ali also says she plans to prerecord herself singing “(You Don't Know) How Glad I Am.” ABC/Disney Television Press originally announced the Viennese waltz to Nancy Wilson's recording; the preview describes Ali's own recorded vocals but does not yet establish the final broadcast mix or how the singing will be integrated. Ribeiro's exact staging, the duration of his participation and any effect on the judged couple's technical content likewise remain unconfirmed. The ten-couple field, Tuesday airtime and guest judge Kym Johnson are unchanged.
In an earlier Good Morning America interview, Ali said she hoped to remain in the competition long enough to involve Ribeiro in a routine. That ambition now has a specific setting: a tribute to an actor she has described as a teacher and mentor. An October 16 rehearsal visit reported by Yahoo Entertainment also documented Ali describing sore ribs from the previous week and Ravnik explaining that their new waltz has no dips or lifts; this is first-person rehearsal context, not an independently verified injury diagnosis or withdrawal.
DMM Dance Lens · When Memory Becomes a Three-Person Stage Picture
The presence of a third performer raises a specific choreographic question: can Ravnik preserve a recognizable Viennese-waltz frame, continuous travel, rotational timing and clear partner relationship while the production makes room for Ribeiro and a prerecorded vocal? The cameo may deepen the emotional context, but its success as dance will depend on musical phrasing, transitions and the visible movement — not nostalgia alone. DMM will assess the broadcast rather than predict scores or assign unverified choreography credits.
October 19, 2026 · 4:51 AM ET · October 18 reporting, with 2022 historical verificationPRO DANCERS · PARTNERING · DMM ANALYSIS
Emma Slater Defends Alan Bersten’s DWTS Return — He Replaced Val Chmerkovskiy in 2022, Too
A working professional's perspective: In reporting published October 18, Us Weekly described Emma Slater responding to a TikTok user who questioned why an already eliminated professional could return to partner Jenna Dewan. Slater defended Alan Bersten's temporary role, saying, “we all step in for each other.” Her comment addresses the practical culture of professional substitution, not a newly announced ABC casting policy. It follows former professional Gleb Savchenko's separate public criticism of Bersten's dance technique, which remains an attributed opinion rather than a verified assessment.
The overlooked historical connection: This is not the first time Bersten has replaced Val Chmerkovskiy. On October 31, 2022, Bersten partnered Gabby Windey for a Dancing with the Stars Argentine tango when Chmerkovskiy missed Halloween Night after testing positive for COVID-19. Contemporary reporting from TV Insider and TheWrap documented the substitution. The 2022 absence was health-related; the October 2026 absence follows BBC Studios' disciplinary decision. These are different circumstances, even though the replacement professional is the same.
For Tuesday, October 20, 2026, Dewan and Bersten are scheduled to perform a Viennese waltz to the Righteous Brothers' “Unchained Melody,” dedicated to Dewan's mother, Nancy. ABC/Disney Television Press announced the song and style on October 14; the subsequently confirmed partner substitution does not establish a changed routine, rehearsal result, score or judging standard. See DMM's Val Chmerkovskiy suspension report and Season 35 Live Dashboard for the confirmed competitive context.
DMM Dance Lens · Substitution Is a Professional Skill
A substitute must quickly establish a shared center, frame, timing and directional trust with a partner whose movement habits were developed alongside someone else. Bersten's documented 2022 stand-in shows experience with this specific kind of handoff; it does not predict Tuesday's performance. The October 20 Viennese waltz will offer the first meaningful evidence of how this new partnership works under live conditions. DMM's measure is the dance, not the social-media verdict.
October 19, 2026 · 12:21 AM ET · October 16 first-person report newly reviewedINJURY WATCH · CHOREOGRAPHY · DMM ANALYSIS
Tyler Cameron Describes Shoulder, Hip and Hand Injuries as DWTS Rehearsal Demands Continue
Newly verified for DMM; original report published October 16.Tyler Cameron has described a history of shoulder and hip injuries, plus more recent thumb and wrist problems, in a video shared during Dancing with the Stars rehearsals. Bachelor Nation, which published its account on October 16, relayed Cameron’s first-person description: he said one shoulder problem dates to high school, described repeated trouble in the other shoulder and longstanding hip issues, and said he had aggravated an earlier thumb injury and hurt his wrist. He said the accumulated problems make flexibility work and certain partnered lifts painful. These are the contestant’s own statements; DMM has not independently verified a diagnosis, imaging, the precise anatomy involved or any medical restriction.
Cameron continues to be listed with professional partner Sharna Burgess for the October 20 contemporary to Ed Sheeran’s “Supermarket Flowers,” dedicated to mothers, in ABC/Disney Television Press’s October 14 lineup. The lineup is a scheduling confirmation, not a medical clearance. No verified withdrawal, revised dance assignment or producer-announced substitution was found at this reporting checkpoint. Earlier DMM reporting on a separate rehearsal mishap involving Burgess remains part of the historical record; it should not be conflated with Cameron’s newly reviewed self-report.
DMM Dance Lens · Choreography Under Physical Constraints
Contemporary dance can call for weight sharing, controlled transitions, changes of level and assisted lifts, all of which require partners to coordinate strength, timing and stability. Cameron’s account makes rehearsal adaptation an important question for Burgess’s choreography, but it does not establish that any particular movement is unsafe or that a specific step has been removed. DMM will assess the October 20 performance as danced, while respecting that a television routine cannot reveal a performer’s clinical condition.
October 18, 2026 · 7:02 PM ET · Official-account rehearsal previewPRO DANCERS · PARTNERING · DMM ANALYSIS
Jenna Dewan and Alan Bersten Appear Together in Official DWTS Preview Ahead of Their Viennese Waltz
First joint preview after the partner switch: On Sunday, October 18, the official Dancing with the Stars Instagram account shared a short Story featuring Jenna Dewan alongside substitute professional Alan Bersten. Dewan identified their October 20 Viennese waltz to the Righteous Brothers’ “Unchained Melody” and said she was excited for the performance. Parade reported the clip at 4:53 PM ET; Us Weekly separately described the official-account footage. The clip establishes that the newly paired performers are publicly preparing together; it is not evidence of a completed dance, an assessed rehearsal or a new casting decision.
BBC Studios’ previously announced one-episode absence for Val Chmerkovskiy remains the reason Bersten is stepping in. The song, dance style and dedication to Dewan’s mother, Nancy, are unchanged. ABC has not announced a revised score, judging rule or second replacement. For the full chronology, see DMM’s verified suspension and partner-change feature and Dedication Night guide.
DMM Dance Lens · The First Public Look Is Not the Performance
A new professional partner must rapidly establish shared balance, frame, rotation and rise-and-fall timing in a Viennese waltz. The brief official preview offers no sustained dancing to evaluate. DMM’s October 20 test remains the quality of the partnership on the floor, especially how Bersten supports Dewan’s musical phrasing and personal tribute under a compressed rehearsal window.
October 18, 2026 · 7:02 PM ET · Reported return to rehearsalINJURY WATCH · CHOREOGRAPHY · DMM ANALYSIS
Maura Higgins Seen Returning to DWTS Rehearsals After Neck-Pain Scare; Paso Doble Remains Scheduled
Training-status follow-up, with a verification limit: A report published on October 18 by The Sun shows Maura Higgins arriving for Dancing with the Stars rehearsals after the neck pain she disclosed during Super Bowl Night preparations. The report describes her return to the training location, not a physician’s clearance, a complete pain-free rehearsal or proof that the condition has resolved. No official ABC injury-status bulletin or diagnosis was found in this check.
Higgins previously told viewers that her neck discomfort had persisted for weeks; she and professional Mark Ballas nevertheless completed their October 13 tango and earned 33/40. ABC’s current October 20 assignment lists their Paso Doble to Dropkick Murphys’ “I’m Shipping Up to Boston”, dedicated to Ireland. That assignment remains announced, but any choreography adjustments, movement limitations or medical restrictions are unverified.
DMM Dance Lens · A Demanding Style After Neck Discomfort
Paso doble asks for strong upper-body carriage, precise head placement and committed directional accents. Those demands make Higgins’s own account of persistent neck discomfort relevant to training and technique, but they do not establish that a specific movement is unsafe for her. DMM will distinguish what viewers can observe on October 20 from any medical conclusion that only her care team can make.
October 18, 2026 · 12:52 PM ET · Professional-dancer responsePRO DANCERS · TECHNIQUE · DMM ANALYSIS
Gleb Savchenko Questions Alan Bersten’s Technique as DWTS Dedication Night Substitution Draws Debate
A new professional-dancer response, not a casting change: Former Dancing with the Stars pro Gleb Savchenko criticized Alan Bersten’s dance quality and technique in a TikTok livestream circulated in a fan recording. In October 18 reporting, Us Weekly quoted Savchenko questioning Bersten’s artistic level and asking why production selected him rather than another available professional or troupe member. Just Jared separately reported the remarks. These are Savchenko’s opinions, not independently established assessments of Bersten’s technical ability.
The confirmed October 20 arrangement remains unchanged: Bersten will partner Jenna Dewan for a Viennese waltz to the Righteous Brothers’ “Unchained Melody,” dedicated to her mother, Nancy, while Val Chmerkovskiy sits out one episode under BBC Studios’ announced decision. Neither Bersten nor Dewan had publicly responded to Savchenko’s remarks in the reporting reviewed. No official replacement reversal, judging decision or revised choreography has been announced.
DMM Dance Lens · What Makes a Strong Substitute Partner?
A midweek substitute is evaluated on more than solo virtuosity. The immediate assignment is to create a secure frame, coordinate rise and fall, maintain a shared axis through Viennese-waltz rotation and support the celebrity’s musical phrasing without sacrificing the tribute’s emotional purpose. Savchenko’s critique raises a legitimate question about how viewers distinguish individual artistry from teaching, adaptability and partner-centered performance — but only the October 20 dance can provide evidence of how this pairing works.
October 18, 2026 · 11:05 AM ET · Public-interest checkPRO DANCERS · DMM ANALYSIS
Questions About Val Chmerkovskiy’s Absence Keep Building Before Dedication Night; His Status Is Unchanged
Public interest, not a new suspension: By Sunday morning, October 18, two questions kept surfacing online: what Val Chmerkovskiy said about Carrie Ann Inaba, and whether he has been suspended from Dancing with the Stars. The answers had not changed since the producers’ decision the day before.
The verified competition position is unchanged: BBC Studios said Val Chmerkovskiy would sit out the October 20 episode following his inappropriate social-media post; Alan Bersten is the announced substitute professional partner for Jenna Dewan on her Viennese waltz to “Unchained Melody.” The episode has not yet aired. There is no newly confirmed additional suspension, permanent departure, replacement change, score adjustment or lift-rule amendment in this check.
DMM Dance Lens · Attention Versus Technique
A fast-moving disciplinary story can pull new attention toward the ballroom, but attention does not tell us how audiences value technique, partnering or choreography. The dance question for October 20 remains whether Dewan and Bersten can sustain connection, rotation and musical phrasing with a short rehearsal window. DMM will follow the work on the floor rather than infer competitive outcomes from online attention.
Revised October 22, 2026: headline and wording edited for clarity; detailed audience-interest figures moved to DMM’s internal records. The reporting, dates and sources are unchanged.
October 18, 2026 · 8:23 AM ET check · October 17 first-person videoPRO DANCERS · CHOREOGRAPHY WATCH
Louis van Amstel Backs Carrie Ann Inaba’s Lift Call but Urges Clearer DWTS Rules for Troupe-Assisted Choreography
A technical perspective from an original Dancing with the Stars professional: Louis van Amstel said in an October 17 Instagram video that he agreed with judge Carrie Ann Inaba’s criticism of a lift during Jenna Johnson and Harry Shum Jr.’s October 13 samba. He also argued that the show should clarify how lift restrictions apply when backup or troupe dancers, rather than the competing partner, provide the assistance. His comments were reported October 18 by Us Weekly and Parade.
Van Amstel questioned whether lifts are being called consistently across different routines. He proposed that a revised rule explicitly address lifts performed with help from either the partner or additional dancers. This is his suggested clarification, not an announced rulebook amendment or official determination of a new violation. The October 13 score for Shum Jr. and Johnson remains 33/40; no revised score or deduction has been confirmed. The separate one-episode absence of Val Chmerkovskiy, and Alan Bersten’s announced substitution with Jenna Dewan on October 20, remain unchanged.
DMM Dance Lens · What Counts as a Lift?
A two-person ballroom definition meets a televised ensemble production. The unresolved teaching and judging question is not simply whether a dancer leaves the floor; it is who supplies the support, which dance rules apply and whether those rules are communicated and enforced consistently. DMM will distinguish a former pro’s interpretation from an official ABC rule or score. The dancers’ samba content, staging choices and the role of the troupe deserve evaluation on their own terms.
October 18, 2026 · 2:37 AM ET check · October 20 Dedication Night previewPRO DANCERS · DEDICATION NIGHT PREVIEW
Val Chmerkovskiy Remains Out for DWTS Dedication Night as Questions About His Absence Continue
The verified production decision has not changed: Val Chmerkovskiy is scheduled to miss the October 20 Dancing with the Stars episode, and Alan Bersten will partner Jenna Dewan for her Viennese waltz honoring her mother Nancy. An ABC News report appearing early October 18 repeats the producer's previously announced action; it does not establish a new suspension, permanent departure or further change to the competition. What was new in this check was public attention, not a new decision: online questions centered on what Chmerkovskiy said about Carrie Ann Inaba and whether he had been suspended.
DMM Dance Lens · October 20 Performance Watch
Public attention is focused on a professional dancer’s absence, but the dance story remains the practical challenge of a last-minute partnership: Dewan and Bersten must establish a connected frame, coordinated rotation and musical phrasing for the announced Viennese waltz. DMM will evaluate the televised work, not infer private rehearsal outcomes from online discussion.
Revised October 22, 2026: headline and wording edited for clarity; detailed audience-interest figures moved to DMM’s internal records. The reporting, dates and sources are unchanged.
October 17, 2026 · 7:22 PM ET verification · ABC News report at 6:35 PM ETOFFICIAL CONFIRMATION · PRO DANCERS
ABC Confirms Jenna Dewan and Alan Bersten Pairing for Dedication Night as Val Chmerkovskiy Sits Out
ABC News has now independently confirmed the October 20 professional-partner switch: Jenna Dewan will perform with Alan Bersten while Val Chmerkovskiy sits out Dedication Night following the producer's response to his social-media post. ABC's October 17 report, published at 6:35 PM ET, quotes BBC Studios and says Dewan is aware of the change and has remained professional and respectful of the process. The original decision and Bersten's identity were already reported earlier Saturday; this is a new first-party confirmation, not a second suspension or an additional casting change.
The upcoming Viennese waltz to the Righteous Brothers' “Unchained Melody,” dedicated to Dewan's mother Nancy, remains the announced assignment. The revised partnership makes the practical work of rebuilding ballroom connection, timing and rotation the dance story to watch on October 20. Neither ABC nor BBC Studios has reported a new score, elimination, lift-rule amendment or permanent removal of Chmerkovskiy.
DMM Dance Lens · A Changed Partnership, Not a Changed Dance
A Viennese waltz depends on a consistent frame, connected movement, coordinated turns and musical phrasing. With a new partner, Dewan and Bersten must establish those shared habits without losing the personal meaning of the tribute. DMM will evaluate what appears in the televised performance rather than speculate about private rehearsals.
Revised October 22, 2026: headline and wording edited for clarity; detailed audience-interest figures moved to DMM’s internal records. The reporting, dates and sources are unchanged.
October 17, 2026 · 3:51 PM ET verification · BBC Studios statement issued SaturdayBREAKING · PROFESSIONAL-DANCER CHANGE
Val Chmerkovskiy Sits Out DWTS Dedication Night; Alan Bersten Steps In With Jenna Dewan
Dancing with the Stars professional Val Chmerkovskiy will not participate in the October 20 Dedication Night episode, following his social-media remark about judge Carrie Ann Inaba. Producer BBC Studios confirmed the decision in an October 17 statement reported by Deadline, Variety and Us Weekly. The Hollywood Reporter reports that Alan Bersten will partner Jenna Dewan for Tuesday's scheduled Viennese waltz. This is a temporary professional-partner change, not Dewan's elimination.
BBC Studios described Chmerkovskiy's post as inappropriate and said he would not take part in next week's show. The response follows his October 15 apology to Inaba after a deleted reference widely interpreted as alluding to Will Smith's 2022 Oscars confrontation. The underlying October 13 dispute concerned Inaba's criticism of Jenna Johnson and Harry Shum Jr.'s samba. No new ABC lift-rule clarification or revision to the couple's 33/40 has been announced. The production statement does not establish any sanction beyond the upcoming episode.
DMM Dance Lens · A Three-Day Partnering Transition
Dewan is preparing a Viennese waltz to the Righteous Brothers' “Unchained Melody,” dedicated to her mother Nancy. Replacing a professional partner this close to a live performance raises specific questions about closed-hold connection, shared balance, rotation, musical phrasing, spatial pathways and how the new partnership carries an intimate tribute. DMM will evaluate the finished dance, not speculate about unreleased rehearsals or assign unverified choreography credit. The score and performance have not yet occurred.
October 20 assignment: Jenna Dewan with substitute pro Alan Bersten · Viennese waltz · “Unchained Melody” by the Righteous Brothers · tribute to Dewan's mother Nancy. ABC's October 14 preview originally named Chmerkovskiy; the October 17 producer statement and subsequent reporting supersede that partnership listing for this episode. The ten remaining celebrities and guest judge Kym Johnson are unchanged in the verified reports.
October 17, 2026 · 1:54 AM ET verification · October 16 interviewDEDICATION NIGHT · CHOREOGRAPHY
Amber Glenn's Sister Brooke Will Join Her and Pasha Pashkov on the DWTS Dedication Night Dance Floor
Amber Glenn's October 20 contemporary tribute is becoming a family performance, not simply a dance about a family member. In an original interview published by Parade on October 16 at 3:46 PM ET, professional partner Pasha Pashkov confirmed that Glenn's sister Brooke will appear in the number and is learning choreography for a substantial portion of it. ABC had already announced that Glenn and Pashkov would dance contemporary to Sia's “Breathe Me”, dedicated to Brooke; the sister's planned participation is the newly reported staging detail.
Glenn described Brooke as a source of support during a difficult period in her life and said the dance is her way of expressing gratitude. Pashkov told Parade that the sisters have been working together in rehearsal. His account establishes an intended onstage role for Brooke, but neither the final choreography nor its execution can be assessed before the live broadcast. Glenn's personal account should not be turned into an unverified medical claim.
DMM Dance Lens · The Choreography of a Shared Memory
Pashkov's challenge is more than teaching a guest a few counts. A three-person contemporary sequence can change the composition of the stage: who carries the emotional focus, how the dancers enter and separate, and how a movement phrase communicates the sisters' relationship without reducing it to pantomime. DMM will watch for purposeful spatial relationships, clear musical phrasing, safe partnering and the distinction between emotional impact and dance execution. Those are questions for October 20, not claims about an unseen routine.
October 16, 2026 · 8:16 PM ET verificationABC VERIFIED · RATINGS & FAN VOTING
DWTS Super Bowl Night Draws 6.59 Million Viewers and Over 70 Million Votes as Key-Demo Rating Hits Nine-Year Non-Finale High
ABC's October 16 ratings release confirms that the October 13 Dancing with the Stars Super Bowl Night attracted 6.59 million viewers and earned a 1.56 rating among adults 18–49. The network identifies the demographic result as Season 35's highest to date and its strongest non-finale episode in that age group since May 1, 2017. The episode drew over 70 million fan votes and 2.9 million social interactions, according to the same official release.
6.59MNielsen viewers · Oct. 13
1.56Adults 18–49 rating
70M+Votes cast · not unique voters
The Nielsen Live+Same Day figures show total viewership increasing 2% from 6.44 million the previous week, while the adults 18–49 rating increased 11% from 1.41. ABC also reports that the show led Tuesday television overall in audience and ranked first in broadcast/cable social interactions. These are three different measures: television viewing, social activity and ballots cast. The voting figure does not reveal how many individuals voted, how votes were distributed among couples or whether a specific routine caused the increase. Earlier this season, Yacht Rock Night drew 7.12 million viewers, so the new milestone is specifically the 18–49 rating, not an all-season total-viewer record.
DMM Dance Lens · Cultural Reach Versus Technical Progress
Super Bowl Night placed salsa, samba, tango, jazz and paso doble beside pop and hip-hop music associated with halftime performances. The audience numbers demonstrate reach; they do not establish which choreography drove it. For DMM, the next question is whether new viewers follow the professionals' craft — partnering, musicality, technical growth and storytelling — as the season moves from spectacle to October 20's personal Dedication Night.
The episode also ended with the elimination of Guillermo Rodriguez and Witney Carson after their season-best 22/40 salsa. Ten couples advance to Dedication Night. The new ratings announcement does not alter competition scores, placements or the October 20 lineup. Read DMM's complete ratings and voting analysis → (forthcoming) · Week 5 scores and elimination.
October 16, 2026 · 6:46 PM ET verificationDANCE COMMUNITY · CONTESTANT RESPONSE
Harry Shum Jr. Calls for Joy and Respect After DWTS Samba Controversy
Harry Shum Jr. has offered a public response to a difficult week in the Dancing with the Stars ballroom, asking viewers to remember the joy of dance and recognize the people behind the competition. In a Friday, October 16 Instagram message reported by Entertainment Weekly at 6:11 p.m. ET, Shum praised fellow contestants and reflected on the experience following the October 13 samba dispute involving professional partner Jenna Johnson and judge Carrie Ann Inaba.
Rather than relitigate the judges’ ruling, Shum highlighted the distinctive contributions of the cast. He celebrated Guillermo Rodriguez’s exuberance following his elimination, Tatyana Ali’s representation and commitment, Julia Stiles’ connection to her film-dance history, and Jenna Dewan’s generosity toward him when he was a younger creative. He also acknowledged his own determination to keep performing with confidence. These are Shum’s personal reflections, not an ABC statement or an official resolution of the judging debate.
The context remains important: Johnson and Shum’s October 13 samba to Usher’s “Yeah!” received 33/40. Inaba questioned both recognizable samba content and a troupe-assisted lift; Johnson subsequently said she would take the feedback. Professional dancers have since expressed differing views on how the lift rule should apply to additional performers. No revised score, formal lift-rule clarification or change in the October 20 Dedication Night lineup has been announced.
DMM Dance Lens · Technique and Community Can Coexist
The same performance can be joyful for an audience and still require technical correction. Shum’s message is valuable because it restores attention to the labor and relationships inside the ballroom without dismissing adjudication. For professional partners such as Johnson, the work includes building confidence, communicating movement vocabulary and accepting critique in public. DMM will continue evaluating the dance itself — musicality, technique, partnering and choreography — while distinguishing artistic disagreement from personal conflict.
October 16, 2026 · 2:45 PM ET verificationDEDICATION NIGHT · REHEARSAL
Julia Stiles Says Heath Ledger Tribute Rehearsals Brought Unexpected Tears — The Challenge for Ezra Sosa
Julia Stiles says she became emotional while rehearsing her October 20 tribute to the late Heath Ledger. In a first-person interview given October 15 at the InStyle Imagemaker Awards and reported by Entertainment Weekly on October 16 at 2:14 p.m. ET, Stiles said that revisiting scenes and voices from 10 Things I Hate About You stirred memories she had not expected to feel so intensely. The reaction was described as occurring during rehearsal, not during a completed televised performance.
Stiles and professional partner Ezra Sosa are scheduled to perform contemporary to Frankie Valli’s “Can’t Take My Eyes Off You” on Tuesday, October 20. The song recalls Ledger’s serenade in the 1999 film. Stiles and Sosa have said they want the choreography to balance grief with the joyful energy of the original scene. No Dedication Night score or final routine has been broadcast. ABC has confirmed the assignment and the 10-couple field.
DMM Dance Lens · Emotional Truth Needs Movement Structure
For Sosa, the creative task is to translate a film memory into a contemporary dance with a clear musical arc, rather than simply reenact a recognizable scene. Stiles’ newly disclosed rehearsal response makes that distinction concrete: an authentic emotion can inform timing, breath, gesture and partnering, but it cannot by itself establish choreographic execution. DMM will evaluate what the October 20 dance actually shows, without predicting the judges’ response.
October 16, 2026 · 2:45 PM ET verificationPRO DANCERS · LIFT RULES
Sharna Burgess Explains DWTS Lift Rules and Calls for Clearer Guidance on Troupe-Assisted Moves
Sharna Burgess has offered a technical explanation of which Dancing with the Stars dance styles permit lifts. In an October 15 social-media video and comment documented by Us Weekly on October 16, the Season 35 professional said that the five standard ballroom dances and five standard Latin dances do not permit lifts, while jazz, salsa, contemporary, Argentine tango and Charleston can include them. She also distinguished a lift, where a dancer is supported off the floor, from a directional or timing assist during a leap.
Responding to the October 13 samba performed by Jenna Johnson and Harry Shum Jr., Burgess said she could understand both Johnson’s troupe-assisted interpretation and Carrie Ann Inaba’s concern. She described the ensemble question as a possible loophole and argued that guidance should be clearer. This is Burgess’s professional interpretation, not a newly issued ABC rule or an official reversal of the judging decision. Johnson and Shum’s 33/40 remains unchanged.
DMM Dance Lens · Technique, Partnering and Ensemble Staging Are Not the Same Question
The distinction matters because televised choreography increasingly uses extra performers, theatrical lifts and assisted transitions. A lift executed by a competing partner is easy to identify; a movement assisted by two troupe dancers tests whether the rule is written and applied to the couple alone or to the entire staged routine. Burgess also explains why a jazz number with lifts can be permissible while a samba with a lift draws criticism. DMM will assess recognizable samba content separately from the disputed staging rule and the conduct of the people debating it.
October 16, 2026 · 8:38 AM ET verificationDANCE EDUCATION · PRO-DANCER LEGACY
Kim Kardashian Revisits Her DWTS Dance Anxiety and Says She Would Consider Returning
In an October 15 appearance on Jimmy Kimmel Live!, Kim Kardashian revisited her 2008 Dancing with the Stars experience with professional partner Mark Ballas. She said she was so self-conscious about dancing that she cried in her trailer and hoped to be eliminated. Kardashian and Ballas exited Season 7 after three weeks. Her comments were reported on October 16 by Us Weekly, and the original interview is identified in the official Jimmy Kimmel Live! video listings.
Kardashian also described watching old ballroom footage with her family and recognizing movements she still remembered. With greater confidence now, she said she would be willing to return and floated the idea of a Kardashian-Jenner family competition. This was a hypothetical conversation, not an ABC casting announcement, a confirmed new season format or a Season 35 contestant change.
DMM Dance Lens · Technique Begins with Trust
Kardashian’s recollection is evidence of how exposed an adult beginner can feel on a televised dance floor, even when partnered with an accomplished professional. The teaching question is not whether she had the ability to learn, but how confidence, repetition and the pressure of public evaluation shape what a novice can show. Mark Ballas is again competing in Season 35, now partnered with Maura Higgins; this earlier partnership adds historical perspective to the pro dancer’s continuing work with celebrity learners. Kardashian’s account is her own experience, not a diagnosis or an assessment of Ballas’ teaching.
Season 35 context: The current competition remains at 10 couples after the October 13 elimination. ABC’s October 14 release confirms Dedication Night on Tuesday, October 20, with Kym Johnson as guest judge. Kardashian has not been announced as a contestant or guest judge, and no change to the broadcast or voting format has been verified.
October 15, 2026 · 9:50 PM ET verificationPRO DANCERS · JUDGING & PROFESSIONAL CONDUCT
Val Chmerkovskiy Apologizes to Carrie Ann Inaba as DWTS Samba Debate Turns to Professional Respect
Val Chmerkovskiy has publicly apologized to Dancing with the Stars judge Carrie Ann Inaba for a since-deleted social-media remark that many interpreted as an allusion to Will Smith striking Chris Rock at the 2022 Academy Awards. In an October 15 Instagram Story reported by Us Weekly and The Hollywood Reporter, the competing professional dancer said he had reached out to Inaba privately, regretted the reference and would take greater care with his platform. Inaba had earlier responded to coverage of his comment on Instagram; no response to the apology itself was verified by this check.
The dispute followed Inaba’s October 13 critique of Jenna Johnson and Harry Shum Jr.’s samba to Usher’s “Yeah!” Inaba questioned the amount of samba content and identified a lift. Johnson has explained why she did not expect the troupe-assisted moment to be judged as a partner lift. The couple’s 33/40 score stands. ABC has announced no new lift-rule interpretation, score revision or disciplinary action connected with the exchange.
DMM Dance Lens · Separate the Choreography from the Conduct
There are two different questions here. One concerns the technical boundaries of a samba: recognizable vocabulary, weight transfer, timing and whether an ensemble-assisted lift falls within a television competition’s rules. The other concerns how judges and professionals address one another in public. An apology addresses the latter; it does not settle the former. DMM will keep the teaching and choreography debate visible without treating an inflammatory remark as a substitute for dance analysis.
What happens next: Johnson and Shum are scheduled for an October 20 Dedication Night foxtrot to John Mayer’s “Stop This Train.” Chmerkovskiy and celebrity partner Jenna Dewan are scheduled for a Viennese waltz to “Unchained Melody.” Both assignments come from ABC/Disney’s October 14 release; no next-week score or result is known.
Read:DMM’s complete apology, choreography and professional-conduct analysis → (forthcoming)
October 15, 2026 · 6:10 PM ET verificationPRO DANCERS · THE PHYSICAL WORK OF PERFORMANCE
Witney Carson Reflects on Dancing Through Pregnancy After DWTS Exit: The Work Behind Five Weeks
Witney Carson is adding a firsthand account of the professional work behind her five-week partnership with Guillermo Rodriguez. In an E! News interview published October 15 at 5:45 PM ET, the two-time Mirrorball champion said she and Rodriguez were at peace with their October 13 elimination. She described being physically tired after performing while pregnant with her third child and spoke about the difficulty of adjusting to bodily changes on live television.
Carson also reported back pain after the competition and said she was ready for rest. These are her own descriptions; the interview does not establish a medical diagnosis, a DWTS production decision about her health, or that her pregnancy affected the viewer vote. Rodriguez and Carson finished with their season-best 22/40 salsa to Bad Bunny’s “Tití Me Preguntó.” The elimination stands, and the ten remaining couples continue toward October 20 Dedication Night.
DMM Dance Lens · Professional Labor Beyond the Leaderboard
Carson’s comments bring the professional dancer back into focus. A televised partnership asks the pro to teach an inexperienced performer, build choreography that fits that performer, demonstrate demanding movement and manage the physical cost of repetition. Her account of dancing during pregnancy makes that labor especially visible without inviting outsiders to diagnose her health or decide what she should have performed. Rodriguez’s improvement and Carson’s teaching belong in the season record even though the partnership ended before Dedication Night.
October 15, 2026 · 3:27 PM ET verificationDEDICATION NIGHT · DANCE AND TELEVISION LEGACY
Tatyana Ali Reveals James Avery Tribute for DWTS Dedication Night: A Fresh Prince Legacy in Waltz
The final previously undisclosed Dedication Night honoree has been identified. On October 15, Tatyana Ali revealed that she will honor her late Fresh Prince of Bel-Air co-star James Avery, who played her television father Philip “Uncle Phil” Banks. Her professional partner Jan Ravnik will dance a Viennese waltz with her to Nancy Wilson’s “(You Don’t Know) How Glad I Am” on Tuesday, October 20. The revelation followed the planned Thursday announcement on the Dancing with the Stars Official Podcast; ABC’s October 14 press release had confirmed the song and style but withheld her dedication.
Ali has also shared a public remembrance of Avery as a formative teacher and supporter. The official podcast’s October 15 episode lists Ali and Ravnik among its guests. A reported surprise element remains unannounced; DMM is not naming a guest performer, on-floor appearance or choreographic role before confirmation. No October 20 performance, score or elimination has occurred.
DMM Dance Lens · Memory Through Movement
A Viennese waltz can communicate remembrance through continuous rotation, shared center and a sustained musical line. Ravnik’s technical task will be to build secure frame, controlled rise and fall, and uninterrupted travel while leaving room for Ali’s personal story. The significance is not merely a television reunion: an actor is translating a decades-long artistic relationship into a judged partner dance. Whether the choreography makes that history legible without sacrificing waltz technique is the question to assess after the routine airs.
October 15, 2026 · 11:06 AM ET verificationPRO DANCERS · POST-ELIMINATION PERFORMANCE
Witney Carson and Guillermo Rodriguez Reunite for a Final Dance After Their DWTS Elimination
Elimination ended their scored competition, but not their televised dance partnership. On the October 14 broadcast of Jimmy Kimmel Live!, professional dancer Witney Carson joined Guillermo Rodriguez and host Jimmy Kimmel for a short, lighthearted farewell dance. Entertainment Weekly documented the reunion in a report published October 15 at 10:27 AM ET. Carson turned with both men on the studio floor, extending a partnership that had ended on Tuesday's Dancing with the Stars Super Bowl Night.
Rodriguez and Carson were eliminated on October 13 after their salsa to Bad Bunny's “Tití Me Preguntó” earned 22/40, their best judges' score of the season. The new studio dance was not a return to DWTS competition, was not judged and did not change the elimination or the remaining ten-couple field. Kimmel's tribute also revisited the training journey of a novice dancer whose growing confidence had become part of the season's story.
DMM Dance Lens · What Continues After Elimination
This is a modest television coda, not a newly scored routine or a confirmed professional choreographic credit. Its value lies in what it makes visible: a professional dancer's teaching can have a life beyond the weekly leaderboard. Carson's work with Rodriguez is now represented by both a five-week competition record and an additional on-air moment that depends on the audience recognizing their partnership. DMM will keep performance, training, entertainment value and undisclosed viewer votes separate.
Related DMM reporting:Kimmel praises Carson's coaching after elimination; Week 5 scores and elimination. Media:Entertainment Weekly identifies the original Jimmy Kimmel Live! broadcast and accompanying YouTube footage. A direct official segment embed was not independently verified at this check, so no video or unlicensed photograph is inserted.
October 15, 2026 · 10:18 AM ET verificationCHOREOGRAPHY · SAMBA TECHNIQUE · DANCE TRAINING
Harry Shum Jr. Details the Samba Steps He Learned as DWTS Choreography Debate Continues
Harry Shum Jr. has responded directly to criticism that his October 13 samba with Jenna Johnson contained too little samba. In comments beneath an official Dancing with the Stars Instagram post, reported by Cosmopolitan on October 15 at 8:26 AM ET, Shum identified slingshots, promenade runs and whisks as steps he had worked to learn. He described the movement vocabulary as unfamiliar to his body and defended the work behind a routine set to Usher’s “Yeah!” His response followed Carrie Ann Inaba’s criticism of the samba content and a separate disagreement about a troupe-assisted lift.
Shum also distinguished the couple’s earlier tango and jive assignments, arguing that he and Johnson have tried to honor each week’s dance form while interpreting the music and production theme. This is the contestant’s account of the material he practiced, not independent proof that every figure was executed correctly or that the choreography met the judges’ desired samba-content threshold. The 33/40 score has not changed; no official ABC lift-rule revision or scoring appeal has been established.
DMM Dance Lens · Naming a Figure Is Not the Same as Demonstrating It
Shum’s specific vocabulary gives the discussion a more useful technical foundation. A recognizable step can be present without defining the character of an entire dance: judges may still consider timing, weight transfer, bounce action, foot placement, partnering and how consistently samba mechanics carry through the choreography. Conversely, a television theme or ensemble staging does not erase the training involved. DMM’s question remains whether the visible execution and proportion of samba content met the competition’s expectations, distinct from the separate question of how troupe-assisted lifts are judged.
October 15, 2026 · 8:53 AM ET verificationPRO DANCERS · SAMBA TECHNIQUE · JUDGING FORMAT
Maks Chmerkovskiy and Peta Murgatroyd Question DWTS Troupe-Lift Ruling but Agree Samba Content Matters
Two former Dancing with the Stars professionals have added a new technical distinction to the debate over Jenna Johnson and Harry Shum Jr.’s October 13 samba. On the October 15 episode of The Viall Files, Maks Chmerkovskiy argued that the lift definition read by judge Carrie Ann Inaba concerns a dancing partnership and does not clearly address a celebrity lifted by additional troupe performers. Peta Murgatroyd said she also understood why Johnson was confused by the ruling. The episode is listed by the podcast publisher, and their comments are reported by Us Weekly.
Crucially, Chmerkovskiy did not reject the technical criticism altogether. He agreed that Johnson and Shum’s Usher-inspired routine needed more recognizable samba content, while questioning whether the ensemble-assisted aerial movement should have been treated as a prohibited partner lift. His position separates two issues that can be conflated in coverage: the quantity and quality of samba movement and the scope of a lift restriction when troupe dancers enter a competitive couple’s number. Johnson and Shum received 33/40; that score is unchanged. Neither the interview nor ABC’s published materials establish a new rule, overturned score or formal adjudication.
DMM Dance Lens · Where the Couple Ends and the Ensemble Begins
This is a choreographic authorship and judging-boundary question, not simply a personality dispute. A samba can be entertaining and still invite valid criticism about bounce action, timing, weight transfer and authentic movement vocabulary. At the same time, televised choreography uses troupe performers and production staging that may complicate rules written around the competitive couple. The new remarks sharpen DMM’s standing question: what is assessed as couple technique, and what is treated as production-supported spectacle? The distinction should be tested against ABC’s actual rules and future on-air rulings, not settled by social-media reaction.
October 15, 2026 · 7:12 AM ET verificationDANCE-FILM LEGACY · LIVE STAGING · PRO CHOREOGRAPHY
Alfonso Ribeiro Helped Bring Sean Patrick Thomas Onstage for Julia Stiles’ DWTS Dance-Film Tribute
Sean Patrick Thomas did more than watch Julia Stiles’ Save the Last Dance tribute from the audience. In a firsthand account published by Entertainment Weekly at 11:38 p.m. ET on October 14, professional dancer Ezra Sosa explained how cohost Alfonso Ribeiro suggested bringing Thomas into the staging during rehearsal. Production accommodated the idea: the camera cut to Thomas standing beside Sosa as Stiles performed a solo passage, recreating the supportive visual relationship between Derek and Sara in the 2001 film. Thomas was an onstage cameo participant, not a credited competing dance partner.
The October 13 jazz to Jennifer Lopez’s “Jenny from the Block [Track Masters Remix]” earned Stiles and Sosa 33/40, their highest total to that point. Stiles told the interviewers that costumes, props, lighting cues and camera placement made rehearsal complicated. The additional detail clarifies earlier descriptions of Thomas as an audience guest: he attended the show and appeared in the televised stage composition. It does not alter the judges’ result or the previously reported dance style.
DMM Dance Lens · Choreography Includes the Camera
This is a documented example of how live television can translate screen-dance memory without merely reproducing steps. Sosa’s movement design gave Stiles room for a recognizable solo, while the Thomas cameo, wardrobe, blocking and a precisely timed camera cut completed the reference. Ribeiro is credited here for proposing Thomas’ inclusion, not for choreographing the routine. The result invites a more precise question than whether nostalgia impressed the judges: how much of the audience’s response came from movement, and how much from stagecraft that made the movement culturally legible?
Where to read and watch:DMM’s updated full dance-history feature, official performance video and credits (forthcoming); Week 5 scores and elimination. No new image is used and no unverified external video embed has been added.
October 15, 2026 · 4:37 AM ET verificationSAMBA TECHNIQUE · CONTESTANT DEVELOPMENT · JUDGING
Connor Wood Questions His DWTS Samba Score but Defends the Judges; Rylee Arnold Faces a Technique Test
Connor Wood thought his October 13 samba with professional partner Rylee Arnold might mark a breakthrough. The judges saw a different technical picture. The pair earned 25/40 for their Dancing with the Stars Super Bowl Night samba to Shakira’s “Hips Don’t Lie.” In an Entertainment Weekly backstage interview published October 14 at 4:24 p.m. ET, Wood said he had expected stronger scores after completing the routine. The four marks were 6, 6, 7 and 6; the couple advanced while Guillermo Rodriguez and Witney Carson were eliminated.
Bruno Tonioli identified problems with hip-and-foot action and timing; Derek Hough also highlighted weight transfer as an area for improvement. The criticism was about recognizable samba technique, not whether the performance entertained the room. In a separate October 14 interview with Us Weekly, Wood said he did not fully agree with his score but also considered audience booing of the judges excessive. Arnold praised his effort, while both described the challenge of preparing this samba.
DMM Dance Lens · When Audience Energy Meets Ballroom Technique
A samba can generate excitement without consistently delivering the action that defines the form. Hip-and-foot coordination, grounded weight transfer and musical timing are not decorative details: they help distinguish samba from a generalized Latin-pop stage number. Wood’s account also shows the educational challenge Arnold faces as a professional teacher: a celebrity can experience a dance as a personal breakthrough while judges identify foundational work still unfinished. Their next assignment, an October 20 Viennese waltz to Billy Joel’s “Piano Man,” dedicated to Wood’s father Pete, changes the movement vocabulary. It offers a new test of timing, rotation and sustained partnering rather than a direct second attempt at samba.
What is and is not established: The 25/40 judges’ score, their criticism and the couple’s survival are documented. Neither Wood’s remarks nor the audience reaction establishes an ABC scoring error, a rules change or the number of viewer votes the couple received. Read DMM’s complete Week 5 results and the October 20 songs-and-dances guide.
October 15, 2026 · 2:23 AM ET verificationPRO-DANCER RESPONSE · SAMBA TECHNIQUE · JUDGING
Val Chmerkovskiy Defends Jenna Johnson After DWTS Lift Critique; the Samba Rule Debate Continues
Professional dancer Val Chmerkovskiy has publicly challenged the tone of Carrie Ann Inaba’s critique of his wife and fellow pro Jenna Johnson. In a TikTok comment documented by Entertainment Weekly on October 14 at 4:47 p.m. ET, Chmerkovskiy urged the judge to “put some respect” on Johnson after the October 13 Dancing with the Stars broadcast. Us Weekly and Parade independently reported his response. It follows Inaba’s objection to an ensemble-assisted lift during Johnson and Harry Shum Jr.’s samba to Usher’s “Yeah!” The couple received 33/40 and advanced.
Inaba had distinguished the routine’s halftime-show spectacle from the samba content she wanted to see and read aloud a definition of a lift. Johnson said afterward that she had understood the restriction as applying when one partner lifts the other; the movement in question involved troupe members lifting Shum. She also said she respected the judge’s role and would take the feedback. The public comments by Chmerkovskiy concern the manner of the critique; they do not change the published score, establish a new lift rule or prove an inconsistent adjudication.
DMM Dance Lens · Choreographic Risk and Professional Accountability
The useful technical question is not whether a dramatic lift looks impressive. It is how the production applies ballroom and Latin restrictions when a routine includes an expanded ensemble rather than only the celebrity-pro couple. Jazz routines may permit aerial elements that a samba does not. That difference in style is not, by itself, contradictory judging. Johnson’s response and Chmerkovskiy’s defense reveal a second tension: professional choreographers must balance spectacle, identifiable dance vocabulary and judge feedback while their decisions are assessed in public. DMM will seek an authoritative clarification of troupe-assisted movement rather than assume that an on-air disagreement changed the rules.
The dispute has generated additional social commentary, including reports of a separate, subsequently deleted post by Chmerkovskiy. DMM has not independently authenticated that deleted post and is not treating online interpretations as evidence of a threat, disciplinary proceeding or action by ABC.
October 15, 2026 · 12:09 AM ET verificationCONTESTANT VIEW · DANCE DEVELOPMENT · VOTING
Tyler Cameron Says DWTS Is About Growth, Not Only the Best Dancer, After Guillermo Rodriguez’s Exit
Tyler Cameron is challenging the idea that the strongest technician must always advance. In remarks reported by Entertainment Weekly on October 14 at 9:28 p.m. ET, the Season 35 contestant reflected on Guillermo Rodriguez and Witney Carson’s elimination after their highest-scoring routine, a 22/40 salsa on October 13. Cameron argued that the competition also gives viewers a way to recognize progress, personal transformation and the experience of learning to dance.
Cameron, partnered with professional dancer Sharna Burgess, described their weekly work as an evolving partnership and acknowledged that viewer support matters to his own place in the competition. His comments were made in a post-show social-video recap and subsequently reported by Entertainment Weekly; they are his perspective on the competition, not an announcement of a change to ABC’s voting or judging rules.
DMM Dance Lens · Technique, Teaching and Audience Choice
This is the distinction DMM has followed all season: judges assess what reaches the ballroom floor, while audience voting also responds to the story of how a performer got there. Rodriguez’s improved salsa score did not guarantee survival; nor does a moving personal journey prove technical mastery. For Burgess and the other professionals, the creative challenge is to make progress visible through musical timing, partnering, weight transfer and authentic dance content — not only through staging or personality. Without verified vote totals, the balance between those factors cannot be quantified for any eliminated couple.
October 14, 2026 · 10:19 PM ET verificationOFFICIAL ABC · PRO / TROUPE CHOREOGRAPHY
ABC Adds Four Dedication Night Showcase Numbers, Including Two Pro-and-Troupe Routines
An October 14 ABC/Disney Television Press release now independently confirms the ten October 20 couple assignments and reveals four additional musical numbers. Two are explicitly billed as professional-dancer and troupe routines, expanding Dedication Night beyond the celebrity competition and providing a new showcase for the dancers who sustain the broadcast between scored performances.
Official October 20 Performance Music · Additional Numbers
Confirmed pro / troupe routines: “Fever Dream” by Alex Warren; “Stay (If You Wanna Dance)” by Myles Smith.
Additional featured dances: “CATastrophe” by Hilary Duff, from The Cat in the Hat; a Dolly Parton dedication set to “Here You Come Again” by Dolly Parton and Willa Amai. ABC does not identify the dancers or choreographers for these featured numbers in this release.
DMM Dance Lens · Beyond the Scores
These announced ensemble numbers offer a concrete way to follow the professional dancers' creative labor beyond the celebrity scoreboard: staging, group spacing, transitions, musical phrasing and the production's use of troupe talent. DMM will identify individual performers and choreography credits only after ABC or participants confirm them. The announcement does not establish a change to voting, scoring or the elimination format.
October 14, 2026 · 6:46 PM ETWEEK 6 · SONGS & DANCES · DANCE HISTORY
DWTS Dedication Night 2026: All 10 Songs and Dances Revealed; Julia Stiles to Honor Heath Ledger
All ten October 20 dance styles and song selections are now public through a People exclusive published October 14 at 6:36 p.m. ET. Julia Stiles and Ezra Sosa will perform contemporary to Frankie Valli’s “Can’t Take My Eyes Off You” in memory of Stiles’ 10 Things I Hate About You co-star Heath Ledger. It follows their October 13 Save the Last Dance jazz and turns two successive episodes into an unusual screen-to-stage dance-history sequence.
Other newly reported pairings include Ezra Frech and Daniella Karagach (contemporary, “Bloodline” for Frech’s mother), Amber Glenn and Pasha Pashkov (contemporary, “Breathe Me” for Glenn’s sister), and Maura Higgins and Mark Ballas (paso doble, “I’m Shipping Up to Boston” for Ireland). Tatyana Ali and Jan Ravnik have a Viennese waltz to Nancy Wilson, but the honoree is scheduled to be revealed October 15 on the official DWTS podcast. This is a reported preview, not a claim that ABC has issued a separate written song list.
DMM Dance Lens · What the Assignments Reveal
Four contemporary routines place interpretation and emotional phrasing at the center of the night, while three Viennese waltzes invite close attention to rotation, frame and continuous travel. Maura Higgins’ paso doble offers a contrasting test of attack and theatrical line, particularly relevant after her reported neck discomfort. These are previews of choreographic demands, not predictions of execution, scores or medical readiness.
October 14, 2026 · 5:02 PM ETGUEST JUDGE · PROFESSIONAL DANCER · FORMAT
Kym Johnson Returns as DWTS Dedication Night Guest Judge — A Pro Dancer Back at the Table
Two-time Mirrorball champion Kym Johnson-Herjavec is set to join the Dancing with the Stars judging panel for Dedication Night on Tuesday, October 20. Host Alfonso Ribeiro announced her return during the October 13 Super Bowl Night broadcast, according to October 14 reporting by the Deseret News and USA TODAY Network. Ten celebrity-pro couples remain after Guillermo Rodriguez and Witney Carson’s elimination.
Johnson won the U.S. competition with Donny Osmond in Season 9 and Hines Ward in Season 12. She returned as a Dedication Night guest judge in 2025, and ABC officially identified her as a guest judge for the August 24, 2026 semifinal of Dancing with the Stars: The Next Pro. Her return to the main competition adds the perspective of a former professional partner and dance teacher to a week built around personal storytelling.
DMM Dance Lens · When a Former Pro Judges the Pros
A professional dancer at the table may be especially well placed to discuss frame, connection, weight transfer, musical phrasing and how choreography communicates a dedication without sacrificing technique. After Joe Buck’s sports-broadcast perspective on Super Bowl Night and the discussion of Carrie Ann Inaba’s lift interpretation, Johnson’s actual critiques will provide a useful comparison. Her appointment does not establish any change to the lift rule, voting method or judging criteria.
What remains unconfirmed: ABC’s episode-specific press release for October 20 had not appeared in its accessible Season 35 press listings at this check. Individual Dedication Night songs, dance styles and honorees have not been officially released. DMM is reporting the on-air announcement as corroborated by the two news accounts, not attributing a new written press release to ABC.
October 14, 2026 · 4:28 PM ETJUDGING HISTORY · LIFT RULES · CHOREOGRAPHY
A 2019 DWTS Clip Resurfaces: Carrie Ann Inaba Gave Jenna Johnson the Same Lift Definition
The October 13 lift discussion has a documented television precedent.Entertainment Weekly reported on October 14 that a resurfaced Season 28 clip shows Carrie Ann Inaba reading essentially the same lift definition to professional dancer Jenna Johnson in 2019, when Johnson was partnered with Karamo Brown. In that earlier exchange, Johnson questioned whether a starting position counted as a lift; guest judge Leah Remini also joined the discussion.
Seven years later, Inaba again cited the rule after Johnson and Harry Shum Jr. performed a Super Bowl-themed samba to Usher’s “Yeah!” The October 13 routine featured two ensemble dancers supporting and lifting Shum. Johnson subsequently explained that she had not expected a lift performed by additional dancers, rather than by her, to be assessed the same way. Shum and Johnson received 33/40; no later scoring change has been reported.
DMM Dance Lens · A Rule Versus a Production Choice
The 2019 comparison shifts the question from an isolated confrontation to a recurring tension in televised dance: a choreographer may use theatrical staging to evoke a halftime show, while the judges still assess the assigned dance vocabulary. As TV Insider explains, lifts are restricted in standard ballroom and Latin categories such as samba, while they are permitted in styles such as jazz. The central technical issue is the dance category and the assistance given, not whether an overhead movement is visually exciting. This historical comparison does not independently establish that Inaba applied the rule incorrectly or that Johnson deliberately violated it.
Verification boundary: The 2019 clip and exchange are described by Entertainment Weekly; DMM has not independently authenticated an official ABC-hosted version of the archival footage. Neither ABC nor the competition has announced a new rule or changed the October 13 score.
Jenna Johnson Explains the Ensemble Lift Behind Carrie Ann Inaba’s Samba Critique
Jenna Johnson has clarified what she understood about the lift called out during Harry Shum Jr.’s October 13 samba. In a post-show interview with Extra, subsequently reported by Us Weekly and Entertainment Weekly on October 14, Johnson said she had not expected a movement in which two additional male dancers supported and lifted Shum to trigger the same criticism as a conventional partner lift. She said she respected Carrie Ann Inaba’s feedback and had spoken with the judge afterward.
During the broadcast, Inaba had questioned the amount of recognizable samba content and read a definition of a lift that refers to both feet leaving the floor with assistance or support. Johnson’s explanation narrows the disagreement to how an ensemble-supported move was understood within the competition’s dance rules; it does not establish that ABC changed or waived a rule. Johnson and Shum scored 33/40 and remain in the competition.
DMM Dance Lens · Ensemble Staging Versus Dance Vocabulary
The exchange illustrates a production choice with real choreographic consequences. A Super Bowl-inspired number can use a large ensemble and spectacular assisted movement, but the scored dance is still a samba. The key question is not whether the staging entertained; it is how much identifiable samba action remained, and how assisted movement was evaluated. Johnson’s account supplies the choreographer’s perspective without turning a televised disagreement into a claim of bias or misconduct.
What is not established: No official ABC announcement confirms a new lift rule, an additional disciplinary sanction, or a change to the reported 33/40 score. The exact application of the broadcast definition to ensemble dancers has not been independently clarified by ABC in a written ruling.
October 14, 2026 · 1:27 PM ETChoreography Decision · Film-to-Stage
Ezra Sosa Says Julia Stiles’ Save the Last Dance Tribute Was a Choreography Pivot, Not the Original Plan
New firsthand reporting explains why the October 13 routine looked different from a conventional ballroom jazz. In an Entertainment Weekly interview published October 14 at 12:10 p.m. ET, Julia Stiles and professional partner Ezra Sosa said the Save the Last Dance homage was not their original plan. Sosa urged a full commitment to the film reference even though they were uncertain how judges would respond. The pair earned 33/40, Stiles’ highest score to date, for jazz to Jennifer Lopez’s “Jenny from the Block.”
DMM Dance Lens · Choreography as Cultural Translation
Sosa’s choice was not simply to reproduce a remembered scene. It was to translate a screen-dance identity — with hip-hop and ballet associations — into one continuous live performance judged in a television competition. His account distinguishes audience recognition from ballroom criteria: a culturally resonant routine can carry risk when its movement language is not tailored primarily to conventional adjudication.
Stiles told EW that she now feels more comfortable in her own skin than she did when the film was made. Sean Patrick Thomas, her co-star in the 2001 film, attended the broadcast. Read DMM’s full film-history and choreography feature → (forthcoming)
October 14, 2026 · 1:27 PM ETProfessional Dancer Development · Touring
Pasha Pashkov Explains the Family and Touring Workload Behind His 2027 DWTS Tour Break
Pasha Pashkov has added his own account to the previously reported Daniella Karagach tour decision. Speaking to Us Weekly after the October 13 broadcast, he said years of consecutive DWTS seasons and travel with their daughter, Nikita, made a pause necessary. The official 2027 Dancing with the Stars: Live! cast does not currently list Pashkov or Karagach. Both have left open the possibility of occasional appearances; no specific guest dates have been announced.
DMM Dance Lens · The Labor Behind the Tour
A televised pro partnership is one part of a dancer’s working year. Touring adds sustained travel, repeat performance and family logistics. Pashkov’s explanation gives a professional context for a roster absence that was already public; it is not evidence of a dispute with producers or a departure from Season 35. Pashkov and Amber Glenn remain competing after their 34/40 samba; Karagach and Ezra Frech remain competing after their 36/40 salsa.
October 14, 2026 · 12:15 PM ETElimination Follow-Up · Pro Choreography
Jimmy Kimmel Praises Witney Carson’s Choreography After Guillermo Rodriguez’s DWTS Elimination
Witney Carson’s teaching work became the focus of a new post-elimination exchange. During the October 13 broadcast of Jimmy Kimmel Live!, Jimmy Kimmel spoke remotely with Carson and Guillermo Rodriguez after their exit from Dancing with the Stars. Kimmel joked that the result was an “outrage,” but he also singled out Carson’s choreography and the range of situations she created for a beginner performer. Rodriguez and Carson had just earned 22/40 for their salsa to Bad Bunny’s “Tití Me Preguntó” — their highest judges’ score of the season — and were eliminated.
Witney Carson and Guillermo Rodriguez backstage on October 13, the night their Season 35 partnership ended. Photo: Disney; official ABC/Disney press gallery.
DMM Dance Lens · What the Final Score Cannot Show
Carson’s task was not simply to create comic television moments. It was to teach musical timing, coordinated weight changes, partner awareness and recognizable ballroom or Latin vocabulary to someone starting without a dance foundation. Rodriguez’s score progression — 10/30, 12/30, 15/30, 13/30, then 22/40 with a fourth judge — documents uneven but real progress. The final 22/40 is equivalent to 16.5/30 on a proportional scale, not a raw eight-point jump from the previous week. Kimmel’s praise is an advocate’s assessment of that teaching work, not a substitute for adjudicated technique.
Kimmel and the pair joked about taking legal action; the exchange was comic, not an announced legal challenge. A graphic discussed in subsequent coverage compared their YouTube views with another couple’s views. Those figures were presented on Kimmel’s show, not independently audited here, and video views are not DWTS votes. ABC has not released the viewer-vote totals, so DMM does not infer that the elimination contradicted the combined scoring result.
October 14, 2026 · 9:27 AM ETPro Dancer Development · Behind the Ballroom
Brandon Armstrong Explains the DWTS Work That Continues After Elimination
For a Dancing with the Stars professional, leaving the celebrity competition does not necessarily mean leaving the production. In a People interview published October 14, Brandon Armstrong described returning to opening-number rehearsals, short on-air dance segments ("bumpers"), ensemble work and preparation around tour announcements after his Week 4 elimination with Ciara Miller. He said that, without the celebrity-partner rehearsal schedule, the work can sometimes become even busier.
DMM Dance Lens · The Labor Beyond the Leaderboard
A weekly elimination ends one televised partnership, not the full job of a working dance professional. Ensemble precision, rapid choreography pickup, camera blocking and live-broadcast timing remain essential even when that dancer is no longer scored. Armstrong’s account supplies first-person evidence for DMM’s ongoing question: which kinds of professional work continue after the vote, and which are visible to audiences?
Armstrong also said celebrity rehearsal hours are capped. That is his description of the production process, not a separately published ABC labor policy. His remarks do not establish a specific new choreography credit, a confirmed 2027 tour booking for him or any change to the Season 35 results. His earlier comments about Miller’s unperformed Dedication Night concept remain a separate, already documented story.
October 14, 2026 · 7:59 AM ETInjury Watch · Tango Technique · Week 6
Maura Higgins Says Neck Pain Has Persisted for Weeks; DWTS Tango Draws Specific Technique Critique
Maura Higgins has given a more specific account of the neck discomfort that was first visible during Super Bowl Night rehearsals. Following her October 13 tango with Mark Ballas to Rihanna’s “Only Girl (In the World),” Higgins said her neck had been troubling her for weeks and credited the show’s physiotherapist, Dr. Gina Minchella, with helping her. The pair earned 33/40 and advanced to October 20’s Dedication Night. Ireland’s RTÉ reported the remarks on October 14.
Maura Higgins and Mark Ballas on October 13 Super Bowl Night. The official ABC/Disney press gallery identifies this photograph as 183834_CW_08394.jpg. Photo: Disney.
Judge Derek Hough praised the tango’s topline but said Higgins’s head and neck traveled too far backward during a contra check, interrupting the line of the spine. Carrie Ann Inaba separately asked for more sharply completed movement, while Bruno Tonioli praised the couple’s ease and elegance. These are assessments of the performed movement; they do not establish that a particular step caused or worsened Higgins’s reported discomfort.
DMM Dance Lens · Line, Support and the Work of Adaptation
Tango requires a connected frame, a stable axis and decisive shaping; a contra check can look dramatic without relying on an uncontrolled backward throw of the head. Hough’s critique points to the visible geometry of one movement, while Higgins’s remarks describe an ongoing physical concern. For Ballas, the next choreography question is how to preserve attack and shape while adapting training to what his partner can safely execute. Only Higgins and her care team can characterize the medical issue.
Status: Higgins remains in the ten-couple field. No diagnosis, formal medical restriction, withdrawal or revised Week 6 assignment has been confirmed. DMM will not label her condition a specific injury or predict whether it will affect Dedication Night.
October 14, 2026 · 4:37 AM ETDance History · Performance · Film Reunion
Julia Stiles Revisits Save the Last Dance on DWTS as Sean Patrick Thomas Watches
Twenty-five years after Save the Last Dance, Julia Stiles returned to its movement vocabulary on a live ballroom stage. On October 13, Stiles and pro Ezra Sosa performed a jazz routine to Jennifer Lopez’s “Jenny from the Block [Track Masters Remix],” drawing on hip-hop and ballet references from the 2001 film. Her former co-star Sean Patrick Thomas watched from the audience. The routine scored 33/40; the film reunion is newly drawing national search attention.
DMM Dance Lens · Screen Memory Meets Live Technique
Sosa’s choreography used a recognizable film reference without treating movie preparation as proof of competitive ballroom training. A film can build a dance across rehearsals, edits and specialist performers; a live jazz routine asks Stiles to sustain phrasing and character in a continuous performance. Her 33/40 is evidence of this week’s execution, not a retroactive judgment of who performed every movement in the original film.
The official ABC/Disney Super Bowl Night press gallery identifies both Stiles and Sosa (183835_L1004134.jpg) and Thomas (183835_L1004166.jpg). Images are not hotlinked; DMM will use rehosted files only after editorial-use rights are confirmed. The official DWTS Instagram video also includes Thomas reflecting on the reunion.
Read DMM’s full dance-history and choreography analysis → (forthcoming)
October 14, 2026 · 12:15 AM ETResults · Week 5 · Elimination
DWTS Week 5 Results: Guillermo Rodriguez and Witney Carson Eliminated on Super Bowl Night; Dewan and Frech Tie at 36/40
Witney Carson and Guillermo Rodriguez on Super Bowl Night. Photo: Disney
Guillermo Rodriguez and Witney Carson were eliminated on October 13. Their salsa to Bad Bunny’s “Tití Me Preguntó” scored 22/40 (Inaba 6, Hough 5, Buck 6, Tonioli 5), the lowest total of the night but Rodriguez’s best of the season on a percentage basis. Tyler Cameron and Sharna Burgess, 30/40 for a Dirty Dancing-inspired jazz, were the other couple in the final group. Ten couples remain.
Jenna Dewan and Val Chmerkovskiy (paso doble, “Bad Romance”) and Ezra Frech and Daniella Karagach (salsa, “Hot in Herre”) tied for first at 36/40. Amber Glenn and Pasha Pashkov were next at 34/40. Guest judge Joe Buck joined Carrie Ann Inaba, Derek Hough and Bruno Tonioli, and former contestants Emmitt Smith, Donald Driver, DeMarcus Ware and Danny Amendola returned for the theme.
Jenna Dewan and Val Chmerkovskiy, tied for the week’s top score. Photo: Disney
DMM Scoreboard · Week 5 Final · All Scores /40
Jenna Dewan / Val Chmerkovskiy — paso doble: 36 Ezra Frech / Daniella Karagach — salsa: 36 Amber Glenn / Pasha Pashkov — samba: 34 Maura Higgins / Mark Ballas — tango: 33 Harry Shum Jr. / Jenna Johnson — samba: 33 Julia Stiles / Ezra Sosa — jazz: 33 Jackson Olson / Emma Slater — salsa: 31 Tyler Cameron / Sharna Burgess — jazz: 30 Tatyana Ali / Jan Ravnik — salsa: 29 Connor Wood / Rylee Arnold — samba: 25 Guillermo Rodriguez / Witney Carson — salsa: 22 · eliminated
DMM Dance Lens: The judges tracked real growth in Rodriguez, from a 10/30 cha-cha in Week 1 to a salsa Inaba said “brought the joy back.” His exit came on his strongest night because the field rose faster: seven couples scored 33/40 or higher. Stiles’s Save the Last Dance callback, which Tonioli called her best dance, and Higgins completing her tango through neck pain were the night’s other technique stories.
Guest judge Joe Buck with Carrie Ann Inaba, Derek Hough and Bruno Tonioli; host Alfonso Ribeiro with Maura Higgins and Mark Ballas. Photo: Disney
October 13, 2026 · 11:26 PM ETCHOREOGRAPHY · JUDGING · PRO DANCER
Jenna Johnson and Carrie Ann Inaba Disagree Over Lift and Samba Content in Harry Shum Jr.’s DWTS Routine
A ballroom-rule disagreement became one of Super Bowl Night’s most revealing technical exchanges. Harry Shum Jr. and professional partner Jenna Johnson earned 33/40 for their samba to USHER’s “Yeah!” featuring Lil Jon and Ludacris on October 13. After the performance, judges Bruno Tonioli and Carrie Ann Inaba praised the production’s energy but called for clearer traditional samba content. Inaba also identified what she considered a lift, prompting Johnson to question the interpretation.
Inaba read a lift definition describing a moment when a dancer’s feet leave the floor with assistance or support from the partner. Johnson subsequently said she understood the critique and had been working with a different definition. Derek Hough praised the performance while identifying a separate heel-lead issue. Neither the reported exchange nor the 33/40 score establishes that an official point deduction was imposed for the disputed movement. Shum and Johnson advanced; the episode’s eliminated partnership remained Guillermo Rodriguez and Witney Carson.
DMM Dance Lens · Spectacle Versus Samba
A halftime-show concept invites expansive staging, lifts and spectacle; a samba is still judged for recognizable rhythmic action, footwork and movement vocabulary. Johnson’s creative choice and Inaba’s technical reading expose the balancing act faced by professional choreographers: entertain a broad television audience while retaining the defining features of the assigned style. The useful question is not who “won” the exchange, but how much authentic samba material a production-driven routine contains, and whether restrictions are explained consistently to competitors and viewers.
What remains unverified: ABC has not announced a new lift policy or a formal disciplinary finding in connection with this routine. DMM is not treating the televised disagreement as proof of favoritism, altered scoring, or any effect on the viewer vote. The four-judge total of 33/40 is the published result.
Watch and verify:ABC’s official Dancing with the Stars episode page (episode playback availability varies by posting and location). A verified, separately embeddable official clip of this particular samba was not available at this check, so DMM is not embedding an unverified third-party upload.
DWTS Super Bowl Night Live: Amber Glenn Scores 34/40; Maura Higgins Performs Through Neck Pain
Super Bowl Night is in progress. In the October 13 live episode, Amber Glenn and professional partner Pasha Pashkov received 34/40 for their samba to J Balvin and Willy William’s “Mi Gente.” Maura Higgins and Mark Ballas received 33/40 for their tango to Rihanna’s “Only Girl (In the World)” after Higgins described increasing neck discomfort during rehearsal. The couple performed; the available reporting does not establish a diagnosed injury, a withdrawal, or a medical prognosis.
DMM Scoreboard · Confirmed Individual Scores · NOT Final Standings
Amber Glenn / Pasha Pashkov — samba: 34/40 Maura Higgins / Mark Ballas — tango: 33/40 Jackson Olson / Emma Slater — salsa: 31/40 Tyler Cameron / Sharna Burgess — jazz: 30/40 Connor Wood / Rylee Arnold — samba: 25/40
Reporting cutoff: 9:08 p.m. ET. These five scores are supported by contemporaneous live recaps; the remaining dances and the elimination are not yet confirmed in this record. With guest judge Joe Buck, tonight’s maximum is 40 rather than the usual 30 points. Do not compare raw totals across weeks without normalizing the scoring scale.
DMM Dance Lens — what the scores mean: Glenn’s samba drew praise for rhythmic confidence, body movement and greater variation in interpretation. Cameron and Burgess’s jazz included a prominent overhead lift; judges acknowledged improved timing and lines. Wood and Arnold’s samba received critiques for timing and missing bounce action. These are distinct technical judgments, not interchangeable measures of showmanship. Higgins’ neck discomfort adds a rehearsal-safety question: posture and head placement are fundamental to tango, but no clinical diagnosis should be inferred from a televised rehearsal segment.
The episode also marks a cross-media experiment: Joe Buck joins the three regular judges while the couples perform songs associated with past Super Bowl halftime shows. ABC’s official October 8 release confirms the guest judge and format. Buck’s appearance should not be confused with a permanent judging-panel change.
Official media: The DWTS account has published Amber Glenn’s performance post and Maura Higgins’ performance post, linked in contemporaneous coverage. These are external links, not rehosted footage; direct playback was not independently verified. No third-party photo is hotlinked.
Britt Stewart Addresses the “Justice for Britt” Movement and the Work Behind a DWTS Partnership
Professional dancer Britt Stewart has given a substantial first-person account of what followed her Week 3 elimination with Taylor Hanson. In a new interview with Glamour published October 13, Stewart discusses the “Justice for Britt” fan campaign, the emotional weight of repeated early exits, what makes a celebrity partner competitive, and the professional experience that viewers do not see in the weekly results.
The competitive record has not changed: Stewart and Hanson earned 18/30 for their September 29 foxtrot to the Doobie Brothers’ “What a Fool Believes” and were eliminated that night. Stewart describes the difficult moment of believing she had let her partner down, even as she emphasizes the relationship, training and progress they had developed. The interview is a new reflection on a past elimination, not a new DWTS result, a reinstatement or a confirmed future casting decision.
DMM Dance Lens · The Teacher Behind the Result
Stewart’s account complicates the idea that a professional can simply be assigned a “ringer” and win. Her work requires translating timing, posture, frame, confidence and musical interpretation into movement a new dancer can retain under live pressure. The show judges what appears in a few minutes; the professional builds the learning process for an entire week. A partner with prior dance experience may progress faster technically, but audience connection and the voting system remain separate variables.
The interview also documents Stewart’s path from concert, screen and commercial dance into ballroom, and her leadership with Share the Movement, which supports young BIPOC dancers. Her significance as the show’s first Black female professional dancer is not reducible to whether she has reached a finale. That larger history makes this story worth preserving beyond this week’s episode.
October 13, 2026 · 4:36 PM ETChoreography · Rehearsal Video · Mentorship
Dylan Efron Joins Rylee Arnold and Connor Wood for a Super Bowl Night Samba-Roll Rehearsal
A former DWTS finalist has returned to the rehearsal room — this time as a playful movement partner, not a contestant. In a video shared by professional dancer Rylee Arnold and reported October 13 by Parade and EntertainmentNow, Season 34 finalist Dylan Efron joins Arnold and Season 35 celebrity partner Connor Wood to work through a three-person version of the samba roll. Arnold's video presents the cameo humorously, with Efron stepping in to demonstrate the movement as the couple prepares for tonight's samba.
The scheduled competition routine is unchanged: Connor Wood and Rylee Arnold are set to perform a samba to “Hips Don’t Lie” by Shakira featuring Wyclef Jean on ABC's October 13 Super Bowl Night. Efron is not listed among the 11 competing couples, and the social clip does not establish that he has joined the show's professional roster or will appear in the televised dance. ABC/Disney's official lineup confirms the pairing, dance style and music.
DMM Dance Lens · Why the Samba Roll Matters
A samba roll is more than a recognizable social-media move: partners must coordinate rotation, body alignment, weight transfer and samba timing while maintaining a connected shape. Practicing it with a third person is a lighthearted variation, not a substitute for the two-person competitive execution. What makes this rehearsal revealing is the transfer of embodied knowledge: Efron, once the celebrity student, can now participate in a technical exchange with a current partnership. DMM will watch how much samba content, rhythmic control and partnering clarity survives the pressure of tonight's televised staging. These are editorial observations, not an official account of the couple's final choreography.
Watch · Original Rehearsal Video
Rylee Arnold's original Instagram post shows Efron, Wood and Arnold rehearsing a three-person samba roll.
Official creator link; no third-party video was rehosted. Inline Instagram playback was not independently verified, so this entry uses a direct source link rather than an untested iframe.
October 13, 2026 · 3:40 PM ETProfessional Choreography · Unperformed Work
Brandon Armstrong Reveals the Ciara Miller DWTS Dedication Night Dance Viewers Never Saw
A performance that never reached the ballroom now has a documented creative history. In an original interview published by People on October 13 at 3:02 p.m. ET, professional dancer Brandon Armstrong described the Dedication Night concept he and former partner Ciara Miller had been developing before their October 6 elimination. Miller had worked as a nurse in New York, including during the COVID-19 pandemic. Their proposed routine would have honored nurses and the people who cared for patients during that period.
Armstrong said their idea drew on Florence Nightingale’s association with a lamp: a small light motif would have helped carry the story, and the team considered inviting other nurses into the performance. Those details are an unrealized concept, not a filmed, rehearsed-to-completion or officially scheduled routine. The interview did not establish a song, dance style, final casting, music clearance or completed choreography. Miller and Armstrong were eliminated on Mariah Carey Night after their jazz to “Emotions” received 21/30; their competition status has not changed.
DMM Dance Lens · The Choreography That Elimination Erases
Television competition records scores and completed performances; it rarely preserves the movement ideas lost when a couple exits. A lamp motif could have created a visual through-line between nursing history, collective care and Miller’s first-person experience. Adding nurses as performers would also have raised choreographic questions about ensemble spacing, timing and how to keep the honoree’s story legible. Those are DMM interpretations of Armstrong’s described concept, not claims that any particular staging was finalized. The lesson is that a dancer’s unfinished work can still reveal creative purpose and the cost of elimination.
Armstrong also described the guilt he felt that Miller’s improvement and storytelling opportunity ended early. DMM distinguishes his personal response from any claim that the vote was manipulated: no new scoring error, voting malfunction or production ruling is established by this interview. The official October 13 Super Bowl Night lineup still features 11 competing couples, without Miller and Armstrong.
October 13, 2026 · 3:01 PM ETAdaptive Choreography · Professional Teaching
Ezra Frech Details the Prosthetic Choices Behind His DWTS Dance Training
Paralympic champion Ezra Frech is explaining what it takes to turn prosthetic movement into ballroom technique. In a new first-person interview published by People on October 13 at 2:48 p.m. ET, Frech described the repeated experimentation involved in preparing each routine with professional partner Daniella Karagach, including choosing between a walking prosthesis and a running blade. The interview also addresses his experience of disability representation and his commitment to making sport more accessible through Angel City Sports.
The mechanical-knee and prosthetic-choice details are not newly discovered technology. Frech and Karagach previously explained the running blade’s rebound and stability trade-offs in September. What is new is Frech’s October 13 account of the continuing process and why visibility matters to him. His Week 4 rumba scored 24/30; ABC’s confirmed October 13 assignment remains a salsa to “Hot in Herre” by Nelly. No new score, medical injury or competition withdrawal is reported.
DMM Dance Lens · The Choreography Adapts to the Dancer
Karagach’s challenge is not simply to simplify steps. It is to design recognizable ballroom and Latin movement around the actual mechanics of Frech’s chosen prosthesis: how it receives weight, releases energy, rebounds, travels and stabilizes during transitions. A running blade can assist propulsion while demanding different control of timing, balance and hip action. The teaching lesson is to build technique from the dancer’s movement possibilities, not to judge every body against an assumed default.
Watch: Ezra Frech’s original Behind the Ballroom video explaining his prosthetic and movement choices, linked by Entertainment Weekly in September. This is earlier first-person footage, not a new October 13 video. Open the original video →
Frech has spoken publicly about the importance of seeing disabled performers in mainstream entertainment. His continued collaboration with Karagach places that representation alongside a practical account of musicality, partner communication and technical problem-solving. DMM will watch how their salsa handles changes of direction, grounded rhythm and partner connection under tonight’s faster musical demands.
October 13, 2026 · 2:05 PM ETProfessional Dancers · Behind the Ballroom
Brian Austin Green Explains His DWTS Audience Absence as Sharna Burgess Returns to the Ballroom
Brian Austin Green says childcare logistics, rather than a lack of support, help explain why he has not been in the Dancing with the Stars audience for every performance by his fiancée, professional dancer Sharna Burgess. In an interview published October 13 by Us Weekly, Green said it has become harder to bring young children to the studio and that the family now coordinates which nights he can attend. That account is Green’s description of attendance restrictions, not an independently announced ABC policy change.
Burgess returned to the professional lineup for Season 35 after five years away. Green said he supports her whether he is watching in the ballroom or at home, and acknowledged that the intensive rehearsal and production schedule has required the family to adjust. His new comments provide firsthand context amid earlier public discussion of the couple’s time apart. They do not establish a problem between Burgess and her celebrity partner, Tyler Cameron, or a change to the competition.
DMM Dance Lens · The Labor Behind a Live Performance
Professional ballroom work is not confined to the two minutes viewers see on television. Training a new partner, planning and refining choreography, rehearsing under time pressure, fitting costumes and cameras, and performing live all require sustained labor. Family care and reliable support systems shape whether experienced dancers can return and remain available for this work. Burgess’s return offers a useful opportunity to discuss the profession without turning a family scheduling explanation into a manufactured dance controversy.
Competition status: ABC’s October 8 official lineup still lists Burgess and Cameron for an October 13 jazz to “The Time (Dirty Bit)” by Black Eyed Peas. No new injury, withdrawal, score or elimination is confirmed. The prior October 13 DMM rehearsal-safety update remains a separate record.
October 13, 2026 · 1:43 AM ETProfessional Dancers · Rehearsal Safety
Sharna Burgess Says She Is Okay After Tyler Cameron Rehearsal Stunt Goes Wrong
Sharna Burgess has reassured viewers that she is okay after a rehearsal stunt with Season 35 partner Tyler Cameron went wrong. According to a report published by Parade on October 12 at 10:41 p.m. ET, Cameron had shared the older rehearsal footage on October 9. During an attempted turning maneuver, Burgess was struck by Cameron’s arm and fell to the floor. She later responded to concern in the comments, saying she was okay. No new injury diagnosis, competition withdrawal or change to the pair’s scheduled October 13 performance has been announced.
The footage is a flashback, not an accident that occurred on October 12 or 13. Parade reports that the video predates Burgess’s September 25 hair-color change. The rehearsal exchange included a suggestion to use gym mats before attempting the movement again. DMM is not treating social-media concern as medical evidence, and the available reporting does not establish that the stunt is part of the pair’s upcoming competition choreography.
DMM Dance Lens · The Discipline Behind a Risky Moment
A short rehearsal clip can make a failed transition look like a spectacle. The more useful professional question concerns preparation: when a partnered maneuver changes direction, the dancers must coordinate timing, support and spatial awareness, while the rehearsal environment provides appropriate safeguards. Mats, controlled progressions and qualified supervision are not signs of lesser artistry; they are part of making ambitious movement repeatable. This clip does not establish a failure of the show’s safety procedures, and it should not be used to diagnose an injury.
Next verified competition assignment: ABC/Disney lists Cameron and Burgess for a jazz to the Black Eyed Peas’ “The Time (Dirty Bit)” on Super Bowl Night, Tuesday, October 13, at 8 p.m. ET. Their latest completed competition score remains 21/30 from the October 6 foxtrot. The rehearsal footage does not change the standings.
October 12, 2026 · 10:30 AM ETProfessional Dancers · Choreography · Future Casting
Val Chmerkovskiy Says He Would Welcome a Male DWTS Partner — a New Choreography Challenge
Val Chmerkovskiy says he would welcome the chance to dance with a male celebrity on a future season of Dancing with the Stars. In an original interview published by RadarOnline on Monday, October 12, at 6:30 a.m. ET, the two-time Mirrorball champion said he wants to challenge himself creatively after many seasons in the ballroom. This is a stated professional ambition, not an ABC casting announcement or confirmation of a new partnership.
The discussion builds on the show’s established history. ABC documented Jenna Johnson’s landmark partnership with JoJo Siwa in Season 30, Gleb Savchenko’s partnership with Shangela in Season 31, and Hailey Bills’ Season 35 pairing with Sarah Jane Nader. Chmerkovskiy currently competes with Jenna Dewan; their October 13 assignment remains a paso doble to Lady Gaga’s “Bad Romance.” Neither the present partnership nor the published competition record has changed.
DMM Dance Lens · Rethinking Partnering Without Losing Technique
A future male-male partnership would invite choreographic decisions about lead-and-follow roles, weight-sharing, frame, rotation, lifts where permitted, and how two performers communicate character and musical phrasing. None of those elements is determined solely by gender. The artistic test would be whether a choreographer makes the partnership’s choices legible while retaining the assigned dance’s recognizable technique. Chmerkovskiy’s interest is news about a professional dancer’s creative direction, not evidence that producers have changed the format.
What is confirmed: Chmerkovskiy’s quoted interest, prior same-sex partnerships and the upcoming official Week 5 assignment. What remains unconfirmed: any future male celebrity, production approval, season, choreography plan or change to DWTS pairing policy. DMM will update this record if ABC makes an official announcement.
October 11, 2026 · 2:38 PM ETChoreography · Dance Storytelling · Professional Dancers
Harry Shum Jr. and Jenna Johnson Plan More Glee References in DWTS Choreography
Harry Shum Jr. and his professional partner Jenna Johnson want to weave more Glee references into their future Dancing with the Stars performances. In an exclusive People interview published Sunday, October 11, at 1:30 p.m. ET, the pair described the possibility of including recognizable details from the musical series in their routines. The comments describe an intention, not a confirmed theme, song choice or staging plan for a particular future episode.
The partnership has already tested the approach. During its September 29 Yacht Rock Night jive to Daryl Hall & John Oates’ “You Make My Dreams (Come True),” Shum wore a mustache recalling his Glee character Mike Chang in the series’ use of the same song. Former castmates Amber Riley and Chris Colfer attended that episode. Shum and Johnson earned 24/30 for the jive; the score is a past result, not a prediction of future performances.
DMM Dance Lens · Character Memory Meets Ballroom Technique
A costume cue or familiar gesture can carry years of screen memory, but it cannot replace the assigned dance’s rhythm, weight changes, partnering or technique. Johnson’s choreography challenge is to make a reference legible without letting nostalgia overwhelm the style. For a performer whose earlier work fused musical theater, screen movement and ensemble dance, this is a meaningful test of artistic continuity under competitive rules.
Next test: ABC’s official October 13 Super Bowl Night lineup assigns Shum and Johnson a samba to “Yeah!” by Usher featuring Lil Jon and Ludacris. No Glee reference has been officially announced for that routine. DMM will watch the samba’s bounce action, rhythm and partnering rather than infer an unconfirmed Easter egg.
Emma Slater Explains Her DWTS Waltz Footwork — The Lift Rule Behind a Viral Detail
Professional dancer Emma Slater says an unusual-looking foot position during her October 6 waltz with Jackson Olson was a deliberate attempt to keep contact with the floor, not a careless approach to ballroom technique. In an October 10 comment on a viewer’s TikTok, reported by Us Weekly on October 11, Slater responded to criticism that her foot appeared sickled while Olson pulled her backward. She explained that she was trying to prevent an unintended lift that might cost the partnership a judging point.
Slater did not confirm that the foot was actually sickled, and the account does not establish that a point was deducted. The pair earned 21/30 for their waltz to Mariah Carey’s “Without You” and remain among the 11 couples scheduled to compete on October 13. Their result and the upcoming dance assignment are independently consistent with ABC’s official episode records.
DMM Dance Lens · Two Technical Demands in One Moment
The camera may catch an ankle shape while missing the professional’s immediate problem: maintaining grounded contact as a partner redirects weight and momentum. In a waltz, foot and ankle articulation, clean leg lines, connection and the dance’s lift restrictions all matter. Slater’s explanation illustrates a choreographer’s real-time tradeoff between visual line and rule compliance. It does not prove that every viewer’s technical observation was wrong; it adds the partnering context needed to evaluate the movement fairly.
What comes next: ABC confirms that Olson and Slater are assigned a salsa to “Uptown Funk” by Mark Ronson featuring Bruno Mars for Super Bowl Night on Tuesday, October 13. DMM will watch how their frame, timing and footwork translate from the slower waltz into salsa without presuming a future score.
October 11, 2026 · 7:15 AM ETProfessional Dancers · Performance · Choreography
Jackson Olson and DWTS Pros Reach the Banana Bowl — Dance Moves Beyond the Ballroom
The first Banana Bowl took place at Nationals Park in Washington, D.C., on Saturday, October 10, with Dancing with the Stars participants among the event’s featured guests. An October 9 Good Morning America segment previewed the Savannah Bananas’ collaboration with DWTS professionals. In post-event reporting published October 11, Us Weekly confirmed that DWTS cast members appeared at the event and described a ninth-inning choreographed sequence featuring all six Banana Ball teams and the Jonas Brothers. Season 35 contestant Jackson Olson performed with the Bananas; the Texas Tailgaters won the championship.
The available reporting does not establish which individual DWTS professionals performed in which segments, or provide a verified full choreographic credit list. DMM will not attribute the Jonas Brothers sequence to specific DWTS choreographers without primary footage or credits. The confirmed crossover nevertheless documents how television-trained performers and a sports-entertainment ensemble can share a national stage.
DMM Dance Lens · The Stadium as a Second Stage
Banana Ball treats choreography as part of athletic presentation: timing, formation changes, crowd sightlines and collective musical cues must work at stadium scale. Ballroom partnering places a different emphasis on frame, connection and technical precision. Olson and professional partner Emma Slater’s cross-setting workload makes an instructive comparison, especially as they prepare a salsa to “Uptown Funk” for ABC’s October 13 Super Bowl Night. DMM will evaluate the televised salsa on its own dance merits, not infer a score or elimination outcome from the Banana Bowl promotion.
October 10, 2026 · 3:48 PM ETChoreography · Dance Safety · Professional Coaching
Amber Glenn and Pasha Pashkov Explain Their Viral DWTS Split — and Why the Movement Requires Caution
Amber Glenn and professional partner Pasha Pashkov say viewers began recreating their upside-down split almost immediately after the October 6 performance. In an original Extra rehearsal interview published October 9, Pashkov said their first reaction was concern about people getting hurt. Glenn said an earlier attempt at the movement had gone badly for her, and both cautioned viewers about attempting it without proper preparation.
The reaction reveals how quickly a difficult television movement can circulate outside the rehearsal room. A figure skater may bring unusual flexibility and body awareness to the ballroom, but a partnered inverted position is not a casual challenge: it depends on practiced support, alignment, timing and safe entry and exit. DMM is reporting the dancers’ warning, not providing instructions for viewers to recreate the stunt.
DMM Dance Lens · A Viral Moment Is Not the Whole Dance
The most shareable shape in a routine is not necessarily its most important choreographic achievement. DMM will examine how Pashkov integrates Glenn’s skating-based flexibility into partnering, rhythmic control and ballroom technique, and whether the show makes the skill and preparation behind a spectacular movement visible. Professional guidance and appropriate safety supervision matter more than online imitation.
Next dance: ABC’s October 8 press release confirms Glenn and Pashkov will perform a samba to “Mi Gente” by J Balvin and Willy William on Tuesday, October 13, Super Bowl Night. In the Extra interview, Pashkov said their routine will feature additional dancers. Glenn said samba is new territory for her and raised the possibility of carrying some of what she learns back to skating exhibitions. That is a promising dance-to-ice transfer question, not a claim that she has already performed samba on ice.
Maura Higgins Responds to DWTS “Fixed” Rumor as Mark Ballas’ Rehearsal Work Takes Focus
Maura Higgins has addressed claims that Season 35 is arranged for her to win, treating the suggestion humorously rather than endorsing it. In an interview with former finalist Alix Earle, Higgins recalled a rumor about the competition being fixed in her favor and joked about whether that would mean she could stop learning choreography. Us Weekly reported the exchange on October 10. Neither the interview nor the report establishes that votes or judging are manipulated.
The verified dance record is more substantial. Higgins and professional partner Mark Ballas earned 25/30 for their October 6 waltz to Mariah Carey’s “If It’s Over”, including Season 35’s first 9. Higgins said she struggled with a double turn that Ballas considered removing; they kept it after continued rehearsal, and she completed the element in the live routine. Her account documents technical preparation and growing confidence, not a guarantee of any result.
DMM Dance Lens · The Work Behind a High Score
A successful double turn is not proof of a predetermined outcome. It is evidence of a coach and student solving a movement problem under a live deadline. DMM separates observable choreography and technique, judges’ published scores, and undisclosed viewer-vote totals. Claims of favoritism require evidence beyond a high mark or an existing personal connection between partners.
What DMM is watching: whether the next dance demonstrates repeatable technical improvement across styles, how Ballas adjusts difficulty and rehearsal priorities, and whether any authoritative source discloses new voting or scoring information. The October 13 Super Bowl Night assignment is a tango to Rihanna’s “Only Girl (In the World).” Follow DMM Watching.
October 10, 2026 · 7:20 AM ETPro Dancers · Training · Dance Education
Why So Many DWTS Pros Come From Utah: The Dance Training Pipeline Behind Season 35
A fresh October 9 examination of the Utah-to-Dancing with the Stars connection highlights a story larger than television casting: how years of cross-training, teaching and community investment prepare dancers for national visibility.Cosmopolitan identifies six Season 35 professionals with Utah ties, including Jenna Johnson, Witney Carson, Brandon Armstrong, Ezra Sosa, Rylee Arnold and Hailey Bills. The count reflects Utah connections, not a claim that all were born in the state.
The deeper training record comes from Deseret News’ November 2025 reporting inside Center Stage Performing Arts in Orem. Studio leader Kim DelGrosso and instructors describe how intensive ballroom instruction sits alongside ballet, jazz, hip-hop and contemporary training. The studio’s own program also lists tap, acro and musical theater. The relevant skill is not simply performing many styles; it is learning to switch musical and movement languages, then explain technique to someone else.
DMM Dance Lens · What makes a professional
Season 35 repeatedly tests whether a dancer can do more than execute difficult steps. The professionals must choreograph for individual bodies, teach beginners under a weekly deadline, manage musicality and camera staging, and sometimes return to ensemble work after elimination. Utah’s training network offers one documented route into those jobs, not the only route. The more consequential story is how institutions sustain dancers long before television makes their names familiar.
Important distinction: This is a newly surfaced professional-training story, not an ABC cast change, a new injury, a competition result or proof of preferential casting. Deseret News’ eight-of-twelve studio figure described Season 34 in 2025; Cosmopolitan’s six-of-sixteen Utah-ties count describes Season 35 in 2026. The two measures should not be conflated.
Paige DeSorbo and Hannah Berner Question DWTS Voting After Ciara Miller’s Elimination — What the Dance Scores Actually Show
Ciara Miller’s October 6 elimination is generating a new debate about how Dancing with the Stars weighs technical progress against audience preference. On the October 9 episode of their Giggly Squad podcast, Miller’s friends and former Summer House colleagues Paige DeSorbo and Hannah Berner criticized the outcome. DeSorbo used the word “rigged”; Berner explicitly said she did not know whether the show was rigged and questioned how results are determined when couples perform different dance styles and professionals have different levels of public recognition.
The confirmed competitive record is narrower. Miller and professional partner Brandon Armstrong earned 21/30 for their jazz routine to Mariah Carey’s “Emotions” — her highest judges’ score of Season 35 — and were eliminated that evening. Jackson Olson and Emma Slater also scored 21/30, while Guillermo Rodriguez and Witney Carson scored 13/30; those three couples were shown in jeopardy. ABC says judges’ scores and viewer votes are combined to determine who may be eliminated, but the show has not publicly provided vote totals for these three couples. A higher judges’ score alone does not establish who received more votes.
DMM Dance Lens · Progress, style and public voting
Berner’s comparison points to a real artistic challenge: a jazz routine, samba and waltz do not test identical skills, and each professional must build choreography suited to a different learner. The judges can assess execution within each assignment, but the audience also votes for performers it wants to keep watching. Miller’s improvement under Armstrong is documented by her rising scores; her elimination does not erase that growth. Equally, an allegation of manipulated results cannot be treated as fact without evidence. DMM will follow the dance work, the published judging record and any official clarification of the voting process separately.
What is and is not confirmed: The comments were made by DeSorbo and Berner on October 9, not by ABC. There is no verified evidence of vote tampering, a scoring-rule change or a reversed elimination. Miller and Armstrong are out of the competition; 11 couples are preparing for October 13 Super Bowl Night. For DMM’s continuing record, see the Ciara and Brandon official-podcast analysis and Week 4 scores and elimination record.
October 9, 2026 · 7:22 PM ETFirst-Person Interview · Pro Coaching · Audience vs. Technique
Guillermo Rodriguez Explains Witney Carson’s DWTS Coaching as His Ballroom Journey Tests Technique and Audience Connection
In a new October 9 interview with the Los Angeles Times, Guillermo Rodriguez gives a firsthand account of what it takes to train with professional partner Witney Carson. Entering Season 35 without formal dance experience, Rodriguez says Carson continually redirects his attention toward posture, eye line, memorized steps and the character required by each routine. He also describes how demanding the rehearsals feel physically at age 55, particularly while balancing cross-country work travel.
Rodriguez discusses sore legs and back after training, but does not announce a diagnosed injury or a change to his competition status. He says he has learned to enjoy the live stage despite nerves. His partnership survived the October 6 elimination even after the “Obsessed” samba scored 13/30; Ciara Miller and Brandon Armstrong were eliminated after scoring 21/30 for their jazz routine.
DMM Dance Lens · Coaching the true beginner
Carson’s work illustrates a difficult professional task: translating ballroom fundamentals into repeatable movement for a performer whose strongest established skill is connecting with an audience. Teaching alignment, focus, timing and stage character is not the same as disguising technical limitations with comedy. The public sees a short routine; the dance professional manages the learning process that makes the routine possible. DMM will track both technique and entertainment value without confusing applause or survival with a disclosed vote total.
What has not changed: Rodriguez and Carson remain among the 11 couples preparing for October 13 Super Bowl Night. No new elimination, voting-rule change or medical restriction was announced in the interview. The Los Angeles Times reporting is a newly published account of their existing training, not a new ABC casting or scoring announcement.
Official viewing:Watch Season 35 episodes through ABC. No independently verified, rights-cleared standalone video embed of this interview or the routine was available at publication.
October 9, 2026 · 5:32 PM ET · Official Podcast · Super Bowl Night · Choreography
DWTS Confirms Four NFL Alumni Will Dance on Super Bowl Night as Val Chmerkovskiy Expands Jenna Dewan’s Paso Doble
The October 8 official Dancing with the Stars podcast has added a meaningful detail to ABC’s Super Bowl Night announcement. Host Andy Richter said that returning NFL alumni Emmitt Smith, Donald Driver, DeMarcus Ware and Danny Amendola will dance in the ballroom on Tuesday, October 13. ABC’s earlier press release had confirmed their appearances but had not specified that they would dance. The podcast statement, reported October 9, clarifies that distinction.
The same official podcast offered a choreography preview from professional Val Chmerkovskiy. For his “Bad Romance” paso doble with Jenna Dewan, he said they plan to bring in members of the troupe and additional dancers for the first time in their competitive partnership this season. That creates a new staging challenge: the ensemble must frame Dewan’s movement without concealing the paso doble’s shaping, attack and partnering technique.
DMM Dance Lens · The returning athlete and the working ensemble
Smith and Driver are former Mirrorball champions; Ware and Amendola bring other seasons of football-to-ballroom experience. Their return is a chance to see what dance training leaves behind after competition. Dewan and Chmerkovskiy’s planned ensemble, meanwhile, brings professional dancers’ formation work and musical interpretation into sharper focus. Neither the returning players’ choreography nor the full professional credits have been released.
Clarification to the October 8 record: the earlier ABC release established appearances only; Richter’s subsequent official-podcast statement specifies that all four alumni are scheduled to dance. The original Newsroom entry is retained as filed.
Full Week 5 guide:All 11 Super Bowl Night dances, opening medley, NFL alumni and professional/troupe performances → (forthcoming)
October 9, 2026 · 4:29 PM ETOfficial Podcast · Pro Teaching · Dance Progress
Ciara Miller Says DWTS Missed Her Full Story as Brandon Armstrong Defends the Value of Dance Progress
In a new first-person conversation, the eliminated partnership asks a larger question: what does a dance competition make visible when technical progress and a performer’s wider identity do not fit neatly into a television package?
Verified October 9 development: In the October 8 episode of the official Dancing with the Stars podcast, hosted by Andy Richter, Ciara Miller said she wished the show had presented more of her identity beyond a widely discussed Summer House relationship controversy. Miller pointed to her years working as an ICU nurse, her move to New York and other professional experiences. This is Miller’s assessment of her own portrayal; the interview does not establish that ABC deliberately suppressed material or changed the show’s editing policy.
Her professional partner, Brandon Armstrong, described the thoughtfulness and character he came to recognize during rehearsals. Miller, visibly emotional during the conversation, credited Armstrong’s patience and steady coaching as she learned unfamiliar steps and managed performance anxiety. She also described discovering stage fright and the pressure of trying to be perfect while competing live. Armstrong argued that measurable improvement deserves greater weight in how audiences evaluate a partnership, while recognizing that television competition results are not determined by technical progression alone.
The pair had been eliminated on October 6, Mariah Carey Night, after earning their personal-best 21/30 for a jazz routine to “Emotions”. They were not the lowest-scoring couple that evening; eleven partnerships remain for October 13 Super Bowl Night. Neither the podcast nor subsequent coverage disclosed individual vote totals or demonstrated that Miller’s portrayal caused her elimination.
DMM Analysis — The Work Beyond the Edit
The most revealing detail is Armstrong’s account of the teacher’s work. Ballroom training asks a novice to develop timing, weight transfer, body awareness, performance confidence and trust in another person, often under a compressed production schedule. Miller’s best score arriving on the night of her exit shows the distance between improvement and survival in a combined judges-and-viewer format. DMM will continue documenting the professionals’ instruction and choreography rather than reducing the story to a reality-TV dispute or treating a contestant’s frustration as proof of misconduct.
October 9, 2026 · 2:24 PM ETJudging · Choreography · Pro Voice
Carrie Ann Inaba Responds to DWTS Favoritism Claims as Witney Carson Defends Guillermo’s Character Choice
Two distinct public accounts reveal a real dance question beneath the Season 35 scoring dispute: how should judges separate performance characterization from technical execution?
New October 9 development:Carrie Ann Inaba has addressed criticism of DWTS judging and allegations of favoritism. Responding on October 8 to a fan on Threads who questioned why Guillermo Rodriguez had survived longer than higher-scoring contestants, Inaba argued that a lower score does not automatically mean another competitor is a judge’s favorite. Her response was reported by Us Weekly on October 9. She distinguished a critique of a performance from a personal attack on the celebrity. This is Inaba’s public position, not evidence of a new ABC judging policy or a disclosure of viewer votes.
The dispute followed Mariah Carey Night on October 6, when Rodriguez and professional partner Witney Carson performed a samba to “Obsessed” and earned 13/30. Inaba questioned the absence of his usual visible joy; the studio audience booed. Rodriguez and Carson advanced while Ciara Miller and Brandon Armstrong were eliminated after scoring 21/30. The show combines judges’ scores with audience voting, but the actual vote totals have not been released.
The professional dancer’s response matters: in an original TV Insider interview published October 7, Carson explained that Rodriguez was portraying a more serious, diva-like character suited to the Mariah Carey song. She described Inaba’s comment as “out of pocket”. Carson’s interpretation addresses performance intent; it does not claim that the samba met every technical standard or establish how viewers voted.
DMM Watching — The Dance Question
A dancer need not smile throughout a routine to communicate musical character. But intentional characterization and competent samba technique are separate questions: rhythm, weight transfer, timing and recognizable dance content remain assessable even when the performer adopts a theatrical persona. Inaba and Carson are offering different readings of one performance, not proof of rigging. DMM will watch whether Rodriguez’s October 13 Super Bowl Night routine shows technical development alongside his established audience appeal.
Watch — Official ABC Episode
Review the original Mariah Carey Night performance and judging in the official ABC Season 35 episode library → An independently verified, reusable standalone clip for the new Threads exchange was not available, so no speculative video embed or third-party photo has been added.
October 9, 2026 · 1:10 PM ETChoreography · Dance Culture
Amber Glenn and Pasha Pashkov’s Rumba Reaches The View as Hosts Attempt Its Signature Balance
A demanding supported balance from the October 6 routine is being recreated outside the competition — a revealing example of choreography traveling into popular culture.
On October 6, Olympic figure skater Amber Glenn and professional partner Pasha Pashkov closed DWTS’s Mariah Carey Night with a rumba to “Hero”. The pair earned 23/30. Among the most discussed moments was a supported balance in which Glenn leaned forward, lifted one leg high behind her and maintained contact with Pashkov. It drew particular attention from judge Derek Hough, who anticipated that viewers would attempt the move themselves.
October 9 development:The View co-hosts Sara Haines and Alyssa Farah Griffin posted a backstage Instagram reel attempting their own version. Haines raised her leg while Griffin supported her; the attempt ended in a tumble, and the hosts laughed about it. Their caption indicated no one was harmed. This was a social-media backstage recreation, not an announced change to the DWTS competition or a choreographed number on The View’s broadcast.
DMM Analysis — A Viral Shape Is Still Partnering Technique
The striking image is only the visible result. Pashkov and Glenn’s version depends on a shared base of support, balance, controlled weight placement, hand connection and carefully timed movement. Glenn’s skating flexibility gives the shape unusual range; Pashkov’s role is to make the transition readable and secure in a ballroom routine. The humorous recreation illustrates how a single choreographic moment can travel beyond a television episode — but also how difficult it is to reproduce without rehearsal. DMM does not recommend attempting advanced supported balances without appropriate training and supervision. The wider story is the professional dancer’s craft, not the hosts’ mishap.
October 9, 2026 · 4:17 AM ETJudge Response · Dance Technique
Carrie Ann Inaba Defends Jenna Dewan and Val Chmerkovskiy: Ballroom Chemistry Is Part of the Work
An October 8 statement from a DWTS judge turns social speculation about a rumba into a more useful discussion of partnered-dance technique, trust and theatrical connection.
Following Jenna Dewan and Val Chmerkovskiy’s October 6 rumba to Mariah Carey’s “My All”, some viewers interpreted the performers’ close contact as evidence of a personal relationship. The pair scored 24/30. Dewan’s fiancé, Steve Kazee, had already dismissed the speculation; DMM recorded his response in its October 8 report.
On October 8, judge Carrie Ann Inaba publicly defended the dancers in a comment reported by Us Weekly and other outlets. She described dancers as physically expressive people and urged viewers not to convert the professional connection into an unsupported personal allegation. Her intervention matters because it comes from someone who evaluates the couple’s performance, not simply a family member responding to online conversation.
In a separate post-show interview, Dewan said the competition has been physically, emotionally and mentally demanding. Chmerkovskiy described the pair’s progress as the product of difficult rehearsals and growing confidence. Their accounts support a dance-process reading of the performance; they do not substantiate the rumors.
DMM Analysis — Connection Is a Skill, Not Evidence of a Relationship
In rumba, close partnering is a technical and expressive task. Dancers coordinate weight changes, frame, proximity, lead-and-follow cues, timing and dramatic intention. A convincing performance can suggest intimacy to a television audience without establishing anything about the performers’ private lives. Inaba’s public correction makes this a professional-standards story: audiences should learn to recognize the craft of creating believable connection. DMM will continue evaluating Dewan’s ballroom adaptation and Chmerkovskiy’s coaching rather than amplifying speculation.
Official media check: ABC confirms the October 6 rumba assignment; no newly verified, rights-cleared official clip specifically showing Inaba’s October 8 online statement was found. Existing credited episode media is unchanged.
October 9, 2026 · 4:15 AM ETProfessional Work · Rehearsal
Emma Slater and Jackson Olson Rehearse Between Baseball Games as DWTS Fans Question What the Show Reveals
October 8 reporting and Slater’s own remarks illuminate a touring athlete’s ballroom training schedule—without establishing claims that producers deliberately concealed it.
Jackson Olson, a Savannah Bananas performer competing with Emma Slater, has had to balance travel, baseball performances and ballroom rehearsal. An independently shared clip of the pair practicing on a baseball field before the October 6 show prompted fans to ask why that work was less visible in the televised rehearsal packages. Parade reported the clip and reaction on October 8 at 10:06 p.m. ET.
Slater posted her own video on October 8, describing a difficult week for the partnership and expressing hope that Olson would enjoy his next performance. That is an on-record account of the emotional demands of competing; it is not confirmation that ABC intentionally withheld footage or treated one couple unfairly. Other contestants have also rehearsed around work commitments, including Harry Shum Jr. during filming and Guillermo Rodriguez during New York appearances.
Olson and Slater received 21/30 for their Week 4 waltz to Mariah Carey’s “Without You” and remain in the competition. The Washington Nationals’ official event page lists the October 10 Banana Bowl Championship at Nationals Park, giving DMM a concrete upcoming checkpoint for Olson’s travel and training schedule. The event itself is not evidence that any particular DWTS rehearsal has been canceled or shortened.
DMM Analysis — The Invisible Hours Behind a Two-Minute Dance
Choreography must survive the conditions in which it is taught. Training on a baseball field differs from rehearsing on a ballroom floor: surface, footwear, space, sound, fatigue and available partner contact all shape what can safely be practiced. Slater’s job is not only to create the waltz or salsa but to prioritize the elements that transfer to the live floor—timing, frame, partnering and repeatable movement—amid a shifting schedule. A fan video can reveal a real labor story; it cannot, on its own, establish producer intent or determine why a couple appears in the final group awaiting elimination.
Official media check: The reported fan-filmed rehearsal clip is not an official ABC release, and the original platform post was not independently playable during this check. It is linked through its reporting source rather than re-hosted or embedded. Existing official DWTS media remains intact.
Connor Wood Defends Learning to Dance as His Rylee Arnold Rumba Travels Beyond the Ballroom
An October 8 response to criticism, together with first-person accounts of the choreography, shows how a televised rumba can become a cultural talking point without becoming a technical triumph.
On October 6, Connor Wood and professional partner Rylee Arnold performed a rumba to Mariah Carey’s “Touch My Body” on Dancing with the Stars Mariah Carey Night. The judges awarded 19/30 (6, 6 and 7). Derek Hough recognized Wood’s developing stage presence but wanted stronger technical commitment; Bruno Tonioli praised his willingness to express himself while also flagging foot placement. Carrie Ann Inaba observed that the heightened character sometimes disrupted his movement. These are performance critiques, not an indication that the pair has left the competition.
On October 8, Cosmopolitan reported that Wood replied to an Instagram commenter who questioned his dancing ability by pointing out that the program is a place where people learn to dance. The outlet also reported that imagery from the routine appeared as cover art for a Spotify “Yearning” playlist. DMM could verify the published report, but not independently confirm the playlist’s current cover or any listening figures; playlist placement is therefore attributed to the outlet, not presented as a measured music-streaming result.
The dance-making story is more revealing. In a direct October 7 Us Weekly interview, Wood described a demanding late rehearsal process and explained that the floor sequence combined Arnold’s planned knee slide with a one-legged move he had learned outside ballroom training. An Extra interview filmed ahead of the episode also recorded Wood and Arnold describing the creative aim: to move Wood from a familiar comic persona into a more assured “leading man” on the floor. These accounts illuminate a professional’s challenge: finding a character a beginner can perform while still teaching the recognizable mechanics of rumba.
DMM Analysis — When a Character Outruns the Technique
Arnold’s choreography created a legible television character for a developing dancer. The public response suggests that the performance communicated beyond the judges’ table; the 19/30 shows that communicating a character and executing ballroom technique are different tests. Rumba still requires grounded weight transfer, controlled timing, hip action and deliberate connection. The next meaningful measure is whether Wood carries his increased performance confidence into the October 13 samba to Shakira’s “Hips Don’t Lie”, an officially announced assignment that demands a different rhythmic action. DMM will judge progress in the dancing rather than mistake viral conversation for a score.
October 8, 2026 · 10:00 PM ETProfessional Dance · Work Behind the Show
Sharna Burgess’s DWTS Workload Enters Public Debate as Tyler Cameron Credits Her Coaching
Two October 8 interviews put the professional dancer’s labor — and the trust required to teach on live television — ahead of the relationship speculation surrounding the ballroom.
In reporting published October 8 at 8:54 p.m. ET, Entertainment Weekly documented former DWTS contestant Kaitlyn Bristowe’s criticism of social-media videos posted by Brian Austin Green, the fiancé of returning professional dancer Sharna Burgess. Green had spoken about loneliness while Burgess rehearses and competes with Tyler Cameron. In a separate video, Green apologized to Burgess and Cameron for distracting from their work and described her as devoting extensive daily hours to the competition. Those rehearsal-hour figures are Green’s description, not a schedule independently confirmed by ABC. Bristowe’s criticism is her opinion, not an official finding about the partnership.
A separate October 8 People interview provides the more substantial dance account. Burgess said her connection with Cameron has grown into a friendship rooted in mutual support; Cameron credited her instruction and encouragement with helping him recover from disappointment after Week 3. Their October 6 foxtrot to Mariah Carey’s “#Beautiful” earned 21/30, their highest score to that point. The interviews do not establish that any family dispute changed their choreography, training or competitive standing.
DMM Analysis — The Professional Behind the Partnership
A celebrity’s improvement is visible in two minutes; a professional dancer’s preparation often is not. Burgess is simultaneously teaching unfamiliar technique, building confidence, shaping musical phrasing and preparing material that must work live. Cameron’s account of her support gives DMM a concrete way to evaluate that labor: watch whether his movement quality, timing and partnering continue to improve, not whether off-floor speculation generates attention. The broader question is how television dance values the teacher and choreographer when public conversation moves away from the dancing.
October 8, 2026 · 7:16 PM ETChoreography · Rehearsal Decisions
Mark Ballas Nearly Cut Maura Higgins’ Double Spin Before Her 25-Point Waltz
An October 7 post-show interview reveals the choreographic judgment behind the highest-scoring dance of Mariah Carey Night: a difficult turn sequence nearly disappeared before the live broadcast.
After their October 6 waltz to Mariah Carey’s “If It’s Over,”Maura Higgins and professional partner Mark Ballas told Entertainment Weekly that a double spin had been unreliable in dress rehearsal. Ballas considered editing it out rather than asking Higgins to perform a move she did not feel ready to execute under television lights and audience pressure. Higgins asked to keep trying; the pair worked on it again, and Ballas decided to retain the sequence. The waltz earned 25/30, including the first nine awarded in Season 35.
Ballas explained that the move could feel different when the camera, lighting and crowd changed the performance environment. He framed the decision as a choreographer’s responsibility: not simply adding difficulty, but adjusting the material to the celebrity dancer’s confidence and reliable execution. Higgins described trusting her preparation and relaxing into the turn. Neither dancer said the spin alone caused the judges’ score, and DMM does not assign it a numerical value.
DMM Analysis — The Choreographer’s Edit
A polished ballroom performance can conceal difficult choices made hours earlier. Ballas’ account illuminates the creative tension between technical ambition and repeatable execution: a demanding movement is only useful when the dancer can place it in the music, control the finish and transition safely into the next phrase. Higgins’ insistence on another attempt mattered because the final decision followed more rehearsal evidence, not mere spectacle. For aspiring choreographers and teachers, this is the work behind the applause: listen to the performer, test the material and know when to simplify or commit.
Related DMM coverage:Week 4 results, all scores and Ciara Miller’s elimination → (forthcoming) · Current Season 35 leaderboard →
Primary interview:Entertainment Weekly, Leigh Blickley, October 7, 2026, 4:08 p.m. ET. Official episode reference:ABC, Season 35 Episode 5: Mariah Carey Night. Video: no independently verified standalone official performance embed was located for this update; the ABC episode listing is the official viewing destination. Photo credit: Disney/Eric McCandless for the interview’s licensed press images; no third-party image is hotlinked or reproduced here.
October 8, 2026 · 6:07 PM ETOfficial ABC Update · Pro Choreography
ABC Adds Super Bowl Night Pro and Troupe Numbers, Opening Medley and Four Returning NFL Alumni
The official October 8 Disney Television Press release goes beyond the 11 celebrity routines: it identifies music for the opening and additional professional-dancer performances.
ABC/Disney Television Press has now identified the October 13 Super Bowl Night opening-number soundtrack: “NUEVAYoL” by Bad Bunny, “Rude Boy” by Rihanna and “HUMBLE.” by Kendrick Lamar. The release also lists additional professional and troupe performances set to “It’s Heavy Action (Monday Night Football Theme)” by APM, “In the Air Tonight” by Chris Stapleton and “Bootylicious” by Destiny’s Child. ABC did not publish individual choreography credits, a complete dancer roster for these numbers or a detailed running order in this announcement.
The episode will also feature appearances by four former NFL players who have competed on DWTS: Donald Driver, Emmitt Smith, DeMarcus Ware and Danny Amendola. Their appearances are confirmed; the release does not say that all four will perform competitive or exhibition dances. Joe Buck remains the confirmed guest judge, and the previously announced 11 celebrity-couple song and dance assignments remain unchanged.
DMM Analysis — The Professionals Build the Stadium-to-Ballroom Bridge
This is more than an expanded playlist. The opening medley and professional/troupe numbers place working dancers at the center of a broadcast designed to evoke Super Bowl scale. DMM will watch how group spacing, transitions, musical contrast and ensemble precision translate a stadium-performance vocabulary into television ballroom choreography. The returning football alumni add a career-history thread, while the professional dancers carry the visible craft. No routine or creative credit should be assigned before ABC releases it or the episode airs.
Full guide:DWTS Super Bowl Night: all 11 songs and dances, opening music, pro/troupe numbers and NFL alumni → (forthcoming)
October 8, 2026 · 5:18 PM ETScreen Dance · Artist Advocacy
Kerry Washington Revisits Julia Stiles’ Save the Last Dance Set Advocacy as DWTS Renews Interest in the Film
A firsthand recollection of a difficult Chicago night shoot returns to the conversation around Stiles, Ezra Sosa and the difference between a dance film’s screen image and the people who make it.
In the October 1, 2026 episode of Not Gonna Lie with Kylie Kelce, Kerry Washington praised former Save the Last Dance co-star Julia Stiles, now competing on Dancing with the Stars Season 35 with professional partner Ezra Sosa. Washington recalled a freezing exterior scene filmed in Chicago for the 2001 dance film. After director Thomas Carter requested another take, Washington said Stiles offered to continue if he first removed his warm coat. He did; according to Washington, that was their final take. The story circulated anew in reporting published October 8. This is not a newly recorded October 8 interview.
Washington described the moment as an early lesson in advocating for performers’ working conditions. Her recollection concerns a filmed acting scene, not a claim about who choreographed or danced the film’s routines. The distinction matters: the movie’s enduring dance identity was created through a collaboration of actors, dancers, choreographers, doubles, crews and editors. Stiles’ current ballroom work is a new, live test of her own dancing rather than a replay of what audiences saw on screen.
DMM Analysis — Remember the People Behind the Dance
The renewed interest in Save the Last Dance offers an opportunity to look beyond celebrity nostalgia. Fatima Robinson’s choreography and the professional performers who helped construct the film’s movement deserve recognition alongside its stars. DMM has already documented Chryssie Whitehead as one of Stiles’ dance doubles, including her account of work in portions of the final audition. Washington’s story adds another dimension: artists need not only credit for their labor, but conditions in which that labor can be performed responsibly. For Season 35, the question remains what Stiles and Sosa build together now, without film editing or doubles.
Watch — Original Kylie Kelce / Kerry Washington Interview
Interview originally released October 1, 2026; discussion of Save the Last Dance begins around 53:15. Open the source video or listen via the original podcast feed if the embed is unavailable. Video is embedded from the original episode link referenced in the October 8 report; DMM does not rehost the footage.
October 8, 2026 · 1:44 PM ETDance vs. Vote · Format Watch
Jimmy Kimmel Defends Guillermo Rodriguez After 13/30 Samba — DMM Examines the Dance-versus-Vote Divide
The October 7 monologue puts a clear argument into Season 35’s central debate: is the audience rewarding the best ballroom technique, the most entertaining partnership, or something in between?
After Guillermo Rodriguez and professional partner Witney Carson advanced from October 6’s Mariah Carey Night despite earning 13/30 for their samba to “Obsessed”, Jimmy Kimmel used his October 7 late-night monologue to defend Rodriguez from viewers urging others to stop voting for him. Kimmel rejected speculation that the show is rigged and argued that the competition is also a television entertainment event, not a professional ballroom championship. His remarks were reported by Entertainment Weekly on October 8 at 10:41 a.m. ET.
The performance featured deliberate comic staging, including Rodriguez falling forward and moving on the floor — a creative choice developed within Carson’s routine. Meanwhile, Ciara Miller and Brandon Armstrong were eliminated with 21/30 for their jazz, making the tension between judges’ scores and audience preferences impossible to ignore. Neither Kimmel nor DMM has access to independently verified couple-by-couple voting totals; his account is a public defense of his colleague, not evidence of the numerical vote margin or proof about production decisions.
DMM Analysis — Two Different Tests of a Dance
A dance professional can assess timing, weight transfer, samba action, partnering and musical clarity while viewers may reward humor, warmth, commitment and a recognizable story. Carson must build a routine that gives a novice a chance to succeed technically and makes the performance legible to millions of viewers. Kimmel’s argument explains the appeal of the second test; it does not erase the first. DMM will continue documenting Guillermo’s technical scores alongside the partnership’s creative decisions, and will not equate advancement with either technical superiority or improper voting. This follows the October 8 Bobby Bones running-order entry: visibility and audience preference are important to investigate, but neither establishes manipulation without verifiable evidence.
October 8, 2026 · 1:16 PM ETFormat Watch · Former Champion
Bobby Bones Says DWTS Performance Order Is Strategic — What That Means for Dance Visibility, Not Just Scores
A former Mirrorball winner’s account raises a question DMM can test through Season 35: how much does the running order shape the audience’s opportunity to see a dance?
In an October 1 episode of the He Said, G Said podcast, Season 27 winner Bobby Bones described his view of how Dancing with the Stars places couples in its two-hour live broadcast. His remarks drew renewed coverage on October 7–8. Bones said performances at the start of the show and the top of the second hour can be chosen strategically because viewers joining at those times are likely to encounter those couples first.
Bones argued that the running order can highlight performers the production wants viewers to notice. He did not establish that those placements predetermine winners. His comments are a former contestant’s account and interpretation, not an ABC-confirmed policy or a verified change to Season 35 voting rules. DMM has found no official ABC statement confirming the specific placement criteria Bones described.
DMM Analysis — The Camera Has a Running Order, Too
The professional dancer builds a routine for musicality, technique and the celebrity’s development; television production then decides when that work reaches the audience. If a high-visibility slot attracts more casual viewers, it can shape exposure without changing a single step or judge’s score. But exposure is not proof of vote manipulation, and a couple’s position alone cannot establish producer favoritism. DMM will compare running orders, judge scores and subsequent outcomes over multiple weeks rather than treating one former champion’s explanation as a settled rule. This is particularly relevant after Ciara Miller and Brandon Armstrong’s Week 4 elimination highlighted the difference between visible technical improvement and viewer support.
Watch the primary account:He Said, G Said — October 1 podcast episode. No video embed has been added because the original uploader and embedding rights have not been independently verified.
October 8, 2026 · 10:23 AM ETOfficial ABC · Week 5
ABC Confirms Joe Buck as DWTS Super Bowl Night Guest Judge — All 11 Songs and Dance Styles Revealed
ABC’s Good Morning America confirmed the full October 13 program at 8:15 a.m. ET today: ESPN football announcer Joe Buck joins the judges, and all 11 remaining couples now have official songs and dance styles.
The first-ever Super Bowl Night features four salsas, three sambas, two jazz routines, one tango and one paso doble. Among the matchups: Harry Shum Jr. and Jenna Johnson samba to Usher’s “Yeah!”; Maura Higgins and Mark Ballas tango to Rihanna’s “Only Girl (In the World)”; Jenna Dewan and Val Chmerkovskiy paso doble to Lady Gaga’s “Bad Romance”; and Julia Stiles and Ezra Sosa jazz to Jennifer Lopez’s “Jenny from the Block.” All 11 assignments are listed on DMM’s Season 35 Live Coverage dashboard. A separate DMM Super Bowl Night songs-and-dances guide has not been published.
Correction, October 22, 2026: this entry originally said all 11 assignments were published in a new DMM guide. That guide has not been published; the full list is on the Live Coverage dashboard.
Seven of the 11 routines are salsa or samba, creating a strong side-by-side test of how professionals translate stadium pop, reggaeton and hip-hop tracks into recognizable ballroom/Latin technique. The genres of the songs do not determine the technique: DMM will watch timing, weight transfer, samba bounce, salsa rhythm and whether the choreographers preserve identifiable dance content beneath halftime-show spectacle. Buck’s guest seat also raises a judging-format question: how will a sports broadcaster’s perspective interact with the three regular ballroom judges?
Broadcast: Tuesday, October 13, 2026, 8 p.m. ET on ABC and Disney+; next-day replay on Hulu. All routines are scheduled, not yet performed, and no Week 5 scores or elimination have been reported.
October 8, 2026 · 8:19 AM ETPro Development · Tour Cast
Jan Ravnik Addresses His Absence From the 2027 DWTS Live Tour Cast
The Season 35 professional has now spoken about why he is not part of the newly announced touring roster. His answer is brief, but it resolves one immediate casting question without implying a dispute with the franchise.
In an Us Weekly interview published October 7, Jan Ravnik said the 2027 tour was “not in my stars” and explained that he was “busy with stuff.” He praised the dancers who will take part and left his future touring plans open-ended. Ravnik remains an active Season 35 professional alongside Tatyana Ali; their Mariah Carey Night assignment was a jazz routine to “Fantasy.”
The official 2027 tour cast does not list Ravnik. His comments do not identify a particular conflicting project, confirm a guest appearance or establish that he is leaving the television competition. The tour begins January 21, 2027, and its Mirrorball presale is scheduled to begin October 8 at 10 a.m. in each venue’s local time zone.
DMM Analysis — The Television Roster Is Not the Touring Roster
Ravnik’s background spans commercial stage performance and a transition into the ballroom-teaching demands of DWTS. His absence illustrates why DMM follows professional dancers across multiple kinds of work: a television partnership, an arena tour and outside performance commitments are different career tracks. The verified story is a scheduling choice expressed in general terms, not a departure or an unannounced booking. Compare the fuller explanation from Daniella Karagach and Pasha Pashkov, who are prioritizing family time while leaving room for possible limited tour appearances.
October 8, 2026 · 4:37 AM ETElimination Follow-Up · Pro Voice
Brandon Armstrong Says Ciara Miller Should Not Have Gone Home — Their DWTS Exit Exposes the Growth-vs.-Votes Divide
The October 6 elimination is now a first-person account of what happens when a celebrity finally reaches a technical milestone but the competition ends before that growth can continue.
Ciara Miller and Brandon Armstrong received three 7s — 21/30, their highest judges’ total of Season 35 — for their jazz to Mariah Carey’s “Emotions.” Yet they were eliminated at the end of Mariah Carey Night. In a post-show interview with Entertainment Tonight, Armstrong said “she shouldn’t have gone home” and described the disappointment of a partnership ending just as its training began to show. He also acknowledged that viewers vote for favorites for reasons extending beyond dance technique.
Miller said she was disappointed to leave and spoke about learning to perform without needing to appear perfect in public. Her response moves the story beyond an upset result: she identified vulnerability and a willingness to try unfamiliar movement as part of what the partnership gave her. Sharna Burgess and other cast members also described surprise backstage, but their reactions are not evidence of undisclosed vote totals.
DMM Analysis — A Score Can Confirm Growth Without Guaranteeing Time
Armstrong’s reaction exposes the professional dilemma at the center of a celebrity dance competition: a teacher can guide a beginner toward clearer timing, stronger synchronization and more confident performance, yet that progress does not control the result. Miller’s three 7s marked a measurable step forward. Her elimination is not proof the judges were wrong, nor proof of a rigged vote. It shows that technical growth and audience preference are different measures. DMM will follow Armstrong’s subsequent professional work separately from the outcome of his celebrity partnership.
Read DMM’s full Week 4 results, scores and updated post-elimination analysis → (forthcoming)
October 8, 2026 · 3:10 AM ETDance Partnership · Direct Response
Jenna Dewan and Val Chmerkovskiy: Ballroom Chemistry Draws Speculation, but the Dance Tells a Different Story
After the pair’s 24/30 Mariah Carey Night rumba, Jenna Dewan’s fiancé, Steve Kazee, directly dismissed online speculation about her connection with professional partner Val Chmerkovskiy. For DMM, the more important story is how dance partners create convincing chemistry without confusing performance with private life.
Kazee responded to social-media criticism of Dewan and Chmerkovskiy’s closeness, describing the spouses as unbothered and rejecting the contradictory judgments being made about the pair. His comments were reported by Entertainment Weekly late on October 7 and independently by Us Weekly. They do not establish any romantic relationship between the dancers; no evidence supporting that implication has been presented.
The timing matters. Dewan and Chmerkovskiy had just performed a rumba to Mariah Carey’s “My All” and earned 24/30, their highest score to date. The style demands sustained partner connection, controlled weight transfer and an emotional through-line. Dewan has separately explained that her professional commercial-dance background helps her learn choreography but does not automatically translate to ballroom technique; some familiar movement habits must be unlearned.
DMM Analysis — Connection Is a Dance Skill
Chmerkovskiy and fellow pro Jenna Johnson had already described partner chemistry in a September 29 interview as the product of trust, shared work and commitment rather than manufactured romance. That distinction is central to ballroom: the audience must believe in the relationship expressed by the choreography, but the relationship being performed is not evidence of an offstage affair. Dewan’s Week 4 growth should be evaluated through her rumba technique, timing, vulnerability and connection with the music — not speculation about her personal life.
Watch the dance · Mariah Carey Night rumba
Performance video: Dancing with the Stars on YouTube (original player; not rehosted). The clip is also linked by radio outlet 99.7 DJX in its October 7 performance roundup. Music and broadcast footage remain with their respective rights holders.
October 7, 2026 · 10:03 PM ETTour Milestone · Dance Industry
DWTS Live Tour Books Madison Square Garden for the First Time — and Names Its First Presenting Sponsor
The 2027 tour announcement has two milestones beyond its professional cast and first touring troupe: a New York arena debut and a new commercial partnership.
Official tour releases distributed by North American arenas confirm that Dancing with the Stars: Live! will play Madison Square Garden in New York City for the first time on Friday, February 5, 2027, at 7:30 p.m. The date and venue are also listed on the primary ticketing platform. The tour is planned for 60 shows across North America, from January 21 through April 11; celebrity guest appearances remain to be announced.
The same official releases identify COVERGIRL as the tour’s first presenting sponsor. The brand’s senior vice president of global marketing, Mary Santangelo, describes the arrangement as a partnership around confidence, creativity and individual expression. This is a presenting-sponsor announcement, not evidence of new choreography commissions, dancer compensation terms or additional confirmed tour dates.
Ticket timing: the free Mirrorball-member presale opens Thursday, October 8 at 10 a.m. local venue time; the general public on-sale begins Tuesday, October 13 at 10 a.m. local venue time. Individual venue schedules and dancer participation may vary. DMM directs readers to the official tour site rather than promising availability.
DMM Analysis — A Larger Stage for the Working Dancer
A first Madison Square Garden date signals a new level of visibility for a touring production built around professional dancers rather than weekly celebrity scores. The sponsorship shows how dance performance, television recognition and branded live entertainment intersect. The dance-first test remains the work itself: how Mandy Moore stages the expanded ensemble, which professionals receive featured material, and whether the first touring troupe can translate television precision into arena-scale repertory night after night.
Giada De Laurentiis Explains the Rehearsal Struggle Behind Her DWTS Exit — and What Alan Bersten Was Trying to Teach
An October 7 interview adds first-person evidence to the Season 35 record: the chef says her frustration came from difficulty hearing musical counts and absorbing steps, not a feud with her professional partner.
In a preview of Maria Menounos’ Heal Squad interview, shared with People ahead of its scheduled October 8 release, Giada De Laurentiis explained that she sometimes struggled to recognize the counts in the music or understand a new step quickly enough. She recalled Alan Bersten asking her to listen and identify the counts when they first met. The live-show deadline magnified the pressure: the pair had to learn how she processed instruction while preparing dances for broadcast.
De Laurentiis also clarified the tense rehearsal footage shown during Viral Hits Night. Her frustration, she said, was directed at her own difficulty learning, not at Bersten. Bersten had previously said their partnership remained supportive and that viewers were drawing conclusions from an edited rehearsal package. The two were eliminated September 22 after a salsa that received 12/30. ABC’s official assignment identifies their song as Becky G’s “Bella Ciao”; some post-elimination coverage incorrectly identifies it as “CHULA.”
The interview also supplies a new status detail about an injury DMM documented in September: De Laurentiis says she is still rehabilitating the broken toe sustained early in rehearsals. This is a retrospective health update after elimination, not evidence of a new injury, competition withdrawal or return to the show.
DMM Analysis — The Teaching Is Part of the Dance
Celebrity ballroom training is not only about choreography selection. A pro must discover how a beginner hears rhythm, understands a count, connects movement to music and responds to corrections under pressure. De Laurentiis’ account is a useful reminder that what looks like a personality clash on television may instead be a teacher and student trying to find a shared learning language. Her injured toe added another physical constraint. DMM will not turn her description of unfamiliar counts into a technical rule about salsa or tango meter; it is evidence of how the music felt to a novice.
October 7, 2026 · 7:38 PM ETPro Development · Live Tour
Rylee Arnold Explains Her 2027 DWTS Tour Return as Official Dates Clarify Her Limited Run
Arnold's first-person explanation and the official tour schedule add substance to DMM's professional-dancer story: a return shaped by health, workload and the realities of a demanding live production.
Rylee Arnold says she feels ready for a larger return to Dancing with the Stars: Live! after previously stepping away from a full-length touring commitment to focus on managing Type 1 diabetes. In an official tour-announcement statement carried by People, Arnold said she is now using an insulin pump and feels better able to understand and manage her body's needs. She told Us Weekly that the shorter commitment feels manageable for her. DMM treats this as Arnold's own account of her circumstances, not as a medical recommendation or a prediction about future health.
The official tour cast page lists Arnold for January 21–February 13, February 23–March 20 and March 31–April 11, 2027, rather than every stop. Sharna Burgess is separately listed for February 17–21 and March 22–27. Those date ranges matter to readers planning to see a particular professional. Arnold also made limited March 2026 tour appearances; her return should not be mischaracterized as an uninterrupted absence from every previous live show.
Another important creative credit: Mandy Moore, the Emmy-winning choreographer whose work includes La La Land and Taylor Swift's Eras Tour, is directing the 2027 production. The director credit makes this more than a cast-and-tickets announcement: the road show is a large-scale choreography environment in which professional dancers and the troupe will be seen outside celebrity competition routines.
DMM Analysis — Sustainable Dance Careers Are Built Off Camera, Too
The professional measure is not simply whether Arnold can appear on television every Tuesday. Touring asks dancers to sustain physical performance, learn and retain a full repertory, adjust to changing venues and deliver consistent work over many weeks. Arnold's decision to set a workable touring schedule, together with Moore's direction and the troupe's first tour participation, shows how professional growth involves both creative opportunity and the ability to make that opportunity sustainable.
October 7, 2026 · 6:26 PM ETRehearsal · Choreography · Pro Watch
Jenna Johnson Shares Harry Shum Jr. Rehearsal Headbutt Video — Then Their Tango Earns 24/30
The professional dancer has released first-person footage of a painful rehearsal collision, opening a window into the timing and trust behind a routine that looked controlled on live television.
On October 7, Jenna Johnson posted a rehearsal clip showing an accidental forehead-to-forehead collision with her Season 35 partner Harry Shum Jr. During a fast-moving exchange, Johnson rises as Shum approaches, their heads meet and Shum falls backward. Both subsequently joked about the incident. In a post-show interview, Shum described a difficult Sunday rehearsal in which the pair repeatedly misstepped; Johnson said they had to keep working through a turbulent week.
There is no verified report of a concussion, medical restriction or withdrawal. The partnership completed its October 6 tango to Mariah Carey’s “It’s Like That” and received 24/30 (three 8s). Their performance was accompanied by live vocals from Shum’s Glee colleague and Season 17 champion Amber Riley, connecting two generations of DWTS performers within the same number.
DMM Dance Lens — The Rehearsal You Do Not See
In close-contact partnered dancing, distance is measured in fractions of a beat. A missed timing cue can turn a familiar transition into a collision. The point of Johnson’s video is not that injury proves dedication; it is that choreography depends on spatial awareness, mutual timing and a professional’s ability to diagnose a failed transition without abandoning the partnership. The controlled tango shown on television is the product of that invisible correction work. Shum’s previous commercial-dance experience remains relevant, but this is a fresh test of live partnering rather than camera-ready solo performance.
Maura Higgins Insisted on Keeping the Double Turn Mark Ballas Nearly Cut — Then Earned Season 35’s First 9
The highest-scoring dance of Mariah Carey Night now has a rehearsal-room story that makes the result more useful to DMM’s dance-first record.
Maura Higgins and Mark Ballas have revealed that a difficult double turn in their waltz to Mariah Carey’s “If It’s Over” was close to being removed after rehearsal problems. Higgins wanted to keep working on it. They tried it again before the live show, she completed it, and the element stayed in the routine.
The finished waltz earned 25/30 and the first 9 of Season 35. Derek Hough praised it as “pure ballroom dancing,” while Ballas said Higgins has natural ability despite not having the childhood dance training that might have developed that ability earlier.
DMM Analysis — The Choice Not to Simplify
This is the kind of choreography detail that explains a score better than a leaderboard alone. A professional partner constantly decides whether a difficult element is helping a celebrity grow or merely increasing failure risk. Ballas was prepared to simplify. Higgins chose another attempt. The important development is not that the turn was flashy; it is that rehearsal difficulty became usable performance technique under pressure. That makes the Week 4 breakthrough a measurable training story rather than only an emotional television moment.
Sources: Entertainment Weekly, Oct. 7, 2026 — direct post-show interview with Higgins and Ballas about the double turn · Us Weekly, Oct. 7, 2026 — direct Higgins interview on rehearsal, confidence and the turn · RTÉ, Oct. 7, 2026 — independent confirmation of the 25/30 leaderboard lead and first 9.
October 7, 2026 · 2:26 PM ETPro Development · Follow-Up
Two DWTS Pro Stories Move Forward: Val Explains the Cornrows; Daniella and Pasha Explain the Tour
Two stories DMM was already tracking now have direct responses from the dancers themselves, replacing speculation with on-record explanations.
Val Chmerkovskiy: After criticism of the cornrows he wore in promotional material ahead of Mariah Carey Night, Chmerkovskiy said he loved the hairstyle and valued the cultural experience and the chance to support a local Black-owned salon. He said he removed the braids before the live show because he did not want the conversation to distract from partner Jenna Dewan and their performance—not because he regretted wearing them. That directly supersedes speculation that producers ordered the change.
Daniella Karagach and Pasha Pashkov: Their absence from the announced 2027 DWTS Live Tour cast also has an explanation. Karagach said the couple wants time with their daughter after years of touring and little downtime. She left open the possibility that she and Pashkov could appear for a few weeks or selected stops rather than joining the full 60-city run.
DMM Analysis — Direct Sources Change the Record
Both follow-ups matter because they narrow what DMM can responsibly say. Val’s explanation turns an inferred production decision into a documented personal choice, while Daniella’s explanation turns a conspicuous tour omission into a family-and-workload decision with the door still open to limited appearances. For a living newsroom, the correction is part of the journalism: preserve what was known at the time, then clearly record what the principals later established.
Verified sources: Entertainment Weekly, Oct. 7, 2026, direct Val Chmerkovskiy response · Us Weekly, Oct. 7, 2026, direct Daniella Karagach interview · official 2027 DWTS Live Tour announcement/venue release for announced cast and troupe.
Witney Carson Pushes Back on Carrie Ann Inaba’s Guillermo Critique — and Explains the Character Choice
The Mariah Carey Night judging story has moved beyond the ballroom boos. Guillermo Rodriguez’s professional partner is now explaining why his more serious expression was part of the performance rather than evidence that his joy had disappeared.
In a post-show interview, Witney Carson said she disagreed with Carrie Ann Inaba’s suggestion that Rodriguez had dimmed his light during their samba to “Obsessed.” Carson explained that the expression reflected the character they were playing: the song called for a diva attitude, not the constant smile audiences normally associate with Rodriguez. She also defended his work ethic and commitment to improving.
Rodriguez likewise rejected the idea that his joy was gone. The pair survived Week 4 after receiving 13/30, the lowest judges’ total of the night. DMM is keeping the distinction clear: the public result proves survival, but DWTS does not release contestant vote totals, so it does not establish how large Rodriguez’s viewer-vote advantage may or may not be.
DMM Analysis — Performance Character vs. Celebrity Persona
This is a useful dance question, not simply a judging dispute. A celebrity competitor eventually has to learn that performance quality can require leaving the personality viewers already know. Carson’s explanation reframes the moment: Rodriguez was attempting character interpretation, even if the technical samba remained weak. The next test is whether he can keep that willingness to transform while improving rhythm, foot placement and recognizable dance content.
Tyler Cameron’s Foxtrot for His Late Mother Turns Dance Into a Breakthrough Moment on DWTS
Cameron entered Mariah Carey Night near the bottom of the Season 35 leaderboard. His foxtrot to “#Beautiful” became his strongest dance yet — and one of the episode’s clearest examples of personal story strengthening, rather than replacing, the dancing.
Before dancing with Sharna Burgess, Cameron spoke about losing his mother, Andrea Hermann Cameron, to a brain aneurysm in 2020 and said Dancing with the Stars was a show she had wanted to see him do. He described dance as unexpectedly making him feel alive again. The performance visibly moved Derek Hough, who connected Cameron’s story to his own family experience, while Bruno Tonioli praised the routine as a proper foxtrot and highlighted Cameron’s improvement.
Cameron and Burgess received 21/30 — three 7s — improving from 17/30 on Yacht Rock Night and matching Cameron’s best competitive total of the season. DMM is using the verified broadcast score rather than a conflicting 23/30 figure published in one post-show feature.
DMM Analysis — When Story and Technique Finally Meet
Emotional packages can make a television dance memorable, but the useful dance question is whether the movement carries the story once the music starts. Cameron’s Week 4 progress matters because the judges identified improvement in the foxtrot itself: cleaner ballroom structure, greater control and a more convincing partnership with Burgess. The tribute gave the routine meaning; the technical growth gave that meaning somewhere to live.
October 7, 2026 · 3:24 AM ETPro Development · Live Tour
DWTS Live 2027 Tour Expands the Professional Pipeline — Britt Stewart, Hailey Bills, Adele Zaikman and the Troupe Are Going on the Road
The newly announced 2027 tour turns one of DMM’s standing Season 35 questions into a concrete career-development story: elimination from the celebrity competition does not necessarily end a professional dancer’s season or visibility.
The official Dancing with the Stars: Live! tour cast lists Emma Slater as co-host alongside Val Chmerkovskiy, Britt Stewart, Alan Bersten, Brandon Armstrong, Jenna Johnson, Ezra Sosa, Hailey Bills, Rylee Arnold, Sharna Burgess and Adele Zaikman. For the first time, the DWTS live troupe is also joining the road cast: Onye Stevenson, Carter Williams, Jaxon Willard and Kamri Peterson. Venue listings confirm the new arena production begins in January 2027, with general ticket sales opening October 13; celebrity guest stars remain to be announced.
DMM Pro-Dancer Lens: Britt Stewart’s Week 3 elimination, and the premiere exits of first-time pros Bills and Zaikman, now have an important verified next chapter. All three are booked for the live tour. Bills and Zaikman therefore move from DMM’s hypothetical “what happens after elimination?” question into documented continuing employment inside the DWTS ecosystem. The troupe’s first tour inclusion is equally significant because it creates a visible bridge between developmental broadcast roles and the franchise’s touring stage.
Full guide:Read DMM’s complete DWTS Live 2027 Tour guide → (forthcoming)
October 7, 2026 · 3:10 AM ETPro Dancer · Cultural Context
Val Chmerkovskiy Removes Cornrows Before Mariah Carey Night After Online Backlash
The Season 35 pro appeared in promotional social video with cornrows, drew criticism over cultural appropriation, and performed on the live broadcast without the hairstyle.
Entertainment Weekly documented the sequence after viewers reacted to Chmerkovskiy’s promotional look ahead of Mariah Carey Night. Chmerkovskiy later posted another social clip with the braids removed and appeared on the October 6 broadcast without them. DMM is recording the verified change and the public criticism without assigning a motive that Chmerkovskiy has not explicitly stated.
DMM Cultural Lens: styling in televised dance is part of performance language, not an incidental detail. Hair, costume and movement can carry cultural histories beyond a theme-night concept. The useful question for DMM is therefore not whether online outrage itself becomes the story, but how production and performers navigate cultural references when visual choices intersect with identities and traditions that the choreography does not necessarily explain.
October 7, 2026 · 1:53 AM ETJudging · Audience Reaction
Carrie Ann Inaba Is Booed Over Guillermo Rodriguez Critique as DWTS’ Score-vs.-Audience Divide Sharpens
Guillermo Rodriguez earned the lowest judges’ score of Mariah Carey Night, but the live audience pushed back loudly when Carrie Ann Inaba questioned whether his usual joy had dimmed. The moment adds a visible audience-response layer to DMM’s ongoing Guillermo Development Watch.
Rodriguez and Witney Carson performed a samba to Mariah Carey’s “Obsessed” and received 13/30 — 4s from Carrie Ann Inaba and Derek Hough and a 5 from Bruno Tonioli. ABC/Disney’s official Week 4 release confirms the samba assignment, while the live-broadcast exchange reported after the episode documents the studio reaction to Inaba’s critique.
Inaba asked Rodriguez where his joy had gone and said she felt he was dimming the quality that makes him distinctive. The audience responded with sustained boos. She then clarified that her point was not to diminish him but to push him to keep bringing his natural light to the floor. Rodriguez and Carson nevertheless advanced, while Ciara Miller and Brandon Armstrong were eliminated.
DMM Analysis — Technique, Entertainment and the Audience
This is the clearest Week 4 example of the tension DMM has been tracking around Rodriguez: the judges can identify limited samba technique while viewers and the room respond to personality, humor and persistence. His survival does not reveal his vote total, because DWTS does not publish the underlying viewer numbers. What is verifiable is the widening contrast between his judges’ scores and the visible audience investment around his run.
Ciara Miller & Brandon Armstrong Eliminated as Maura Higgins Tops DWTS Mariah Carey Night
Week 4 produced a sharper split between judges’ scores and the combined result: Miller improved to 21/30 and still went home, while Guillermo Rodriguez survived after the night’s lowest judges’ score.
Ciara Miller and professional partner Brandon Armstrong were eliminated at the end of Mariah Carey Night after their jazz to “Emotions” earned 21/30. The result leaves 11 couples in Season 35. Maura Higgins and Mark Ballas topped the judges’ leaderboard with 25/30 for their waltz to “If It’s Over,” while Ezra Frech/Daniella Karagach, Harry Shum Jr./Jenna Johnson and Jenna Dewan/Val Chmerkovskiy each scored 24/30.
The night also supplied two important DMM checkpoints. Frech reached a new personal high with a 24/30 rumba after DMM’s adaptive-dance watch focused on how slower sustained movement would test control and weight transfer. Shum matched 24/30 with his tango to “It’s Like That,” returning to the Mariah Carey song whose 2005 music video he danced in as a backup performer. Rodriguez and Witney Carson scored 13/30 for their samba to “Obsessed” but advanced, reinforcing that the public result cannot be inferred from the judges’ leaderboard alone.
DMM Dance Lens
Miller’s exit is useful evidence for DMM’s season record because improvement alone does not guarantee survival. She rose from 15 to 18 to 18 to 21 across four scored dances, yet the combined judges-and-viewer system ended her run on the same night Rodriguez survived from the bottom of the judges’ board. DMM will not translate that into unsupported vote totals; ABC does not publish the underlying audience vote.
Verification: ABC/Disney’s official Mariah Carey Night release confirms the 12-couple lineup, songs, dances and combined judges/viewer elimination format. Same-night result reporting from The Hollywood Reporter, Deadline, TV Insider and other national outlets confirms Miller/Armstrong as the Week 4 elimination and the judges’ scores. DMM will replace secondary score/result sourcing with an ABC-owned recap when one is published.
Related DMM scorecard:DWTS Week 4 results — every couple, score and song, plus why the 21-point elimination matters → (forthcoming)
Jackson Olson Apologizes to Guillermo Rodriguez as Their DWTS Dance Controversy De-escalates Before Mariah Carey Night
The Week 4 controversy DMM logged on October 5 now has a verified follow-up: Olson has apologized publicly, and the two competitors used dance itself to signal that the dispute is not being carried into the ballroom as a feud.
Entertainment Weekly reports that Olson posted an apology after backlash over his deleted comparison of a parody recreation with Rodriguez’s Week 3 foxtrot. In the new Instagram video, Olson and Rodriguez lip-sync to Miley Cyrus’ “Nobody’s Perfect” and finish by dancing together. Olson framed the moment around moving forward and the togetherness of Dancing with the Stars.
That changes the status of DMM’s October 5 entry. The original comment and backlash remain part of the Season 35 record, but the verified public response now points toward de-escalation rather than an expanding interpersonal feud. Rodriguez had already said he believed Olson was joking. DMM will continue to separate the documented controversy from speculation about how viewers may vote tonight.
DMM Dance-Culture Lens
For DMM, the useful development is accountability inside a dance competition, not prolonging a social-media conflict after the participants themselves have moved toward resolution. Tonight provides the cleaner competitive test: Olson and Emma Slater have a waltz to “Without You,” while Rodriguez and Witney Carson return to Latin with a samba to “Obsessed.” Their dancing, judges’ feedback and verified result should determine the next entry—not pre-show speculation.
October 6, 2026 · 3:57 PM ETNext Pro · Pro Development
Val Chmerkovskiy Defends Hailey Bills’ DWTS Credentials as the “Nepo Baby” Debate Reaches the Pro Roster
The argument around Season 35’s first-time pro has moved beyond family connections and into a more useful dance question: what evidence should count when evaluating whether a young professional is ready for the DWTS roster?
Veteran pro Val Chmerkovskiy publicly defended his niece Hailey Bills after The Hollywood Reporter’s October 2 interview framed her rise through the show around the “nepo baby” label. Chmerkovskiy argued that the label discounts nearly 15 years of high-level dance work and said Bills is not merely qualified for the role but, by some measures, could be considered overqualified. He also acknowledged that she still has room to grow.
Bills herself took a more nuanced position in the original interview. She credited aunt Jenna Johnson as an important factor in her access to the show, described herself as fortunate to have those connections and simultaneously argued that family access should not erase the work required to reach professional level. Bills entered Season 35 after Dancing with the Stars: Juniors, Season 34 troupe work and the 2026 live tour; her celebrity partnership with Sarah Jane Nader ended in premiere week, but Bills has already confirmed that her Season 35 show work continues.
DMM Pro-Dancer Lens
DMM is separating two questions that can coexist. Family proximity can create access, mentorship and visibility; it does not by itself answer whether the dancer has the training, range, teaching ability and on-camera partnership skills required by the job. Bills has openly acknowledged the access. Chmerkovskiy is now arguing the credentials. The longer Season 35 test is what Bills does with the post-elimination opportunity: troupe appearances, choreography, teaching, tour work and any future celebrity partnership provide evidence that can be evaluated beyond the label.
October 6, 2026 · 3:20 PM ETDance History · Transfer Test
Julia Stiles Reframes Her Save the Last Dance History Before Mariah Carey Night
A new direct interview sharpens one of DMM’s Season 35 questions: how much does screen-dance experience actually transfer when the celebrity has to perform live ballroom technique without editing or a character to hide behind?
In an interview published October 6, Stiles revisited how she described her dance background while promoting Save the Last Dance. Watching an older interview back, she said she now believes she played up that training too much. She explained that the film required rigorous preparation but also used a dance double for more advanced material, and that the expectations created by the movie eventually made her self-conscious enough to stop taking dance classes.
That context changes how DMM reads her Season 35 progression. Stiles and Ezra Sosa moved from 18/30 in the premiere to 16/30 on Viral Hits Night and 19/30 on Yacht Rock Night while she managed a rib injury. Rather than treating a famous dance-film credit as automatic ballroom advantage, the useful test is whether she can rebuild confidence, frame, timing and partnership under live competition conditions.
DMM Transfer Test
Stiles is a useful reminder that “dance experience” is not one category. Film choreography can be rehearsed, edited and supported by doubles; ballroom asks for continuous partnered technique in a live take. Tonight’s Viennese waltz gives DMM a clean next checkpoint because sustained rotation, frame and musical flow will test a different skill set from last week’s salsa.
Tonight: ABC/Disney confirms Stiles and Sosa will perform a Viennese waltz to Mariah Carey’s “Vision of Love” on October 6. DMM will update the record only after the performance, score and judges’ feedback are verified.
October 5, 2026 · 10:12 AM ETContestant Controversy · Voting Watch
Jackson Olson’s Deleted Guillermo Rodriguez Comment Draws Backlash Before Mariah Carey Night
A deleted social-media comment has moved from cast banter into a searchable DWTS controversy, but Guillermo Rodriguez himself has publicly downplayed it as a joke.
A USA TODAY Network report published October 5 documents screenshots of a deleted comment Jackson Olson left beneath a playful recreation of Guillermo Rodriguez and Witney Carson’s Week 3 foxtrot. Olson asked how the performer had done the routine “better than him with 2 hours of rehearsal” and also posted “3,” which viewers interpreted as a score. The comments were removed after criticism spread across social platforms.
Rodriguez has not escalated the dispute. In a social-media response quoted by the report, he said he was okay and thought it was a joke. That distinction matters: DMM can document the public reaction and the dance comparison without presenting a cast feud that Rodriguez himself has not claimed.
DMM Dance + Voting Lens
The underlying comparison is about dance: whether a parody recreation appeared cleaner than a contestant’s performance after weeks of ballroom training. The competitive consequence is still unknown. Olson and Emma Slater were among the final couples awaiting safety on Yacht Rock Night, while Rodriguez and Carson have built a strong audience story despite lower judges’ scores. DMM will not claim the backlash changed votes unless Tuesday’s verified results or direct reporting establishes that connection.
Week 4 test: Olson and Emma Slater are assigned a waltz to “Without You”; Rodriguez and Witney Carson have a samba to “Obsessed.” ABC/Disney confirms both assignments for Mariah Carey Night on October 6.
October 4, 2026 · 12:33 PM ETRepresentation · Adaptive Dance
Amy Purdy Says Ezra Frech Is Taking DWTS Disability Representation “to a Whole New Level”
A new direct interview connects two generations of Paralympians in the ballroom and gives DMM a clearer historical frame for Frech’s Season 35 run.
In an interview published October 4, Season 18 runner-up Amy Purdy described watching Ezra Frech compete as deeply meaningful and said his presence is extending the visibility disabled athletes can have on a mainstream dance platform. Purdy, a double below-the-knee amputee who competed with Derek Hough in 2014, said the possibilities available to Frech now are broader than what she felt able to attempt during her own season.
Frech told People that Purdy’s support is “fueling” him and credited disabled contestants before him with helping make his own participation possible. He also emphasized the importance of normalizing disability rather than treating it as an exception. ABC’s official Season 35 biography independently identifies Frech as a two-time Paralympic gold medalist and disability advocate, while ABC’s Week 4 release confirms that he and Daniella Karagach will perform a rumba to Mariah Carey’s “Anytime You Need a Friend” on October 6.
DMM Dance Lens
The story is not simply that two Paralympians support each other. Purdy’s comments create a twelve-year comparison point for how adaptive movement is being presented on DWTS. Frech has already explained that he deliberately dances on a running blade even though it can create instability because its rebound gives him movement possibilities he values. Mariah Carey Night now moves that experiment into rumba, where sustained weight transfer, control and continuous phrasing will make the adaptation especially visible. DMM will judge the choreography as choreography — while preserving the larger history of who helped make that visibility possible.
Watch next: Frech enters Week 4 with scores of 20, 21 and 21. DMM will update this record after the October 6 rumba with the verified score, judges’ feedback and any new technical detail about how Karagach adapts the choreography.
October 3, 2026 · 2:34 PM ETPro Development · Direct Statement
Britt Stewart Breaks Her Silence After DWTS Elimination, Framing the Hanson Partnership Beyond Its Three-Week Run
After several days of reaction around her early exit, Stewart has now spoken for herself. Her message centers the creative partnership with Taylor Hanson rather than speculation about her future with the show.
In a statement shared October 3, Stewart thanked Hanson for trusting her and for showing up authentically throughout their Season 35 partnership. She said what they created together was bigger than the number of weeks they were given and that she would remain proud of their Dancing with the Stars journey.
Stewart also described the partnership as one she believes will have a lasting impact on her and thanked viewers for the messages and support that followed the September 29 elimination. The statement is significant because it is Stewart’s first extended public framing of the exit after several days in which judges, fellow professionals, the cohost and viewers had been speaking about the result around her.
DMM Pro-Dancer Lens
The useful development is what Stewart actually chose to emphasize: trust, creation, connection and pride in the work. She did not announce that she is leaving DWTS, and DMM will not convert outside speculation into a career decision she has not made publicly. For the Professional Dancer Development tracker, this statement becomes the clearest first-person record of how Stewart is defining the Season 35 partnership after its early competitive end.
Context: Hanson and Stewart were eliminated on Yacht Rock Night after their foxtrot to “What a Fool Believes” earned 18/30. Earlier October 3 reporting documented Alfonso Ribeiro calling the result especially difficult and praising Stewart’s work; this new entry adds Stewart’s own voice to that record rather than replacing the earlier report.
October 3, 2026 · 4:42 AM ETPro Development · Elimination Context
Alfonso Ribeiro Calls Britt Stewart’s Week 3 Exit “Especially Difficult” as Her Finale Wait Continues
The DWTS cohost’s new comments turn Taylor Hanson and Britt Stewart’s elimination into a professional-dancer development story as well as a competition result.
In an interview published October 3, cohost Alfonso Ribeiro described Hanson and Stewart’s Yacht Rock Night elimination as especially difficult and praised Stewart as an outstanding professional dancer. Ribeiro also pointed to a career fact that matters to DMM’s pro-development watch: Stewart has not yet reached a Dancing with the Stars finale as a competing professional.
Their run ended September 29 after a foxtrot to “What a Fool Believes” scored 18/30. Hanson has since disclosed that he danced through left-leg numbness during the season, while both partners have spoken about the strength of the working relationship they built in three weeks.
DMM Pro-Dancer Lens
A celebrity elimination also determines how long a professional dancer gets to teach, choreograph and compete in the season’s main partnership format. Ribeiro’s comments are useful because they come from inside the show and frame Stewart’s exit in the context of her longer professional arc. DMM will keep the distinction clear: the early elimination is documented; any claim about Stewart’s future with the show remains unconfirmed unless Stewart or ABC/DWTS says so directly.
Media check: ABC/Disney Television Press has official Yacht Rock Night photography of Hanson and Stewart available through its press gallery. DMM has not re-hosted a new image in this update without a confirmed authorized press-asset workflow.
October 2, 2026 · Late-Evening UpdateDevelopment Watch · Audience Momentum
Guillermo Rodriguez’s DWTS Run Is Becoming an Audience Story Beyond the Scoreboard
Guillermo Rodriguez remains at the bottom of the judges’ leaderboard, but a new national-television moment shows why DMM’s Development Watch cannot be measured by scores alone.
During the October 1 episode of Jimmy Kimmel Live!, John Oliver said his children had never watched Dancing with the Stars before this season and are now invested specifically because of Rodriguez. Oliver described his younger son waking early to ask whether Guillermo had survived the elimination, while the conversation also singled out the crowd-pleasing physical comedy inside Rodriguez’s Week 3 foxtrot.
That attention arrives alongside measurable ballroom progress. Rodriguez and Witney Carson have moved from 10/30 in the premiere cha-cha to 12/30 on Viral Hits Night and 15/30 for their Yacht Rock foxtrot. Carson has also publicly emphasized his work ethic, saying he continues practicing during rehearsal downtime and genuinely wants to improve.
DMM Development Watch
Guillermo’s Season 35 story now has two tracks: the technical one and the audience one. The judges’ numbers show gradual improvement; the response around him shows that viewers can become invested before technique reaches the middle of the field. That distinction matters in a competition where judges’ scores and viewer votes are combined. DMM will keep the two measures separate rather than treating popularity as proof of ballroom proficiency.
Watch next: Mariah Carey Night returns Rodriguez to Latin with a samba to “Obsessed.” After three consecutive score increases, the useful question is whether his foxtrot gains in timing, confidence and partnership survive the faster rhythm assignment.
October 2, 2026 · Evening UpdateDance History · Transfer Test
Harry Shum Jr.’s Mariah Carey Night Tango Brings Him Back to a Song He Danced in 21 Years Ago
Week 4 now carries a piece of dance history: Shum has confirmed that he appeared as a backup dancer in Mariah Carey’s 2005 “It’s Like That” music video. On October 6, he and Jenna Johnson are scheduled to compete with a tango to the same song.
In a direct interview with E! News, Shum confirmed his appearance in the 2005 video and traced the opportunity to his work with choreographer Debbie Allen. ABC/Disney’s official Mariah Carey Night release independently confirms that Shum and Johnson will dance a tango to “It’s Like That,” featuring Jermaine Dupri and Fatman Scoop, on Tuesday’s episode.
The connection makes this more than a theme-night song assignment. Shum first encountered the record from the position of a commercial backup dancer inside a Mariah Carey production. Twenty-one years later, he returns to it as the named celebrity competitor, with ballroom technique and partnership now determining how the same musical history reads on television.
DMM Transfer Test
The history sharpens DMM’s season-long question about experienced dancers. Shum already knows how to perform for a camera, retain choreography and project movement at scale. Jenna Johnson says the judges are holding them to a higher expectation because of that background. The Week 4 test is whether those advantages translate into tango-specific frame, connection, weight placement and controlled attack — not whether Shum can simply revisit the movement vocabulary of a 2005 music video.
Shum also described his earlier iPod silhouette work as requiring deliberately enlarged shapes so movement would read graphically. That history gives DMM another useful contrast for Tuesday: commercial dance can reward projection and scale; partnered ballroom can demand economy, precision and a different relationship to another body.
Watch next: DMM will compare the October 6 tango with Shum’s existing Season 35 progression (21 → 18 → 24) and update the Transfer Test after the judges’ verified feedback and score.
October 2, 2026 · Afternoon UpdateNext Pro Pipeline · Pro Development
Hailey Bills Says Her DWTS Season Continues After Elimination — and She Is Already Learning for a Possible Next Pro Run
The first-time pro’s competition ended after one routine, but her professional development did not. A new direct interview gives DMM the clearest evidence yet for one of Season 35’s standing questions: what happens to new pros after the celebrity partnership ends?
In an interview published October 2, Bills told The Hollywood Reporter that she still has “10 weeks on the show” after her premiere-week elimination with Sarah Jane Nader. Bills said the early exit was difficult, but framed the rest of Season 35 as continued work rather than a reason to remain stuck on the result.
Bills’ path to the pro roster was unusually fast. She joined the Season 34 troupe, spent the 2026 live tour performing alongside established professionals and said producers told her during that tour that she would become a Season 35 pro. Her debut partnership lasted one competitive jive, but she is now back inside the larger show environment rather than disappearing from the season.
DMM Next Pro Pipeline
This is why DMM kept the pipeline tracker open after premiere week. A celebrity elimination measures one partnership; it does not necessarily measure the professional dancer’s value to the franchise. Bills says the experience has already changed how she thinks about patience and adapting to a partner’s learning style. If Season 35 continues giving her troupe or ensemble work, those appearances become part of the evidence for whether a first pro opportunity can develop into durable broadcast work.
Status: Bills did not announce a confirmed Season 36 pro contract. She said that if she is fortunate enough to return as a pro next season, she would enter with more knowledge about building from the ground up with a celebrity partner. DMM is treating that as professional-development context, not a casting announcement.
October 2, 2026 · Early-Morning UpdatePro Watch · Choreography
ABC Adds Three Pro and Troupe Performances to Mariah Carey Night
The official Week 4 release expands Mariah Carey Night beyond the 12 celebrity routines, giving DMM three additional ensemble performances to watch for choreography, staging and professional-dancer visibility.
ABC has now confirmed that the October 6 episode will also include additional professional and troupe performances to “Heartbreaker” featuring JAY-Z, “Loverboy” and “Always Be My Baby.” The announcement follows the previously confirmed 12 celebrity song-and-dance assignments.
DMM Choreography Watch
These ensemble numbers matter because they remove the celebrity-training constraint and put the show’s professional dancers and troupe at the center of the movement. DMM will watch how the creative team differentiates three distinct periods of Carey’s catalog through musicality, formation work, partner vocabulary and camera staging — and whether the television direction gives the choreography enough uninterrupted space to register.
Broadcast: Mariah Carey Night airs Tuesday, October 6, from 8:00–10:00 p.m. EDT/PDT and 7:00–9:00 p.m. CDT on ABC and Disney+, with next-day streaming on Hulu. ABC says viewer votes from the live voting window will again be combined with judges’ scores.
Media check: Disney’s official release provides a press-asset download portal. DMM is not inserting or re-hosting those assets in this master without confirming the applicable press-use terms for the selected files.
October 1, 2026 · Evening UpdatePro Watch · Judging
Gleb Savchenko Calls Season 35 Absence a “Hiatus” — and Says DWTS Judges Should Score Harder
The longtime professional dancer says his absence from the Season 35 pro roster is a break rather than a retirement, while also weighing in on two questions already central to DMM’s season watch: judging standards and the value of prior dance experience.
In a direct interview published October 1, Savchenko described his time away from Dancing with the Stars as “a little break, a little hiatus, a little reset” and said he is not retired from the franchise. Savchenko, who first joined the U.S. series in 2013, was not included among the competing Season 35 professionals.
Watching from outside the ballroom has also sharpened his view of the competition. Savchenko said he does not believe the judges are scoring harshly enough and argued that lower paddles should remain available when the dancing warrants them. His comments arrive during a season in which judging format, compressed critique time and the relationship between judges’ scores and audience voting have already become recurring storylines.
Savchenko also rejected the idea that contestants such as Jenna Dewan automatically possess a decisive advantage simply because they have previous dance experience. His reasoning was technical: ballroom is partnered dancing, and learning choreography is different from creating connection, balance, frame and the push-pull relationship required between two dancers.
DMM Pro Watch
Savchenko’s comments matter because they come from a professional who has spent years inside the DWTS teaching and scoring environment but is watching Season 35 from outside it. His distinction between general dance experience and partnered ballroom technique reinforces DMM’s ongoing Transfer Test: previous movement training can accelerate learning, but frame, weight exchange, lead-and-follow mechanics and ballroom-specific technique still have to be built.
Status: Savchenko did not announce a confirmed Season 36 return. DMM is therefore recording his own description — hiatus, not retirement — without presenting a future casting decision as settled.
October 1, 2026 · Afternoon UpdateInjury · Performance Context
Taylor Hanson Reveals He Danced Through Left-Leg Numbness Before His Week 3 Elimination
The newly disclosed injury adds important technical context to Hanson and Britt Stewart’s three-week run: Hanson says numbness in his left leg had affected him since the opening week of competition.
In a post-elimination interview published October 1, Hanson revealed that he had been dealing with numbness in his left leg during Season 35. The issue was not publicly disclosed while he was still competing. He nevertheless completed the Week 3 foxtrot with Stewart, including the heel-led and traveling actions required by the style, before the partnership was eliminated on Yacht Rock Night with an 18/30.
Stewart praised Hanson for continuing to work through the physical limitation without allowing it to define the performance. The disclosure does not change the elimination result, but it changes how DMM reads the partnership’s technical progression: the audience and judges were evaluating a developing ballroom dancer without knowing that one leg was not providing normal sensation.
DMM Technique Context
Foxtrot depends on controlled weight transfer, foot articulation, balance and continuous travel. Reduced sensation in a leg can therefore matter to how a dancer perceives placement and pressure. DMM is not diagnosing Hanson’s condition or assigning the injury responsibility for his score; the significance is that a previously unknown physical constraint was present while Stewart was teaching and Hanson was executing ballroom technique.
Editorial note: This update is based on Hanson’s own post-elimination disclosure as reported in a direct interview. DMM is avoiding speculation about diagnosis, severity or whether the injury affected the public vote.
Mariah Carey Night Assignments Are Set: Rumba Dominates the Week 4 Dance Card
The official DWTS podcast has revealed all 12 Week 4 pairings, songs and dance styles ahead of the October 6 episode.
Amber Glenn & Pasha Pashkov — Rumba · “Hero” Ciara Miller & Brandon Armstrong — Jazz · “Emotions” Connor Wood & Rylee Arnold — Rumba · “Touch My Body” Ezra Frech & Daniella Karagach — Rumba · “Anytime You Need a Friend” Guillermo Rodriguez & Witney Carson — Samba · “Obsessed” Harry Shum Jr. & Jenna Johnson — Tango · “It’s Like That” Jackson Olson & Emma Slater — Waltz · “Without You” Jenna Dewan & Val Chmerkovskiy — Rumba · “My All” Julia Stiles & Ezra Sosa — Viennese Waltz · “Vision of Love” Maura Higgins & Mark Ballas — Waltz · “If It’s Over” Tatyana Ali & Jan Ravnik — Jazz · “Fantasy” Tyler Cameron & Sharna Burgess — Foxtrot · “#Beautiful”
DMM Choreography Watch: Four couples draw rumba, making control, sustained movement and emotional phrasing unusually easy to compare across the same episode. Amber Glenn and Pasha Pashkov arrive with a season-high 24 from their Yacht Rock foxtrot; Jenna Dewan/Val Chmerkovskiy and Ezra Frech/Daniella Karagach each scored 21 last week. Harry Shum Jr. and Jenna Johnson move in the opposite direction technically, from a 24-point jive into tango, while Tatyana Ali and Jan Ravnik leave ballroom frame for jazz after their 21-point quickstep.
That distribution gives Week 4 a useful transfer test: can the current leaders preserve their scoring momentum when the movement quality changes? DMM will watch particularly closely for how Glenn translates skating-derived line and control into rumba, how Frech manages slower sustained weight transfer with his running blade, and how Shum handles tango’s frame and attack after the looseness and speed of jive.
Verification: Season 34 alumnus Andy Richter announced the lineup on the Dancing With the Stars Official Podcast. Entertainment Weekly published the complete assignment list on October 1. ABC separately confirms that the 12 remaining couples perform Mariah Carey Night on Tuesday, October 6 at 8 p.m. on ABC and Disney+.
Yacht Rock Night Draws 7.12 Million Viewers — DWTS’s Best Non-Finale Episode in Six Years
ABC’s first Week 3 ratings report shows Season 35 building rather than fading after premiere week.
Disney Entertainment Television reports that the September 29 Yacht Rock Night episode drew 7.12 million viewers in preliminary Nielsen Live+Same Day measurement. ABC says that makes it the show’s most-watched non-finale episode in six years, dating back to the Season 29 premiere on September 14, 2020.
The episode rose 11% over the prior Tuesday’s 6.44 million audience and ranked as the night’s top entertainment program despite competing with the Yankees–Red Sox MLB Wild Card game on NBC.
DMM Audience Watch
This is a stronger signal than the seven-day premiere growth DMM logged on September 30 because it shows momentum continuing into Week 3 on the initial broadcast itself. For dance coverage, that expanding live audience increases the search opportunity around individual routines, choreography decisions and professional-dancer stories immediately after each episode.
Measurement note: The 7.12 million figure is Nielsen National Live+Same Day Preliminary Panel Only data for September 29. It should not be directly compared with the 9.98 million seven-day cross-platform premiere figure as though the measurements are identical.
September 30, 2026 · Evening UpdateRatings · Audience
DWTS Season 35 Premiere Grows to 9.98 Million Viewers Across Seven Days
ABC’s newest seven-day measurement shows the Season 35 Tuesday premiere reaching nearly 10 million viewers across linear and streaming — 17 percent above last season’s premiere.
Disney Entertainment Television reported on September 30 that the September 15 Season 35 Tuesday premiere reached a 9.98 million total cross-platform audience after seven days. ABC says that represents a 17% increase over the Season 34 premiere, which reached 8.50 million viewers on September 16, 2025.
The seven-day figure is also 47% above the episode’s initial 6.77 million Live+Same Day audience. ABC says the 9.98 million result surpassed every Season 34 episode except the finale.
DMM Audience Watch
The important signal is not simply that the premiere approached 10 million viewers. The seven-day lift shows how much of the modern DWTS audience now accumulates beyond the first-night linear number. For DMM, that strengthens the case for treating standout routines, choreography stories and dancer profiles as multi-day search opportunities rather than content whose relevance ends when the live broadcast does.
Measurement note: These numbers should not be mixed with earlier same-day ratings as though they are the same metric. ABC identifies the 9.98 million figure as Nielsen Linear + SCR data based on seven days of viewing from the September 15 linear air date plus streaming first-stream data. The 6.77 million comparison is the initial Live+Same Day audience.
Media rights: Disney’s ratings release includes an Eric McCandless image and states that its press photography is copyrighted, for editorial publicity use only, and may not be archived, altered, duplicated, resold or retransmitted outside the stated terms. DMM has therefore not inserted the image into this replacement without a confirmed authorized press-asset workflow.
September 30, 2026 · 3:47 PM ETChoreography · Production
Jan Ravnik Restores the Quickstep Section DWTS Viewers Missed After Camera Cutaway
A production cutaway during Tatyana Ali and Jan Ravnik’s Week 3 quickstep obscured several seconds of choreography from the television audience. Ravnik has now published the missing section himself.
Ali and Ravnik performed a quickstep to Hall & Oates’ “Maneater” on Yacht Rock Night and earned 21/30. During the routine, however, the broadcast camera moved away from the couple to an audience shot. The missed choreography included the pair hopping across the ballroom before Ravnik executed a full split.
Ravnik subsequently posted footage of the unseen section to his own social channels, explicitly identifying it as the portion viewers did not see during the broadcast. The correction matters because the partnership’s 21/30 represented another measurable step forward after scores of 12/30 and 18/30 in their earlier appearances.
DMM Choreography Lens
Television direction is part of how dance is ultimately experienced. When a live camera leaves the dancers during a competitive phrase, viewers lose information about timing, partnering, transitions and choreographic construction even though the judges in the ballroom still see the complete performance. Ravnik’s post restores that missing visual record and gives audiences a more complete look at a routine that marked Ali’s strongest scoring night so far.
Media check: Ravnik’s own social post is the relevant primary-source footage for the missing section. DMM is not re-hosting or reproducing the clip; the Newsroom documents the correction while preserving the original creator/source context.
September 30, 2026 · Afternoon UpdateVoting · Format
DWTS Executive Producer Explains Why West Coast Viewers Still Have to Vote Before Seeing the Dances
A long-running voting problem is back in focus during Season 35: Pacific-time viewers can participate, but the voting window closes before the delayed West Coast broadcast lets them judge the performances for themselves.
Season 35 is performed in Los Angeles beginning at 5 p.m. PT and reaches Eastern viewers live at 8 p.m. ET. The West Coast television and Disney+ presentation does not begin until 8 p.m. PT. Because voting takes place during the live Eastern/Central broadcast and closes shortly after the final competitive dance, Pacific-time viewers who want their votes counted must generally vote before watching the performances locally.
Executive producer Conrad Green addressed the issue in a new interview with The Hollywood Reporter. Green said the economics and importance of ABC’s local affiliates are a major reason the program is not simply made available at 5 p.m. PT across the West Coast. He acknowledged the frustration and said West Coast viewers can still participate by planning to vote during the earlier live window — effectively voting without having seen that night’s dances.
Why DMM Is Watching This
DWTS combines judges’ scores with viewer voting to determine eliminations. That makes the timing issue more than a streaming inconvenience: a large group of viewers is asked to make the audience-vote half of the competitive decision without first seeing the choreography, technique or performance quality being judged that night. For a dance publication, that disconnect matters. DMM will continue separating popularity-driven voting dynamics from what actually happens on the ballroom floor.
The official voting instructions remain the controlling source for each episode. Viewers should use the DWTS voting portal during the announced live window rather than assume voting remains open through a later local broadcast. This update does not represent a newly announced rule change; it documents the Season 35 system and the executive producer’s explanation for why the West Coast disparity persists.
Media check: No additional image is required for this format explainer. DMM is keeping the Newsroom focused on the voting mechanics and their competitive consequence rather than adding unrelated promotional imagery.
September 30, 2026 · 10:02 AM ETPro Dancer · Elimination
DWTS Pros Rally Around Britt Stewart After Taylor Hanson Elimination
The Yacht Rock Night elimination has developed into a professional-dancer story, with multiple members of the Season 35 ballroom publicly emphasizing Stewart’s work, teaching and unrealized finale potential.
In post-show interviews published by Entertainment Weekly, Sharna Burgess said she wants Stewart to receive the kind of partnership that can carry her to a finale and allow audiences to see a Britt Stewart freestyle. Brandon Armstrong called Stewart an elite dancer and elite professional, while Daniella Karagach described her as a phenomenal teacher. Jan Ravnik likewise praised Stewart as one of the best dancers he has worked with.
The reaction adds context to Taylor Hanson and Stewart’s 18/30 foxtrot elimination. Stewart became the first Black woman to join the DWTS professional roster in Season 29. She has not yet reached a finale; her highest finish remains fifth place with Daniel Durant in Season 31.
DMM Pro Watch: This is why eliminations cannot always be read only through celebrity placement. A professional dancer’s season determines which choreography audiences get to see, how long a teaching partnership can develop and whether that pro reaches late-season formats such as the freestyle. The response from Stewart’s peers turns her Week 3 exit into a broader question about opportunity: how much of a pro’s visible DWTS legacy is shaped by choreography and teaching, and how much depends on the competitive ceiling of the celebrity pairing?
Media check: The reporting includes Disney/Eric McCandless photography from Yacht Rock Night. DMM is retaining the verified credit but is not inserting the still without a confirmed press/publicity download path and editorial-use context.
September 30, 2026 · 10:47 AM ETPro Dancer · Competition
Witney Carson Says Pregnancy Is Not Limiting Her DWTS Run With Guillermo Rodriguez
The reigning Mirrorball-winning pro directly addressed speculation that she wanted her Season 35 partnership to end, saying she is happy to continue and does not feel she is physically overdoing it.
Carson responded on her own social media after viewers interpreted her reactions during recent elimination sequences as disappointment that she and Guillermo Rodriguez were still in the competition. She explained that the expression viewers were seeing was sadness for the couple being eliminated, followed by celebration that she and Rodriguez were safe.
Carson also addressed questions about competing while pregnant with her third child. She said she knows how far to push her body, is following her doctors’ guidance, rests when necessary and does not currently feel physically overextended. She added that the show is willing to provide assistance when needed. Carson said she feels good, though more tired than usual.
DMM Pro Watch: The relevant competition issue is not the rumor itself but Carson’s confirmation that pregnancy is not presently restricting her participation or choreography with Rodriguez. That distinction matters when evaluating the partnership: unless Carson or the production reports a medical limitation, DMM will treat their dance choices as competitive and choreographic decisions rather than assume they are pregnancy-driven.
Rodriguez and Carson scored 15/30 for their Yacht Rock Night foxtrot to “Escape (The Piña Colada Song).” Carson praised his rehearsal work and said he continues practicing even while she is resting. They remain among the 12 couples advancing to Week 4.
Media check: The report includes Disney photography of Carson and the partnership, but DMM is not inserting a still without a verified press/publicity download path and confirmed editorial-use context.
Source: Entertainment Weekly, Sept. 30, 2026 at 10:47 AM ET, reporting Carson’s direct social-media statement.
September 30, 2026 · Morning UpdateFormat · Theme Night
DWTS Announces First-Ever Super Bowl Night for October 13
Season 35 is adding a new theme to the franchise: the remaining couples will dance to music associated with memorable Super Bowl halftime performances.
The announcement was made Wednesday morning on Good Morning America by judge Derek Hough. Super Bowl Night is scheduled for Tuesday, October 13, and will honor the music, spectacle and memorable moments associated with the NFL championship game. It is the first Super Bowl-themed episode in Dancing with the Stars history.
The special arrives during ABC and ESPN’s broader lead-up to Super Bowl LXI, which ABC and ESPN are scheduled to carry on February 14, 2027. Before then, Season 35 continues with Mariah Carey Night on October 6. The announced October schedule also includes Dedication Night on October 20 and Horror Movie Night on October 27.
DMM Choreography Watch: The concept has stronger dance potential than a conventional artist theme because Super Bowl halftime shows are built around large-scale choreography, staging, formations and instantly recognizable performance moments. The key question will be whether DWTS asks its professionals to reference that movement history or simply uses halftime-show songs as a soundtrack. DMM will track the song and dance assignments when ABC releases them.
Media check: The announcement is verified, but no official Week 5 performance footage exists yet. DMM is not inserting third-party imagery or speculative media before an official usable asset is available.
Verification: Announced on Good Morning America, Sept. 30, 2026. The announcement and October 13 date are independently reported by Entertainment Weekly, The Hollywood Reporter and Us Weekly.
September 29, 2026 · 11:21 PM ETWeek 3 · Results
Yacht Rock Night Resets the DWTS Leaderboard as Taylor Hanson and Britt Stewart Are Eliminated
Season 35 is down to 12 couples after a night that produced new season-high scores, two rehearsal injuries and another on-air reminder that judge feedback remains squeezed for time.
ABC News confirms that Taylor Hanson and Britt Stewart became the fourth partnership eliminated from Season 35 after their foxtrot to The Doobie Brothers’ “What a Fool Believes.” The routine earned 18/30. Entertainment Weekly reports that Hanson and Stewart were called out for elimination after landing in the final group with Jackson Olson and Emma Slater and Guillermo Rodriguez and Witney Carson.
The Leaderboard Moved
Amber Glenn & Pasha Pashkov — 24/30: Their foxtrot to Toto’s “Hold the Line” reached a new season-high mark after Glenn accidentally bloodied Pashkov’s nose in rehearsal.
Harry Shum Jr. & Jenna Johnson — 24/30: Their jive to “You Make My Dreams (Come True)” matched the night’s top score and marked a six-point rebound from Shum’s 18/30 Week 2 Viennese waltz.
Tatyana Ali & Jan Ravnik — 21/30: Derek Hough called their quickstep Ali’s breakthrough, specifically praising her footwork. Ezra Frech/Daniella Karagach and Jenna Dewan/Val Chmerkovskiy also scored 21/30.
Injury Watch: Julia Stiles sustained a rib injury while rehearsing lifts with Ezra Sosa. Despite the injury and an emotional rehearsal package following her 16/30 Week 2 tango, Stiles performed the Yacht Rock Night salsa and improved to 19/30. Amber Glenn’s rehearsal collision with Pashkov caused a bloody nose, but Pashkov returned to dance and the partnership went on to score 24/30. DMM will distinguish rehearsal incidents from competition-limiting injuries unless a contestant or the show confirms a continuing medical restriction.
Judging Watch: The Week 2 debate over compressed critiques did not disappear. During Jenna Dewan and Val Chmerkovskiy’s samba, Derek Hough was played off by production music before completing his feedback. Alfonso Ribeiro acknowledged the interruption on-air. Hough had been explaining that Dewan’s choreography was difficult and that he wanted to see her eventually work in a smoother style with more room to breathe. Dewan and Chmerkovskiy received three 7s for 21/30.
DMM Dance Watch: Yacht Rock Night changed the technical picture of the season. Glenn/Pashkov and Shum/Johnson now share the season-high score at 24, while the five-foxtrot slate made differences in frame, travel and control easier to compare. Frech/Karagach remained competitive at 21 while translating the running-blade mechanics DMM has been tracking into foxtrot. The most important Week 3 story is therefore larger than the elimination: the early leaderboard is beginning to separate according to how quickly partnerships can transfer technique from one dance family to another.
Media check: ABC News and Entertainment Weekly published Disney/ABC photography from the episode, but DMM is not inserting a still without a verified press/publicity download path and confirmed editorial-use context. No unverified social-media rip has been added.
September 25, 2026 · Verified Follow-UpJudges · Format
Carrie Ann Inaba Adds the Feedback She Couldn’t Give Giada De Laurentiis on Air
Inaba’s post-show comments extend the Week 2 debate over DWTS’ one-word judging format.
After Viral Hits Night, Carrie Ann Inaba wrote that she was disappointed she could not give Giada De Laurentiis fuller feedback during the broadcast. She expanded on the one-word critique by praising De Laurentiis for entering the ballroom as a true beginner and for the courage and joy she brought to learning.
DMM Analysis: The follow-up reinforces why critique time matters. A one-word reaction may keep a live broadcast moving, but it can erase the technical and developmental context that helps viewers understand what a beginner actually accomplished. DMM will watch whether normal-length comments return with 13 couples.
DWTS Week 3 Yacht Rock Night: All 13 Songs and Dance Styles Are Set
ABC/Disney has confirmed the complete September 29 slate for the 13 remaining couples.
Yacht Rock Night airs Tuesday, Sept. 29, from 8–10 p.m. ET/PT on ABC and Disney+, with next-day streaming on Hulu. The official assignments are:
Couple
Dance
Song
Amber Glenn & Pasha Pashkov
Foxtrot
“Hold the Line” — Toto
Taylor Hanson & Britt Stewart
Foxtrot
“What a Fool Believes” — The Doobie Brothers
Harry Shum Jr. & Jenna Johnson
Jive
“You Make My Dreams (Come True)” — Daryl Hall & John Oates
Guillermo Rodriguez & Witney Carson
Foxtrot
“Escape (The Piña Colada Song)” — Rupert Holmes
Jackson Olson & Emma Slater
Paso Doble
“Easy Lover” — Philip Bailey & Phil Collins
Tatyana Ali & Jan Ravnik
Quickstep
“Maneater” — Daryl Hall & John Oates
Ezra Frech & Daniella Karagach
Foxtrot
“Just the Two of Us” — Grover Washington Jr., featuring Bill Withers
Tyler Cameron & Sharna Burgess
Jive
“Still the One” — Orleans
Connor Wood & Rylee Arnold
Foxtrot
“Everywhere” — Fleetwood Mac
Maura Higgins & Mark Ballas
Quickstep
“Turn Your Love Around” — George Benson
Ciara Miller & Brandon Armstrong
Cha Cha
“Never Too Much” — Luther Vandross
Jenna Dewan & Val Chmerkovskiy
Samba
“Africa” — Toto
Julia Stiles & Ezra Sosa
Salsa
“I Can’t Go for That (No Can Do)” — Daryl Hall & John Oates
ABC/Disney also says Yacht Rock Night will include additional professional and troupe performances to “This Is It” by Kenny Loggins, “Love Will Keep Us Together” by Captain & Tennille and “Baby Come Back” by Player. The release does not identify which troupe dancers will appear in those numbers.
DMM Analysis: The distribution is unusually ballroom-heavy: five foxtrots and two quicksteps put frame, travel and continuity at the center of the night, while the jive, salsa, samba, cha-cha and paso doble assignments create useful contrast. The additional troupe numbers also give DMM a concrete professional-dancer development watchpoint without assuming the lineup before ABC names it. DMM will not post Week 3 scores until the dances have aired and the results are verified.
September 24, 2026 · Verified UpdateChoreography · Pros
Pasha Pashkov and Daniella Karagach Put Two Athlete Partnerships Atop DWTS Week 2
Amber Glenn and Ezra Frech each reached 21/30 with choreography from the married professional-dance partners.
Good Morning America highlighted the Week 2 performances of Olympic champion Amber Glenn with Pasha Pashkov and Paralympic champion Ezra Frech with Daniella Karagach. Both couples scored 21/30 and shared the night’s top score with Jenna Dewan and Val Chmerkovskiy. The report also notes Pashkov and Karagach’s long competitive partnership and championship background.
DMM Analysis: The parallel is worth tracking because the athletes bring very different movement systems into ballroom. The professional task is not simply to showcase athleticism; it is to reshape skating glide and track-and-field power into dance-specific weight transfer, partnering and musical structure.
September 23, 2026 · 10:57 PM ETTechnique · Accessibility
Ezra Frech Explains Why He Dances on a Running Blade That Makes Cha-Cha More Unstable
Frech has explained the equipment choice behind one of Season 35’s most distinctive movement challenges.
Ezra Frech said he is choosing his running-blade prosthetic for DWTS rather than his walking leg. The blade is designed around high-speed running mechanics and can leave him less stable in stationary or dance-specific movement, creating a different balance problem for ballroom and Latin choreography.
DMM Analysis: That detail changes how the audience can read the work. The technical question is not whether Frech can reproduce another dancer’s mechanics exactly; it is how he and Daniella Karagach build clear rhythm, weight changes, partnering and performance around the mechanics available to him.
Derek Hough Responds After DWTS Viewers Push Back on One-Word Judge Critiques
The Week 2 timing device became a post-show discussion after viewers questioned how much useful feedback was being lost.
Derek Hough addressed criticism of the one-word judging rule used during Viral Hits Night. The rule compressed one judge’s response after each routine while the field still contained 14 couples, allowing the two-hour live show to move more quickly.
DMM Analysis: The production problem is understandable, but the dance cost is real: less time means fewer explanations of timing, frame, footwork, weight placement and performance choices. With the field now down to 13, Week 3 becomes the first test of whether the format was temporary.
September 23, 2026 · Official RatingsRatings · Audience
ABC Says DWTS Season 35’s Two-Night Premiere Was the Show’s Most-Watched Premiere in Six Years
ABC/Disney’s updated Nielsen release puts Night 2 at 6.44 million viewers and the revised Night 1 audience at 6.77 million.
According to ABC/Disney Television Press, Premiere Night 2 drew 6.44 million total viewers and a 1.32 rating among adults 18–49. The network’s updated figure for Night 1 is 6.77 million viewers with a 1.44 adults 18–49 rating. ABC says the two-night average represents the show’s most-watched premiere in six years.
DMM Analysis: The ratings do not tell us which dance stories are driving individual viewers, but they do establish that Season 35 opened with a large live audience. That makes the show’s treatment of technique, professional dancers and developmental arcs especially relevant to DMM’s coverage.
September 23, 2026 · 3:22 PM ETPro Perspective · Performance
Daniella Karagach Says Ezra Frech’s DWTS Crowd Reaction Is Something She Hasn’t Heard “in Years”
The pro dancer described the ballroom response surrounding Frech as unusually strong early in the season.
After Frech’s early Season 35 performances, Daniella Karagach described the in-room audience response as exceptional compared with what she has heard in recent years. Frech and Karagach then reached 21/30 on Viral Hits Night, tying for the Week 2 lead.
DMM Analysis: Crowd reaction is not a score and it is not a vote count, so DMM keeps it separate from competitive standing. What it does tell us is that this partnership is producing a strong live-room response while also progressing technically.
September 23, 2026 · 1:31 PM ETRehearsal · Behind the Scenes
Maura Higgins Broke Mark Ballas’ Tooth During a DWTS Week 2 Spin Rehearsal
A rehearsal mishap became a reminder of the physical precision required when speed and partnering increase.
Maura Higgins revealed that she accidentally chipped or broke part of Mark Ballas’ tooth during a Week 2 rehearsal spin. Ballas continued preparing the routine, and the pair later performed their Viral Hits Night dance.
DMM Analysis: The incident is more than backstage trivia when read through a dance lens: rotational timing, spacing and partner awareness have real physical consequences. DMM will keep rehearsal stories when they illuminate the work behind what viewers see on the floor.
September 23, 2026 · Afternoon ETPerformance · Choreography
Jenna Johnson Explains the Choice Behind Harry Shum Jr.’s Viral “Iris” Scream on DWTS
The Week 2 performance moment was intentional choreography built around emotional release rather than an accident in the routine.
Harry Shum Jr. and Jenna Johnson explained the vocal moment inside their Week 2 routine to “Iris.” The scream was part of the performance concept and tied to the emotional release they wanted the routine to communicate.
DMM Analysis: This is the kind of choreographic detail DMM wants to preserve: a memorable moment works best when it is connected to the dance’s dramatic structure rather than added only for virality. The next test is whether theatrical choices continue to support, rather than obscure, ballroom technique.
September 23, 2026 · Verified UpdateFormat · Judges
DWTS Used One-Word Judge Reactions to Keep Viral Hits Night on Schedule
With 14 couples still performing, Season 35 temporarily compressed part of the judges’ critique to keep the live show moving.
ABC-owned On The Red Carpet reports that the third judge speaking after each Viral Hits Night performance was asked to summarize the critique in one word so the broadcast could stay on schedule. The judges sometimes stretched the rule for humor, but the production change was visible throughout the episode.
DMM Analysis: This is a small format adjustment with a real dance consequence: when critique time shrinks, viewers hear less technical explanation about frame, timing, footwork and performance quality. As the field gets smaller, DMM will watch whether fuller judging commentary returns.
September 23, 2026 · Verified UpdateScores · Performances
Jenna Dewan, Ezra Frech and Amber Glenn Tie for the DWTS Week 2 Lead at 21/30
Viral Hits Night reset the top of the Season 35 judges’ leaderboard, with three partnerships sharing first place.
Jenna Dewan and Val Chmerkovskiy scored 21/30 for their jive, Ezra Frech and Daniella Karagach scored 21/30 for their cha-cha, and Amber Glenn and Pasha Pashkov scored 21/30 for their tango. ABC-owned coverage specifically praised Pashkov’s tango choreography in the judges’ comments, while all three couples received three 7s.
DMM Analysis: The Week 2 tie matters because the premiere did not produce one stable front-runner. Dewan improved from 19/30 to 21/30, while Harry Shum Jr. moved from 21/30 to 18/30 and Maura Higgins from 21/30 to 19/30. The early leaderboard is moving with the dance assignment, not simply following celebrity dance background.
September 22, 2026 · 10:00 PM ETElimination · Week 2
Giada De Laurentiis & Alan Bersten Eliminated on DWTS Viral Hits Night
The celebrity chef became Season 35’s third elimination after a salsa that left her tied at the bottom of the judges’ scoreboard.
Giada De Laurentiis and professional partner Alan Bersten were eliminated on September 22 after performing a salsa to Becky G’s “Bella Ciao.” They received 4s from Carrie Ann Inaba, Derek Hough and Bruno Tonioli for a total of 12/30. ABC News confirms the elimination; ABC-owned On The Red Carpet confirms the score and reports that Guillermo Rodriguez and Witney Carson also scored 12/30.
DMM Analysis: De Laurentiis entered Week 2 already managing the broken-toe story DMM had been tracking. Viral Hits Night became the point where the injury context, a difficult salsa and the combined judges’-score/viewer-vote format converged. The public results establish who went home; they do not disclose the underlying vote totals.
September 21, 2026 · Evening UpdateVoting · Next Pro
Adele Zaikman Addresses the DWTS Voting Failure After Her Season 35 Elimination
The first winner of The Next Pro is now speaking directly about the premiere-night voting problem that coincided with her and Conner Leavitt’s elimination.
Zaikman said on Fire Chats: The Mindfire Pod that she was disappointed her first flagship-season partnership ended after one routine, while accepting that elimination is part of the competition. Asked about the premiere voting problem, she acknowledged that “maybe the voting issue made it complicated” and said she is focused on moving forward rather than trying to relitigate a result she cannot change.
The context matters. ABC’s online voting system failed during Night 1, leaving text voting as the available viewer-vote method. Conner Leavitt also shared a nearly identical first name with fellow contestant Connor Wood, requiring voters to distinguish between the two text keywords. Leavitt and Zaikman scored 12/30 and were eliminated; Guillermo Rodriguez and Witney Carson scored 10/30 and advanced.
What This Does Not Prove
Zaikman did not say the voting failure caused the elimination, and the public record still cannot establish that a functioning online ballot would have produced a different result. DMM’s original accuracy guardrail remains unchanged.
DMM Analysis — The Story Has Moved From Fan Theory to Participant Response
The searchable development is not a claim that the wrong couple went home. It is that the professional dancer at the center of Season 35’s first elimination has now addressed the system failure herself. That gives the existing voting story a new primary participant perspective while preserving the distinction between a documented technical failure and an unknowable alternate result. It also adds another data point to DMM’s Next Pro career watch: Zaikman’s first flagship partnership ended immediately, but her Season 35 work continues through the troupe.
ABC Confirms Season 35 Runs Through Nov. 24 — With Disney Night Moving to Monday, Nov. 2
The theme-night roadmap now has an official broadcast-calendar wrinkle: one November episode leaves the show’s regular Tuesday slot.
ABC’s official viewing guide now confirms that Dancing with the Stars Season 35 continues through Tuesday, Nov. 24, 2026. It also confirms a one-week schedule change: the show will simulcast live on Monday, Nov. 2, instead of Tuesday, Nov. 3, before returning to Tuesdays on Nov. 10.
That Nov. 2 broadcast aligns with the Disney Night position announced in the season’s official theme-night sequence. The remaining roadmap therefore places Grammy Night on Nov. 10, the semifinals on Nov. 17 and the finale on Nov. 24. Week 5 on Oct. 13 remains the one theme slot not yet identified in the official theme announcement.
DMM Analysis — A Calendar Change Worth Flagging Early
For readers following the competition week to week, the important detail is practical: Disney Night is not in the normal Tuesday slot. For DMM’s coverage plan, Nov. 2 also becomes a special live-production night followed by an eight-day gap before Grammy Night. The larger choreography questions remain unchanged, but the confirmed calendar lets the Newsroom distinguish official dates from theme speculation and plan the late-season coverage arc through the Nov. 24 finale.
September 19, 2026 · 8:01 PM ETPro Desk · Career Development
Adele Zaikman & Hailey Bills Stay in the Ballroom: Both First-Time Pros Move Into Season 35 Troupe Work
The premiere eliminated both of Season 35’s first-time celebrity-paired pros first. Their professional season, however, is not over.
Carrie Ann Inaba has addressed the unusual Week 1 result after Adele Zaikman and Hailey Bills became the first two professional dancers eliminated with their celebrity partners. Zaikman entered the flagship cast by winning Dancing with the Stars: The Next Pro; Bills moved up after troupe work and the live tour. Inaba called the coincidence sad but framed it as part of their development, saying both dancers have significant potential.
The more important professional update is what happens next: reporting following the premiere says Zaikman and Bills will continue performing with the Season 35 troupe, keeping them inside the broadcast ecosystem even though Conner Leavitt and Sarah Jane Nader are out of the competition. That gives DMM’s Next Pro tracker its first concrete post-elimination data point.
DMM Analysis — Elimination Did Not End the Professional Opportunity
This is the distinction DMM has been waiting to measure. A celebrity elimination ends a partnership; it does not necessarily end a professional dancer’s access to the show. For Zaikman, the first winner of The Next Pro, troupe appearances can now show whether the franchise is building a longer professional pipeline rather than treating the prize as a single pairing. Bills provides a useful comparison because her route ran in the opposite direction — troupe and tour first, celebrity partnership second, then back to troupe work. Screen time, featured choreography, tour placement and future pairings will tell us more than Week 1 survival alone.
September 19, 2026 · 2:01 AM ETPro Desk · Judging / Development
Witney Carson Pushes Back on Guillermo Rodriguez’s 10/30 — as He Commits to Learning the Paso Doble
The reigning Mirrorball-winning pro says two of Guillermo’s premiere scores were too harsh. More important for DMM’s development tracker: the contestant who initially wanted to go home now says he wants to learn and improve.
On the Dancing with the Stars Official Podcast, Witney Carson challenged the two 3s Guillermo Rodriguez received from Derek Hough and Bruno Tonioli for his Night 1 cha-cha. The 10/30 total was the lowest score of the Season 35 premiere, but viewer support kept the pair in the competition.
Rodriguez also revealed that before the season began he repeatedly said he wanted to go home. Surviving Week 1 changed the assignment: he now says he wants to learn how to dance, practice and do better in Week 2. Carson said his rehearsal commitment has increased. Their next test is a Paso Doble on Viral Hits Night.
DMM Analysis — The Score Is Now a Baseline
The judging disagreement is useful because Week 2 can test it. Guillermo’s 10/30 established an unusually low technical baseline, while audience response showed that entertainment value and connection can keep a contestant alive. Paso Doble demands clearer posture, shaping, attack and intentional movement than his premiere cha-cha displayed. If Carson can turn his new willingness to rehearse into visible technical improvement, the story moves from whether 3s were too harsh to whether the scoring produced measurable development.
September 19, 2026 · 12:45 AM ETPro Desk · Choreography / Format
Derek Hough Explains the Premiere Solos: They Filled DWTS’ Live Vote-Tally Window
A viewer question about why Derek and Julianne Hough received showcase dances produced a useful look at how live DWTS television is built around the competition.
Derek Hough says the Hough siblings’ solo showcases during the two-night Season 35 premiere were used to fill roughly three minutes while the live vote was being tallied. With the competing professional dancers occupied with their celebrity partners, Julianne performed a Paris-themed jazz number on Night 1, while Derek danced a Paso Doble with Hayley Erbert Hough on Night 2.
Derek also clarified that his Paso Doble was newly choreographed for the television broadcast. It drew inspiration from material associated with the couple’s Symphony of Dance tour, but he said the ballroom number itself was created for the show.
DMM Analysis
This is more than a response to social-media criticism. It exposes a piece of the live-show architecture: choreography can function as broadcast infrastructure. The three-minute tally window has to remain entertaining while results are processed, and a self-contained professional showcase gives production a performance that does not disrupt a celebrity partnership preparing for competition. Derek’s clarification also matters editorially because it separates a television-specific Paso Doble from recycled tour choreography.
Also on the pro desk: Emma Slater revealed a painful big-toe/nail injury after Week 1 but remains in competition with Jackson Olson. DMM has added her to Injury Watch alongside Giada De Laurentiis.
Cha-cha: Ezra Frech & Daniella Karagach; Taylor Hanson & Britt Stewart; Maura Higgins & Mark Ballas.
Salsa: Giada De Laurentiis & Alan Bersten; Tyler Cameron & Sharna Burgess.
Foxtrot: Tatyana Ali & Jan Ravnik; Jackson Olson & Emma Slater. Jive: Jenna Dewan & Val Chmerkovskiy. Viennese waltz: Harry Shum Jr. & Jenna Johnson. Paso doble: Guillermo Rodriguez & Witney Carson.
Notable music assignments include Billie Eilish’s “What Was I Made For?” for Tatyana Ali’s foxtrot, Goo Goo Dolls’ “Iris” for Harry Shum Jr.’s Viennese waltz, KATSEYE’s “Animal” for Jenna Dewan’s jive, Teddy Swims’ “The Door” for Julia Stiles’ tango, and Earth, Wind & Fire’s “September” for Maura Higgins’ cha-cha.
DMM Analysis — What to Watch
Week 2 begins to separate performance personality from ballroom development. Harry Shum Jr. moves from cha-cha into Viennese waltz, testing sustained frame and rotation rather than groove. Maura Higgins moves from the foxtrot that tied for the Week 1 lead into cha-cha, exposing a different kind of weight transfer and hip action. Giada De Laurentiis faces salsa while managing a broken toe, making foot pressure and safe choreography especially important. Four tangos also give viewers a useful same-night comparison of frame, intention and partnership across celebrities with very different movement backgrounds.
Verification: ABC released the Week 2 assignments for the September 22 Viral Hits Night. The full pairings were reported September 18 by Entertainment Weekly and Us Weekly.
September 18, 2026 · Midday UpdateNews · Performances
DWTS Reveals the Season 35 Theme-Night Roadmap: Mariah Carey, Yacht Rock, Disney and More
The schedule now gives the professionals a map of the musical and storytelling constraints they will have to solve across the season.
The full Season 35 theme-night lineup was announced September 18 on the Official DWTS Podcast, hosted by Season 34 alumnus Andy Richter. Week 2 is Viral Hits, followed by Yacht Rock in Week 3 and Mariah Carey Night in Week 4. Week 5 remains TBA. The back half includes Dedication Night (Week 6), Horror Movie Night (Week 7), Disney Night (Week 8), Grammy Night (Week 9), the Semi-Finals (Week 10) and the Finale (Week 11).
DMM Analysis
Theme nights are choreography problems before they are television themes. A pro has to preserve recognizable ballroom technique while fitting a specific artist, genre, character world or emotional premise. Mariah Carey Night raises questions of musical phrasing and song fit across ballroom styles; Yacht Rock asks for restraint and groove without flattening technique; Horror Movie and Disney nights add character storytelling; Grammy Night widens the musical palette. DMM will track which choreographers make the theme serve the dance rather than letting production overwhelm it.
Verification: The lineup was announced on the Official DWTS Podcast on Sept. 18 and reported as ABC’s Season 35 theme schedule by Us Weekly. Week 5 remains unannounced; DMM will not speculate on its theme.
September 18, 2026 · 11:36 AM ETInjury Watch · Verified
Giada De Laurentiis Reveals She Danced the Season 35 Premiere With a Broken Toe
The injury DMM was already tracking as a bruised toe was more serious: De Laurentiis says Alan Bersten’s knee landed on her foot in rehearsal and broke her middle toe before her Night 2 tango.
De Laurentiis still performed the tango to Shocking Blue’s “Venus” on September 16 and received 16/30. Entertainment Weekly reports that she had been managing the injury with ice and Epsom salt for eight days. Bersten described his partner as a fighter for continuing through the pain.
DMM Analysis
This matters beyond an injury headline. A broken toe directly affects weight transfer, balance, push-off and the ability to articulate the foot — fundamentals that ballroom judges read as technique. Giada completed the premiere, but Week 2 will show whether Alan Bersten has to modify choreography or training load around an injury that can influence exactly the mechanics the judges score.
Maura Higgins Tops Night 2 With 21/30; Sarah Jane Nader & Hailey Bills Eliminated
The two-night Season 35 premiere is complete. Fourteen couples advance, and DMM now has a full opening-week scorecard.
Maura Higgins and Mark Ballas led the women’s premiere field with a 21/30 foxtrot to Alannah Myles’ “Black Velvet.” Jenna Dewan and Val Chmerkovskiy followed with 19/30 for a tango to Blondie’s “Call Me,” while Amber Glenn with Pasha Pashkov and Julia Stiles with Ezra Sosa each earned 18/30.
Morning Verification · Sept. 17
ABC7’s published Night 2 recap confirms Giada De Laurentiis and Alan Bersten scored 16/30 (6, 5, 5), correcting the earlier 17/30 figure. It also confirms online voting was restored for Night 2. Next week’s theme is Viral Hits Night, with the series returning Tuesday at 8 PM ET on ABC and Disney+.
Couple
Style
Song / Artist
Score
Maura Higgins & Mark Ballas
Foxtrot
“Black Velvet” — Alannah Myles
21/30
Jenna Dewan & Val Chmerkovskiy
Tango
“Call Me” — Blondie
19/30
Amber Glenn & Pasha Pashkov
Cha-cha
“Smooth” — Santana feat. Rob Thomas
18/30
Julia Stiles & Ezra Sosa
Quickstep
“9 to 5” — Dolly Parton
18/30
Giada De Laurentiis & Alan Bersten
Tango
“Venus” — Shocking Blue
16/30
Ciara Miller & Brandon Armstrong
Foxtrot
“Exhale (Shoop Shoop)” — Whitney Houston
15/30
Sarah Jane Nader & Hailey Bills
Jive
“Sk8er Boi” — Avril Lavigne
14/30
Tatyana Ali & Jan Ravnik
Jive
“Knock on Wood” — Amii Stewart
12/30
The final three couples awaiting the result were Giada De Laurentiis and Alan Bersten, Sarah Jane Nader and Hailey Bills, and Tatyana Ali and Jan Ravnik. Sarah Jane Nader and Hailey Bills were eliminated after their 14/30 jive to Avril Lavigne’s “Sk8er Boi.” ABC News confirms that 14 couples remain after the two-night premiere.
DMM Analysis
The premiere’s clearest technical story is that prior dance experience did not create a single hierarchy. Jenna Dewan brought professional dance credentials and scored 19/30, Julia Stiles scored 18/30, while Maura Higgins — without the same professional dance background — led Night 2 at 21/30. The first week gives DMM a baseline, not a conclusion.
The second story is structural. Two couples are already gone after one routine each. Season 35 now moves into its regular Tuesday schedule with fourteen partnerships still developing.
ABC Says the Season 35 Premiere Drew 6.67 Million Viewers — the Show’s Biggest Premiere Audience in Six Years
The first-night audience grew 24% from the Season 34 premiere, according to ABC’s release citing Nielsen preliminary panel data.
ABC reported 6.67 million total viewers for the September 15 Season 35 premiere, up 24% from 5.38 million for the Season 34 premiere. ABC also reported a 1.48 Adults 18–49 rating, up 40% year over year. The network described it as the show’s biggest premiere audience since Season 29 in 2020.
Conner Leavitt & Adele Zaikman Eliminated After DWTS Online Voting Fails on Night 1
The first Season 35 result also became the first real test of the new premiere format — and of The Next Pro pipeline.
Conner Leavitt and new professional Adele Zaikman were eliminated at the end of the September 15 Season 35 premiere after scoring 12/30 for their salsa to “Whoomp! (There It Is).” Harry Shum Jr. and Jenna Johnson led the men’s field with 21/30 for their cha-cha to “Let’s Groove.”
The result came on a night when the show announced a failure of its online voting system. Viewers were directed to vote by text, and the online votes were not used for Night 1. ABC-owned coverage reported that the hosts nevertheless announced more than double the votes received for last season’s premiere, despite only eight couples competing on the first night.
What We Can — and Cannot — Say
The voting failure is verified, and the elimination is verified. DMM cannot establish that the outage changed who went home. Judges’ scores and viewer voting are combined, but the counterfactual result of a fully functioning online vote is unknowable from the public evidence.
DMM Analysis
For Adele Zaikman, the result makes DMM’s pipeline question immediate. The Next Pro successfully produced a working Season 35 professional, but her first celebrity partnership lasted one televised routine. That does not erase the contract she earned; it shifts the question to what the franchise provides next — troupe appearances, choreography, tours, teaching visibility or another future partnership.
For the competition itself, Night 1 demonstrates why immediate elimination changes the meaning of a premiere. Conner received technical criticism for timing and refinement, but there is no second week in which teacher and student can apply those corrections. The format measures opening-night readiness more heavily than the traditional growth arc.
Season 35 Opens With Immediate Eliminations — Every First Dance Has Consequences
A two-night premiere splits the cast into separate men’s and women’s fields, and both nights end with someone going home.
Season 35 opens September 15 and 16, 2026, with the cast divided by night: male celebrities dance first, female celebrities follow on night two. One male and one female celebrity are eliminated during premiere week — the first premiere-week elimination format of this kind since 2018. Sixteen celebrity and professional partnerships are competing.
Mark Ballas publicly noted the unusual competitive dynamic created by splitting the cast into two separate fields. It is a real structural change: couples are no longer judged against the full season lineup on opening night, but against half of it.
Dancing with the Stars has always sold growth: the untrained celebrity who cannot find their frame in week one and is dancing a competent rumba by week six. Immediate elimination sits in tension with that premise. A partnership can end after a single judged routine, before the teaching relationship has had time to produce anything.
The question DMM is asking: how much can one routine actually tell us about a brand-new dance partnership? There is also a scheduling wrinkle worth noting — Harry Shum Jr. performs on the men’s night while Jenna Dewan and Julia Stiles perform on the women’s night, so the three subjects of DMM’s prior-dance-experience analysis are never evaluated in the same opening field.
The Next Pro Returns to the Ballroom — But Only Adele Zaikman Has the Job
A reunion performance is exposure. A professional contract is employment. Season 35 is where that difference gets tested.
Adele Zaikman won the first season of Dancing with the Stars: The Next Pro, and her prize was a professional position on Season 35. ABC’s Season 35 cast materials list her as Conner Leavitt’s professional partner — the contract is real and it is documented.
Premiere reporting also indicates that Zaikman, Allen Genkin, Selena Hamilton and Erik Linder prepared a reunion performance. DMM is not describing Genkin, Hamilton or Linder as newly hired Season 35 professionals. Appearing in a reunion number is not the same as being employed by the show, and unless ABC separately announces employment, this page will not blur the two.
DMM Analysis
The open question is whether The Next Pro becomes a genuine career pipeline or functions mainly as a casting mechanism for a single vacancy. Over the next twelve months DMM is tracking the things that actually constitute a dance career: troupe employment, tour work, choreography credits, teaching, recurring DWTS appearances and outside professional opportunities.
Twelve dancers. One contract. One season to find out which it was. The premiere reunion does not settle that question — it postpones it.
Alfonso Ribeiro Sees Harry Shum Jr., Jenna Dewan and Julia Stiles as Early Season 35 Contenders
The host is naming names before a single score is read — and he has stood where these celebrities are standing.
Speaking around the 2026 Emmy period, Alfonso Ribeiro discussed Season 35 and singled out experienced performers he expects to be strong, naming Harry Shum Jr., Jenna Dewan and Julia Stiles, while also noting that other cast members have impressed him.
Treat this as preseason expectation, not evidence. Hosts see rehearsal footage and rehearsal footage flatters everyone. What it does establish is where the conversation starts: three contestants arrive already carrying a dance reputation.
DMM Analysis
Ribeiro is his own counterexample and his own proof. Celebrity contestant, Season 19 champion, now host — an arc that says prior performance training can matter enormously, and also that the ballroom rewrites what a performer thinks they already know. DMM has published a dedicated analysis of whether previous dance experience creates a real advantage. His comments are a useful preseason marker to test it against, not a verdict.
Harry Shum Jr. Is the First Test of Season 35’s Dance-Experience Debate
Training gives a dancer a floor. The ballroom decides what it does not give him automatically.
Harry Shum Jr. is partnered with professional dancer Jenna Johnson for Season 35. Photo: Disney/Andrew Eccles.
Harry Shum Jr. is partnered with Jenna Johnson and brings substantial dance and choreography experience into the competition. He performs during the men’s premiere night; Jenna Dewan and Julia Stiles perform during the women’s night, which means the season’s most-discussed experience question opens on two separate evenings.
DMM has already laid out what previous training may give Harry. The premiere is where we start learning what it does not hand him — ballroom frame, partner connection under a judge’s eye, Latin hip action, and the specific discipline of dancing someone else’s choreography in a televised competition format.
Night 1 result: Harry Shum Jr. and Jenna Johnson danced a cha-cha to Earth, Wind & Fire’s “Let’s Groove” and received 7s from Carrie Ann Inaba, Derek Hough and Bruno Tonioli for 21/30 — the highest judges’ total of the men’s premiere field. Inaba praised Harry’s electricity while cautioning against overexaggeration and emphasizing the required technique; Tonioli highlighted the partnership’s chemistry.
DMM checkpoint: the first evidence supports the distinction this tracker was built to test. Performance confidence and musicality transferred immediately; ballroom/Latin specificity remains the work.
DMM Analysis
Prior training tends to show up first as confidence and musicality, and it tends to fail first at frame and partnering. Those are the two places DMM will be watching. A trained body can also carry habits that read beautifully in commercial choreography and read as errors in ballroom — and premiere night, under an immediate elimination format, is an unforgiving place to discover the difference.
Head Bumps, Drops and a Bruised Toe: Season 35 Rehearsals Are Already Taking a Toll
Before the first score is read, the professionals are managing bodies that have never done this work before.
Maura Higgins and Mark Ballas bumped heads during rehearsal. Tyler Cameron and Sharna Burgess also knocked heads while working through a trick that involved a drop. Giada De Laurentiis sustained a bruised toe while preparing with Alan Bersten, and Ciara Miller has discussed significant soreness during training. Current reporting does not establish that any of these issues will prevent a couple from competing.
DMM Analysis
The easy version of this story is an injury roundup. The real story is the invisible labor of the professional dancer. Every one of these incidents happened inside a job most viewers never see: teaching an untrained adult body, choreographing to that body’s limits, partnering safely through lifts and drops, pacing a rehearsal week so the celebrity peaks on camera rather than on Thursday.
Risk management is part of the professional’s craft, not an interruption of it. When a pro pulls a trick back, redesigns a transition or slows a rehearsal, that judgment is the skill.
DWTS Opens Season 35 With Five Emmy Nominations and Renewed Industry Momentum
Recognition is context for the new season, not the headline of it.
Dancing with the Stars received five 2026 Emmy nominations, including Outstanding Reality Competition Program — its first nomination in that major category in a decade. Alfonso Ribeiro publicly celebrated the recognition and emphasized the volume of work behind a live production.
Accuracy Note
The Traitors won Outstanding Reality Competition Program at the 2026 Emmys. Dancing with the Stars was a nominee in that category, not the winner. Any DMM coverage of this milestone must say nominated, never won.
DMM Analysis
A decade-long absence from that category ending says something about where the franchise sits in the industry again. The question Season 35 has to answer is whether it can carry that momentum without sanding down the element that earned it — the visible development of a dancer over a season. Recognition rewards spectacle quickly. Teaching takes longer and shows up later.
The questions readers ask most, answered from the verified entries above.
Who went home on Dancing with the Stars? Every Season 35 elimination so far
Six couples have gone home. Week 1, Night 1 (Sept. 15): Conner Leavitt & Adele Zaikman. Week 1, Night 2 (Sept. 16): Sarah Jane Nader & Hailey Bills. Week 2, Viral Hits Night (Sept. 22): Giada De Laurentiis & Alan Bersten. Week 3, Yacht Rock Night (Sept. 29): Taylor Hanson & Britt Stewart. Week 4, Mariah Carey Night (Oct. 6): Ciara Miller & Brandon Armstrong. Week 5, Super Bowl Night (Oct. 13): Guillermo Rodriguez & Witney Carson. Week 6, Dedication Night (Oct. 20): no elimination. Two couples will be eliminated on Horror Movie Night (Oct. 27).
Who is still on DWTS? The Dancing with the Stars 2026 cast after Week 6
Ten couples remain: Amber Glenn & Pasha Pashkov, Connor Wood & Rylee Arnold, Ezra Frech & Daniella Karagach, Harry Shum Jr. & Jenna Johnson, Jackson Olson & Emma Slater, Jenna Dewan & Val Chmerkovskiy, Julia Stiles & Ezra Sosa, Maura Higgins & Mark Ballas, Tatyana Ali & Jan Ravnik, and Tyler Cameron & Sharna Burgess. No one was eliminated in Week 6, and Alan Bersten partnered Jenna Dewan that week.
DWTS scores and leaderboard: who scored highest in Week 6?
Week 6 was scored out of 40 with guest judge Kym Johnson-Herjavec. Amber Glenn & Pasha Pashkov led with 38/40, followed by Jenna Dewan & Alan Bersten and Ezra Frech & Daniella Karagach at 37/40. Tatyana Ali, Tyler Cameron, Jackson Olson and Connor Wood tied for the lowest score at 32/40, and no one was eliminated. Read the Week 6 results. In Week 5, Jenna Dewan & Val Chmerkovskiy and Ezra Frech & Daniella Karagach tied for first at 36/40, followed by Amber Glenn & Pasha Pashkov at 34/40. Guillermo Rodriguez & Witney Carson scored 22/40 and were eliminated. In Week 4, Maura Higgins & Mark Ballas led with 25/30. Read the Week 5 results · All 11 Week 5 scores.
DWTS Dedication Night and Horror Movie Night: what are the songs and dances?
Week 6, Dedication Night, aired Oct. 20 with four contemporary routines, three Viennese waltzes, a foxtrot, a quickstep and a paso doble, each honoring someone important to the celebrity. See every Dedication Night song and tribute. Week 7 Horror Movie Night songs were revealed Oct. 22 on the official DWTS podcast: three Argentine tangos (Amber Glenn, Jenna Dewan, Julia Stiles), four contemporary routines (Maura Higgins, Jackson Olson, Harry Shum Jr., Connor Wood), Tatyana Ali’s paso doble, Tyler Cameron’s Viennese waltz and Ezra Frech’s jazz. See every Week 7 song, dance and film. Earlier, Week 5 aired live Tuesday, Oct. 13, at 8 p.m. ET with 11 couples dancing to songs associated with Super Bowl halftime performances. ABC has confirmed four salsas, three sambas, two jazz routines, one tango and one paso doble, plus an opening medley and professional/troupe numbers. Joe Buck joins Carrie Ann Inaba, Derek Hough and Bruno Tonioli as guest judge. See the official Week 5 songs and dances (forthcoming).
When is Dancing with the Stars on, and how do I watch?
Season 35 airs live on Tuesdays at 8 p.m. ET on ABC and Disney+ and streams the next day on Hulu. The exception is Disney Night, which moves to Monday, Nov. 2. The semifinals are scheduled for Nov. 17 and the finale for Tuesday, Nov. 24.
How do I vote on Dancing with the Stars, and what is the text number?
Voting is open only during the live broadcast, from 8 p.m. ET until shortly after the final dance. Vote online at dwtsvote.abc.com, or text the couple’s on-screen keyword to 21523. Voters must be 18 or older; online voting is open in the U.S. and Canada, while text voting is U.S.-only. Because the vote closes during the live show, West Coast viewers vote before the broadcast reaches them locally. Vote limits and keywords are posted with each episode.
When is the next DWTS episode, and what are the remaining theme nights?
Dedication Night aired Tuesday, Oct. 20, with Kym Johnson-Herjavec guest-judging, and no one was eliminated. The next episode is Horror Movie Night, Tuesday, Oct. 27 at 8 p.m. ET, a double elimination. Week 6: Dedication Night (Oct. 20). Week 7: Horror Movie Night (Oct. 27). Week 8: Disney Night (Monday, Nov. 2). Week 9: Grammy Night (Nov. 10). Semifinals Nov. 17 and finale Nov. 24.