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dancing with the stars

SEASON 35

THE DANCES. THE DRAMA. THE JOURNEY. LIVE ON DMM.

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More
Than a Show…
It's a Dance
Revolution.

NEWS FLASH

At a Glance

UPDATING

Questions We're Tracking

Where DMM separates what is known from what is not. Nothing in this column is presented as settled unless the evidence settles it.

This Week's Elimination

Live Commentary

LIVE

Fan Poll


Cast & Couples

Every pairing, their status in the competition, and the running score record as the season moves.

Season Leaderboard

DERIVED FROM SCORE RECORDS
Season 35 leaderboard by cumulative judges' score
#CoupleLatest danceScore runTotalAvg

Did They Fix It? — DMM Development Tracker

Every partnership carries a technical correction forward. After the next routine, DMM can record whether it improved, stayed the same, or revealed a different problem.

How to read this: “Week 1 correction” is DMM’s technical observation from the premiere. “Next check” is the movement question DMM will revisit. This is analysis, not an official judging score.

CouplePremiere baselineWeek 1 correctionNext checkTracker
Tatyana Aliwith Jan RavnikEP 2 · Jive · 12/30Keep the jive rhythm underneath the performance from the first count.Lighter footwork + steadier bounceCHECK WEEK 2
Tyler Cameronwith Sharna BurgessEP 1 · Tango · 17/30Organize power through frame and standing leg rather than muscling the shape.Frame + grounded travelCHECK WEEK 2
Giada De Laurentiiswith Alan BerstenEP 2 · Tango · 16/30Turn readable shapes into continuous, committed movement.Drive + confidenceCHECK WEEK 2
Jenna Dewanwith Val ChmerkovskiyEP 2 · Tango · 19/30Reduce unnecessary upper-body force while keeping the tango alive.Economy + frameCHECK WEEK 2
Ezra Frechwith Daniella KaragachEP 1 · Tango · 20/30Convert athletic power into continuous travel instead of isolated effort.Glide + continuous leadCHECK WEEK 2
Amber Glennwith Pasha PashkovEP 2 · Cha-cha · 18/30Trade some skating glide for more decisive Latin weight transfer.Foot pressure + partner connectionCHECK WEEK 2
Taylor Hansonwith Britt StewartEP 1 · Quickstep · 16/30Let musicianship support the feet instead of carrying the whole performance.Frame + foot clarityCHECK WEEK 2
Maura Higginswith Mark BallasEP 2 · Foxtrot · 21/30Keep the softness while making the foot action and rise-and-fall more specific.Foot action + continuityCHECK WEEK 2
Conner Leavittwith Adele ZaikmanEP 1 · Salsa · 12/30Eliminated after one routine; development arc ended before a correction week.PRO CAREER WATCHCLOSED
Ciara Millerwith Brandon ArmstrongEP 2 · Foxtrot · 15/30Connect the emotional performance to continuous body flight.Continuity + frameCHECK WEEK 2
Sarah Jane Naderwith Hailey BillsEP 2 · Jive · 14/30Eliminated after one routine; no Week 2 correction sample.ELIMINATEDCLOSED
Jackson Olsonwith Emma SlaterEP 1 · Cha-cha · 15/30Put the energy inside the rhythm instead of on top of it.Timing + leg actionCHECK WEEK 2
Guillermo Rodriguezwith Witney CarsonEP 1 · Cha-cha · 10/30Replace walking mechanics with deliberate Latin weight changes.Timing + ball-of-foot actionCHECK WEEK 2
Harry Shum Jr.with Jenna JohnsonEP 1 · Cha-cha · 21/30Become more economical without becoming less alive.Axis + weight + Latin actionCHECK WEEK 2
Julia Stileswith Ezra SosaEP 2 · Quickstep · 18/30Build live ballroom specificity independent of the movie memory.Frame + quickstep footworkCHECK WEEK 2
Connor Woodwith Rylee ArnoldEP 1 · Cha-cha · 16/30Make the basic rhythm as readable as the personality.Weight changes + Latin timingCHECK WEEK 2

The Choreography Lens

Instead of asking only whether a celebrity danced well, DMM asks what problem the professional dancer is solving — what the routine protects, exposes, simplifies or demands.

CHOREOGRAPHY LENS

Jenna Johnson → Harry Shum Jr.

Editing an expert. Preserve musical instinct while redirecting familiar commercial habits toward more specific Latin mechanics.

CHOREOGRAPHY LENS

Mark Ballas → Maura Higgins

Building from instinct. Use character and musical intention as scaffolding, then keep layering foot action, continuity and frame underneath it.

CHOREOGRAPHY LENS

Daniella Karagach → Ezra Frech

Translating an athlete. Keep the power while changing how that power travels — less vertical/explosive, more continuous through a shared frame.

CHOREOGRAPHY LENS

Val Chmerkovskiy → Jenna Dewan

Subtracting without flattening. Leave room for intensity while discouraging movement that is too large for tango mechanics.

Music & Performance Desk

Every routine of the season: style, song, score, and what DMM saw in the technique.

EpCoupleStyleSongScoreDMM read

Dance Decoder — What You’re Actually Watching

A score tells you the judges’ number. This guide gives non-dancers a few movement clues to watch for so the critique makes sense.

DMM’s Dance Decoder is an editorial viewing guide, not a competition rulebook or substitute for instruction from a qualified ballroom teacher.

DANCE DECODER

Cha-cha

Weight changes create the dance. Watch whether weight settles clearly from foot to foot; whether the legs and feet produce the rhythm; and whether hip action grows out of the transfer instead of being added on top.

Premiere examples: Harry Shum Jr., Amber Glenn, Connor Wood, Jackson Olson, Guillermo Rodriguez.

DANCE DECODER

Tango

Stillness and direction are part of the power. Look for a compact, stable frame; grounded travel; clear changes of direction; and a partnership that moves as one unit without unnecessary rise-and-fall.

Premiere examples: Ezra Frech, Tyler Cameron, Jenna Dewan, Giada De Laurentiis.

DANCE DECODER

Quickstep

Speed only works if the frame survives it. The feet move quickly, but the upper body cannot look frantic. Watch posture, closed-hold coordination, light travel and whether timing stays organized through fast patterns.

Premiere examples: Taylor Hanson, Julia Stiles.

DANCE DECODER

Foxtrot

Continuity is the headline. Look for sustained travel, a calm frame, swing and rise/fall that feel connected rather than assembled one figure at a time.

Premiere examples: Maura Higgins, Ciara Miller.

DANCE DECODER

Jive

Compact mechanics create visible energy. Watch quick weight changes, light/compact footwork, bounce action and whether speed stays rhythmic instead of turning into running.

Premiere examples: Tatyana Ali, Sarah Jane Nader.

DANCE DECODER

Salsa

Timing and connection have to survive the party. Watch the timing of weight changes, how turns reconnect to the partner and whether the body keeps the rhythm beneath tricks and personality.

Premiere example: Conner Leavitt.

Who Actually Transfers?

DMM's running question for Season 35: which prior movement training carries into ballroom and Latin, and where does specialized technique expose its limits.

CelebrityPrior movement backgroundWhat should transferWhere ballroom will test them

Judges & Hosts

The Season 35 panel and hosts — and the dance background each one brings to the ballroom.

Behind the Scenes

Rehearsal, wardrobe, hair and makeup, camera and crew — the work that happens before the floor lights up.

On the Floor

Official Season 35 video from ABC/Disney, plus DMM’s episode photography.

Episode Guide

Every night of Season 35, with results and what each episode changed.

EpTitleAir dateThemeResultStatus

The People Behind the Ballroom

How to Read This Page

VERIFIEDVerified factSupported by an authoritative source, listed below.
DMM ANALYSISOur readingDance-technical interpretation by DMM. Evidence-based, but ours.
OPEN QUESTIONStill trackingSomething we are following that the record does not yet answer.
UPDATINGMovingA live figure that changes as the night runs.